Mike Schneider – författare

Behind the costumes, life isn’t always magic and fairy dust for the people who play the iconic characters of Mickey Mouse, Goofy, and Cinderella at Walt Disney World. In a surprising tale of corruption alongside activism, Mickey and the Teamsters reveals the little-known story of Teamsters Local 385, the union that represents these performers. It spotlights Donna-Lynne Dalton, a former cast member who stood up for other Disney performers against deep-rooted problems in the union that was supposed to protect them.Journalist Mike Schneider, who covered the story as it unfolded, includes exclusive interviews with labor leaders and workers at the park, detailing how the union prevented its members from leaving, severely mismanaged union business, and promoted a culture of hostile leadership. Members of the Teamsters local felt that they no longer had a voice, fearing devastating consequences if they spoke up. But Dalton brought the issues to investigators in an act of whistleblowing that threatened her livelihood. In return, the local union fired Dalton and began harassing her and other union members who opposed its leaders. The story escalates as Schneider describes protests by the Disney performers and the interventions of James Hoffa, president of the International Brotherhood of Teamsters.Mickey and the Teamsters offers a behind-the-scenes look at some of the hidden struggles that surround Disney World, which employs the largest single-site workforce in the United States. Through the efforts of Dalton and others to reform their union and improve the lives of employees at the workplace they loved, Schneider shows the importance of individual and collective action to hold unions accountable and preserve their potential to do good.

How Many Faces Do You Have? is a poem sequence that interrogates intimacy, each poem a face the poet discovers, a reflection revealed in response to inner questioning. In a voice of quiet sonority, these lyrics journey from a high-school gym dance to a  moonlit beach polka. They linger over sushi in Montreal and an airline meal at 40,000 feet on a flight. They touch joy and pain and celebrate the vicissitudes of love that goes “into the tangled heartland / where there is no trail,” as a gift of being.A faceis such a strange thing. Obsessedwith distortion, Modiglianiloved elongated faceslike Tamara’s at a distance,a flattened oval, two black jewels. Hepainted with a daggerin his teeth, they say, to see the facewithin the face — grave,cold-eyed as Nefertiti, Queen of Egypt,whom I’ve always lovedfor her name alone.