Michael Dickman – författare

"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone—Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."—James Laughlin Award citation

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."—The New Yorker

"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."—The Believer

Winner of the James Laughlin Award for the best second book by an American poet, Flies presents an uncompromising vision of joy and devastating loss through a strict economy of language and an exuberant surrealism. Michael Dickman's poems bring us back to the wonder and violence of childhood, and the desire to connect with a power greater than ourselves.

What you want to rememberof the earthand what you end uprememberingare often twodifferent things

Michael Dickman was born and raised in Portland, Oregon. His first book of poems, The End of the West, appeared in 2009 and became the best-selling debut in the history of Copper Canyon Press. His poems appear frequently in The New Yorker, and he teaches poetry at Princeton University.

"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone—Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."—James Laughlin Award citation

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."—The New Yorker

"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."—The Believer

Winner of the James Laughlin Award for the best second book by an American poet, Flies presents an uncompromising vision of joy and devastating loss through a strict economy of language and an exuberant surrealism. Michael Dickman''s poems bring us back to the wonder and violence of childhood, and the desire to connect with a power greater than ourselves.

What you want to rememberof the earthand what you end uprememberingare often twodifferent things

Michael Dickman was born and raised in Portland, Oregon. His first book of poems, The End of the West, appeared in 2009 and became the best-selling debut in the history of Copper Canyon Press. His poems appear frequently in The New Yorker, and he teaches poetry at Princeton University.

"Their verse . . . is strikingly different. Michael''s poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew''s are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New Yorker

Identical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare.

"Lucky in Kansas"

Judy Garland: This is always the worst partTin Man: The coming backJudy Garland: Yes, it fucking sucks, it''s depressing as shitThe Lion: Well, we''re lucky to still be employed at this farmStraw Man: I wouldn''t call it luckyThe Lion: We were lucky to get backStraw Man: That''s not really lucky either I don''t think you know what lucky meansJudy Garland: It''s funny what you missTin Man: The runningJudy Garland: The flyingTin Man: The flying monkeysJudy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green world

Michael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

"Dickman''s book moves with careful intensity as it confidently illuminates buried, contemporary suffering."—Publishers Weekly

"Elizabeth Bishop said that the three qualities she admired most in poetry were accuracy, spontaneity, and mystery. Michael Dickman''s first full-length collection of poems demonstrates each brilliantly....These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings. Again and again the language seems to disappear, leaving the reader with woven flashes of image, situation, emotion....These are durable poems from one of the most accomplished and original poets to emerge in years."—The Believer

"With vacant space and verbal economy, his work suggests volumes." —Poets & Writers

The poems in Michael Dickman’s energized debut document the bright desires and all-too-common sufferings of modern times: the churn of domestic violence, spiritual longing, drug abuse, and the impossible expectations fathers have for their sons. In a poem that references heroin and “scary parents,” Dickman reminds us that “Still there is a lot to pray to on earth.” Dickman is a poet to watch.

You can go blind, waiting

Unbelievable quietexcept for their soundings

Moving the sea around

Unbelievable quiet inside you, as they changethe face of water

The only other time I felt this still was watching Leif shoot up when we were twelve

Sunlight all over his face

breakingthe surface of somethingI couldn’t see

You can wait yourwhole life

Michael Dickman was born and raised in Portland, Oregon, and began writing poems “after accidentally reading a Neruda ode.” His work has appeared in The New Yorker, Tin House, and The American Poetry Review.

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."—The New Yorker

"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."—The Believer

"My master plan is happiness," writes Michael Dickman in his wonderfully strange third book, Green Migraine. Here, imagination and reality swirl in the juxtaposition between beauty and violence in the natural world. Drawing inspiration from the verdant poetry of John Clare, Dickman uses hyper-real, dreamlike images to encapsulate, illustrate, and illuminate how we access internal and external landscapes. The result is nothing short of a fantastic, modern-day fairy tale.

From "Where We Live":

I used to livein a mother now I livein a sunflower

Blinded by the silverware

Blinded by the refrigerator

I sit on a sidewalkin the sunflower and its yellowdownpour…

Michael Dickman is the winner of the 2010 James Laughlin Award from the Academy of American Poets for his second collection, Flies. His poems are regularly published in the New Yorker. He was born and raised in Portland, Oregon, and teaches poetry at Princeton University.