Michael Lundblad – författare

Illustrating a new methodology identified as animality studies, The Birth of a Jungle explores animality at the turn of the twentieth century in the U.S.-a moment when shifts in what it meant to be both human and animal produced new ways of thinking about various human behaviors, including homosexuality, labor exploitation, and the lynching of black men. Throughout the study, Michael Lundblad explores what he identifies as the discourse of the jungle: Darwinist-Freudian constructions of human behavior that could be explained by animal instincts that were supposedly naturally violent in the name of survival and heterosexual in the name of reproduction. These new formulations were often contested rather than reinforced, however, in Progressive-Era literary and cultural texts. The Birth of a Jungle ultimately reveals the significance of animality in relation to the history of sexuality, literary naturalism, and critical race studies, while highlighting how the discourse of the jungle remains a disturbing yet powerful presence today.

If you are an advocate for people with disabilities, should you also be vegan? How does your position on assisted suicide relate to how you think about euthanizing pets? Recent work in disability studies has called for greater engagement with animal studies, but disability activists and scholars have long been uncomfortable with comparisons between animals and people with disabilities or chronic and terminal illnesses. The long and problematic history of dehumanizing and animalizing disabled people has often led to the need to reclaim their humanity and basic human rights. What, then, should be the relationship between disability and animal rights? Disanimality reveals how certain forms of animal advocacy can lead to greater discomfort for disability activists, such as universalist calls for veganism and abolitionist animal rights. The result can be what Lundblad calls disanimality, a feeling of discomfort which can be produced when overly simplistic comparisons are made between animals and people with disabilities. Disanimality argues instead for staying with the trouble of historically and culturally situated analysis, foregrounding posthumanist approaches to both animal and disability studies in relation to contemporary novels, films, and memoirs. Closer attention to the ways that disability, illness, and animality meet can lead not only to new theoretical tools and concepts, but also better potential for coalitions between advocacy movements.

If you are an advocate for people with disabilities, should you also be vegan? How does your position on assisted suicide relate to how you think about euthanizing pets? Recent work in disability studies has called for greater engagement with animal studies, but disability activists and scholars have long been uncomfortable with comparisons between animals and people with disabilities or chronic and terminal illnesses. The long and problematic history of dehumanizing and animalizing disabled people has often led to the need to reclaim their humanity and basic human rights. What, then, should be the relationship between disability and animal rights? Disanimality reveals how certain forms of animal advocacy can lead to greater discomfort for disability activists, such as universalist calls for veganism and abolitionist animal rights. The result can be what Lundblad calls disanimality, a feeling of discomfort which can be produced when overly simplistic comparisons are made between animals and people with disabilities. Disanimality argues instead for staying with the trouble of historically and culturally situated analysis, foregrounding posthumanist approaches to both animal and disability studies in relation to contemporary novels, films, and memoirs. Closer attention to the ways that disability, illness, and animality meet can lead not only to new theoretical tools and concepts, but also better potential for coalitions between advocacy movements.

If you are an advocate for people with disabilities, should you also be vegan? How does your position on assisted suicide relate to how you think about euthanizing pets? Recent work in disability studies has called for greater engagement with animal studies, but disability activists and scholars have long been uncomfortable with comparisons between animals and people with disabilities or chronic and terminal illnesses. The long and problematic history of dehumanizing and animalizing disabled people has often led to the need to reclaim their humanity and basic human rights. What, then, should be the relationship between disability and animal rights? Disanimality reveals how certain forms of animal advocacy can lead to greater discomfort for disability activists, such as universalist calls for veganism and abolitionist animal rights. The result can be what Lundblad calls disanimality, a feeling of discomfort which can be produced when overly simplistic comparisons are made between animals and people with disabilities. Disanimality argues instead for staying with the trouble of historically and culturally situated analysis, foregrounding posthumanist approaches to both animal and disability studies in relation to contemporary novels, films, and memoirs. Closer attention to the ways that disability, illness, and animality meet can lead not only to new theoretical tools and concepts, but also better potential for coalitions between advocacy movements.

If you are an advocate for people with disabilities, should you also be vegan? How does your position on assisted suicide relate to how you think about euthanizing pets? Recent work in disability studies has called for greater engagement with animal studies, but disability activists and scholars have long been uncomfortable with comparisons between animals and people with disabilities or chronic and terminal illnesses. The long and problematic history of dehumanizing and animalizing disabled people has often led to the need to reclaim their humanity and basic human rights. What, then, should be the relationship between disability and animal rights? Disanimality reveals how certain forms of animal advocacy can lead to greater discomfort for disability activists, such as universalist calls for veganism and abolitionist animal rights. The result can be what Lundblad calls disanimality, a feeling of discomfort which can be produced when overly simplistic comparisons are made between animals and people with disabilities. Disanimality argues instead for staying with the trouble of historically and culturally situated analysis, foregrounding posthumanist approaches to both animal and disability studies in relation to contemporary novels, films, and memoirs. Closer attention to the ways that disability, illness, and animality meet can lead not only to new theoretical tools and concepts, but also better potential for coalitions between advocacy movements.

Exemplifying a new methodology identified as'animality studies' that focuses on constructions of animality at specific historical and cultural moments, without the explicit emphasis on animal advocacy that is often found in animal studies, this book explores animality at the turn of the twentieth century in the United States. At that moment, shifts in what it meant to be both 'human' and 'animal' became crucial in terms of producing new ways of thinking about a wide range of human behaviors, including homosexuality, labor exploitation, and the lynching of black men. The discourse of 'the jungle' was born at the confluence of Darwin and Freud, once human behavior could be explained, supposedly, by animal instincts that were naturally violent in the name of survival and heterosexual in the name of reproduction. Literary and cultural texts at the turn of the twentieth century produced new ways of thinking about the 'beast within' shifting away from a Protestant Christian formulation of a devilish inner beast that was sinful and violent. But the central argument here is that Darwinist-Freudian formulations of the human animal, despite reigning critical interpretations, were often contested rather than reinforced by writers such as Jack London, Henry James, Frank Norris, Upton Sinclair, Edgar Rice Burroughs, and William James, as well as cultural events such as a circus elephant publicly electrocuted at Coney Island, an African man on display in the Monkey House of the Bronx Zoo, and the Scopes "Monkey Trial." Ultimately, this book reveals not only new ways of thinking about familiar texts, but also the significance of the question of the animal in relation to fields such as the history of sexuality, studies of literary naturalism, and critical race studies within American literary and cultural studies. The book reveals how the figure of the animal evolved in U.S. literature and culture at the turn of the century, particularly through the birth of the jungle: a discourse that continues to enable enduring justifications of homophobia, economic exploitation, and racism in the United States and beyond.

According to the law of the jungle, the behavior of wild animals can be equated with natural human instincts not only for competition and reproduction, but also for violence and exploitation. Drawing on numerous novels and cultural events at the turn of the twentieth century, The Birth of a Jungle examines how the characteristics and imagery of wild animals were evoked to explore a wide range of human behaviors, including homosexuality, labor exploitation, and the lynching of African Americans.Throughout the study, Michael Lundblad emphasizes what he terms "the discourse of the jungle": Darwinist-Freudian constructions of "the human" and "the animal" that redefined various behaviors in relation to animal instincts. With nuanced, attentive readings, Lundblad reveals how these formulations of the human animal, despite reigning critical interpretations, were often contested rather than reinforced in Progressive-Era texts. Henry James''s "The Beast in the Jungle" and fiction by Jack London serve as opportunities to examine changing attitudes toward sexuality and queer desire. Works like Andrew Carnegie''s The Gospel of Wealth and Frank Norris''s The Octopus offer insights into another type of jungle: the capitalist marketplace. The real-life electrocution of a circus elephant at Coney Island and Upton Sinclair''s muckraking classic, The Jungle, inform the subsequent discussion of animalized class warfare. Understandings of race and evolution are explored through the work of William James, Edgar Rice Burrough''s Tarzan of the Apes, and the role of William Jennings Bryan at the Scopes "Monkey Trial" of 1925.Engagingly written and cogently argued, The Birth of a Jungle reveals the significance of animality in relation to the history of sexuality, literary naturalism, and critical race studies, while highlighting how the discourse of the jungle remains a disturbing yet powerful presence in today''s culture.

Why has the academy struggled to link advocacy for animals to advocacy for various human groups? Within cultural studies, in which advocacy can take the form of a theoretical intervention, scholars have resisted arguments that add "species" to race, class, gender, sexuality, disability, and other human-identity categories as a site for critical analysis. Species Matters considers whether cultural studies should pay more attention to animal advocacy and whether, in turn, animal studies should pay more attention to questions raised by cultural theory. The contributors to this volume explore these issues particularly in relation to the "humane" treatment of animals and various human groups and the implications, both theoretical and practical, of blurring the distinction between "the human" and "the animal." They address important questions raised by the history of representing humans as the only animal capable of acting humanely and provide a framework for reconsidering the nature of humane discourse, whether in theory, literary and cultural texts, or current advocacy movements outside of the academy.

Why has the academy struggled to link advocacy for animals to advocacy for various human groups? Within cultural studies, in which advocacy can take the form of a theoretical intervention, scholars have resisted arguments that add "species" to race, class, gender, sexuality, disability, and other human-identity categories as a site for critical analysis. Species Matters considers whether cultural studies should pay more attention to animal advocacy and whether, in turn, animal studies should pay more attention to questions raised by cultural theory. The contributors to this volume explore these issues particularly in relation to the "humane" treatment of animals and various human groups and the implications, both theoretical and practical, of blurring the distinction between "the human" and "the animal." They address important questions raised by the history of representing humans as the only animal capable of acting humanely and provide a framework for reconsidering the nature of humane discourse, whether in theory, literary and cultural texts, or current advocacy movements outside of the academy.

The question of the animal has preoccupied an increasing number of humanities, science, and social science scholars in recent years, and important work continues to expand the burgeoning field of animal studies. However, a key question still needs to be explored: Why has the academy struggled to link advocacy for animals to advocacy for various human groups? Within cultural studies, in which advocacy can take the form of a theoretical intervention, scholars have resisted arguments that add "species" to race, class, gender, sexuality, disability, and other human-identity categories as a site for critical analysis.Species Matters: Humane Advocacy and Cultural Theory considers whether and why cultural studies—specifically cultural theory—should pay more attention to animal advocacy and whether or why animal studies should pay more attention to questions raised by cultural theory. The contributors to this volume focus on the "humane" treatment of animals and various human groups and the implications, both theoretical and practical, of blurring the distinction between "the human" and "the animal." This anthology addresses important questions raised by the history of representing humans as the only animal capable of acting humanely, providing a framework for reconsidering the nature of humane discourse, whether in theory, literary and cultural texts, or current advocacy movements outside of the academy.