Moritz Herrmann – författare

Essay from the year 2010 in the subject Communications - Media and Politics, Politic Communications, grade: 1,7, Manipal University (Manipal Institute of Communication), course: Global Communication, language: English, abstract: Every age has its own dreams and ideals. In our time, the global network society is at the very front of utopias. The joyous spirit of informalism, going hand in hand with free markets, open horizonsand communication without any borders what a world this would be! Amongst all concepts that could contribute massively to this goal, one stands out: the 'free flow of information'. Supposedly a good thing, it has been controversial ever since, though. Not in terms of general approval that information should be free and accessible for everyone but in the light of different political ideologies. The west understands 'free flow of information' as lack of government controls, while the so-called 'Third World' as well as some states of the former Soviet Union and others stress a 'balanced and unbiased' flow to and from the Third World. In between these opinions, well-known organizations such as UN and UNESCO try to negotiate, helped by non-governmental instances. In order to critique this 'flow of information' more purposefully, I thought of a few questions I'd like to find answers to while examining the whole concept. The questions are: How much is the policy shaped by the rituals of the mass media? Why are politicians so keen and intense about being reporting on in the electronic media, the talk shows, the news? Is there some kind of 'resistance of the political', in a way that the traditional decision-making andcommunication patterns happens but is only overshadowed by the excitement of the actual journalism? Do politicians want to be protected from the mass-media spectacle at all and, if so, how can they, really? Finally, how can the political class force their way of reporting on the journalists and news agencies?

Seminar paper from the year 2010 in the subject Art - Architecture / History of Construction, grade: 1,3, Manipal University (Manipal Institute of Communication), course: Cultural History of India, language: English, abstract: Although India can refer to a proud and very multifaceted history of architecture - with the likes of early and later Hindu and Buddhist temples, Muslim mosques and palaces, and to some degree even the achievements of colonial architecture - the creations of the Mughals probably outshine them all - not least because one of their finest pieces of art ranks amongst the seven world-wonders. The following essay will give an overview over Mughal architecture and hopefully help understanding the ideas behind it. In the very beginning, it explains the origins of the Mughal dynasty. It focuses in further detail on the four emperors Akbar, Jahangir, Shah Jahan and Aurangzeb, for they are considered the most important forces in terms of changing the landscape of Mughal India. The resume will provide some overall thoughts and the results of the analysis of the emperors' different styles in (urban) planning, building, decorating and patronizing.

Essay from the year 2010 in the subject Art - Architecture / History of Construction, grade: 2,0, Manipal University (Manipal Institute of Communication), course: Cultural History of India, language: English, abstract: Of course, the India of today is also a product of the decade of colonialism in some ways. And although colonial architecture might be just one piece of the puzzle it remains undeniable that its influence is by no means trivial since the output changed Indian landscape. It is fair to say that India has struggled with the colonial heritage in order to find its post-colonial identity. While political experts agree that India has developed dynamically, architecture critics point out architectural development did not quite so - at least not at the same pace. The following essay wants to examine whether this assumption can be explained by the rule colonial architecture. It gives an overview over that very time and its possible meaning for the later, post-colonial architecture of the independent India. It will focus on urban planning, forts and churches.