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4 produkter
4 produkter
595 kr
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This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes.This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour.This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.
Plants and Gardens as Artefacts in Transcultural Contexts
Between Asia and Europe
Inbunden, Engelska, 2025
2 176 kr
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This edited volume explores the ways in which the object biography or object itinerary approach could be adapted to frame research on animate objects, such as plants and gardens in transcultural contexts. By treating these animate elements as ‘objects’ in the manner of artefacts and looking at their individual histories, we gain a more nuanced sense of how data accumulated, how new knowledge developed through printed texts and specimen collections, and how the creators of gardens or landscapes formed their collections. Chapters explore the shifts in meanings when objects from diverse origins meet in new cultural contexts where their new owners create assemblages based on their perception of the world. The book will be of interest to scholars working in art history, material culture, and cultural geography.
2 176 kr
Skickas inom 10-15 vardagar
This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes.This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour.This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.
689 kr
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Finnish-Swedish art historian Osvald Siren (1879-1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921-1923, 1929-1930, and 1935. This was a pivotal period in Chinese archaeology, art studies, and the formation of Western collections of Chinese art. Siren gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. Yet when he was almost forty years old, he became captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew-in a way. He has left his mark in several fields in Chinese art study: architecture, sculpture, painting, and garden art. This study charts Siren's itineraries during his travels in Japan, Korea, and China. It introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. Since Siren was a theosophist, the book also explores the impact of theosophical ideas in his work.