Leading thinkers on the policies and leadership of the Morrison Government from 2019 to 2022Australia has rarely endured as many difficulties as it did during the COVID-19 pandemic-dominated Morrison Government's term of office, from its surprise 2019 election win to the 2022 poll. How did government perform? How did policy and administration fare during this tumultuous political period? Was Australia's national government resilient in the face of the massive pandemic challenge, and how were its operations reshaped by it?Leading journalists and scholars, including Karen Middleton, Michelle Grattan, Chris Wallace, Julianne Schultz, Katharine Murphy, Stephen Duckett, Brendan McCaffrie, Stan Grant, Geoffrey Watson and Renée Leon, answer these questions in a searching examination of policy and leadership under the Morrison Government.

An intimate and eye-opening account of Michelle Grattan’s travels through ‘the wool track’ of western New South WalesIn Back On The Wool Track, Michelle Grattan traces the footsteps of pre- eminent journalist and war historian C.E.W Bean. In 1909, Bean was commissioned by the Sydney Morning Herald to write a series of articles on the wool industry in western New South Wales. The articles were later compiled into a book and published as On The Wool Track which went on to become an Australian classic. (Continually in print until 1966.) Now, almost 100 years later, Michelle Grattan traces Bean’s footsteps and paints a fascinating picture of the Far West in 21st century Australia. Like Bean, whose descriptions brought to life the characters who inhabited this harsh, arid region, Back on the Wool Track is about people. Grattan visits the wool country and tracks down descendants of people Bean met during his travels and she observes the modern shearers, doing an old job in a new world. As Bean brought the outback to his city readers in 1909, Grattan interprets the Western Division for contemporary Australians. Back On The Wool Track is a vivid and sensitive portrayal of ‘this delicate country that responds like a piano to whatever touches it’.

Leading thinkers on the policies and leadership of the Morrison Government from 2019 to 2022Australia has rarely endured as many difficulties as it did during the COVID-19 pandemic-dominated Morrison Government's term of office, from its surprise 2019 election win to the 2022 poll. How did government perform? How did policy and administration fare during this tumultuous political period? Was Australia's national government resilient in the face of the massive pandemic challenge, and how were its operations reshaped by it?Leading journalists and scholars, including Karen Middleton, Michelle Grattan, Chris Wallace, Julianne Schultz, Katharine Murphy, Stephen Duckett, Brendan McCaffrie, Stan Grant, Geoffrey Watson and Renée Leon, answer these questions in a searching examination of policy and leadership under the Morrison Government.

An intimate and eye-opening account of Michelle Grattan’s travels through ‘the wool track’ of western New South WalesIn Back On The Wool Track, Michelle Grattan traces the footsteps of pre- eminent journalist and war historian C.E.W Bean. In 1909, Bean was commissioned by the Sydney Morning Herald to write a series of articles on the wool industry in western New South Wales. The articles were later compiled into a book and published as On The Wool Track which went on to become an Australian classic. (Continually in print until 1966.) Now, almost 100 years later, Michelle Grattan traces Bean’s footsteps and paints a fascinating picture of the Far West in 21st century Australia. Like Bean, whose descriptions brought to life the characters who inhabited this harsh, arid region, Back on the Wool Track is about people. Grattan visits the wool country and tracks down descendants of people Bean met during his travels and she observes the modern shearers, doing an old job in a new world. As Bean brought the outback to his city readers in 1909, Grattan interprets the Western Division for contemporary Australians. Back On The Wool Track is a vivid and sensitive portrayal of ‘this delicate country that responds like a piano to whatever touches it’.