Nadine Holdsworth - Böcker

How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation?Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work.The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.

This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Joan Littlewood was one of the most visionary and influential theatre directors of the twentieth century. Drawing on extensive archival research and detailed performance histories, and paying close attention to wider political and cultural forces, this innovative study presents a fresh examination of Littlewood's treatment of the politics of war, Renaissance plays, marginalised communities and popular culture in productions such as Oh What a Lovely War, A Taste of Honey and Richard II. This book offers a sustained examination of Littlewood's paratheatrical activity that centred on her ambitious plans for the Fun Palace, a multifaceted cultural centre, and her numerous playground projects for young people. Alert to critical thinking on ethics, citizenship, cultural politics, class and space, Joan Littlewood's Theatre will deepen and extend knowledge and understanding of the innovative theatrical, cultural and community-based practices generated by Littlewood throughout her career.

Homelessness in Performance, Art and Society investigates the contemporary context of homelessness in England and how performance and the arts can engage with this complex issue to advocate for, value and foster the lives, creative identities, and artistic ambitions of people who are, or have been, affected by homelessness.The book offers critically informed analysis of the artists, theatre-makers, social enterprises, investigative journalists, and cultural, heritage, and charitable organisations, drawing on socially committed arts practice. It highlights, documents, and investigates artistic interventions that provoke new ways of perceiving homelessness and examines projects that offer those who have experienced homelessness an opportunity to showcase their stories, heritage, creativity, and cultural leadership. Capturing the breadth of socially committed arts practice in England, this book engages with arts and homelessness through a consideration of autobiographical performance, photography and graphic novel projects, performance installations and festivals, as well as digital and embodied memorialising outputs and events.Homelessness in Performance, Art and Society is ideal for students and scholars of applied theatre, socially engaged theatre, and broader humanities studies that interrogate the intersections between homelessness and the arts, as well as artists and community activists with an interest in this field.

Homelessness in Performance, Art and Society investigates the contemporary context of homelessness in England and how performance and the arts can engage with this complex issue to advocate for, value and foster the lives, creative identities, and artistic ambitions of people who are, or have been, affected by homelessness.The book offers critically informed analysis of the artists, theatre-makers, social enterprises, investigative journalists, and cultural, heritage, and charitable organisations, drawing on socially committed arts practice. It highlights, documents, and investigates artistic interventions that provoke new ways of perceiving homelessness and examines projects that offer those who have experienced homelessness an opportunity to showcase their stories, heritage, creativity, and cultural leadership. Capturing the breadth of socially committed arts practice in England, this book engages with arts and homelessness through a consideration of autobiographical performance, photography and graphic novel projects, performance installations and festivals, as well as digital and embodied memorialising outputs and events.Homelessness in Performance, Art and Society is ideal for students and scholars of applied theatre, socially engaged theatre, and broader humanities studies that interrogate the intersections between homelessness and the arts, as well as artists and community activists with an interest in this field.

This volume captures the rich diversity of European performance practice evident in the twentieth and early part of the twenty-first century. Written by leading directors, actors, dancers, scenographers and academics from across Europe, the collection spans a broad range of subject areas including dance, theatre, live art, multimedia performance and street protest. The essays are divided into three sections on: performers and performing; staging performance; representation and reception, and document innovations in acting, performance and stagecraft by key practitioners. Articles also explore the ways that performance has been used to stage debates around major preoccupations of the age such as war, the human condition, globalization, the impact of new technologies and identity politics. This volume, which features previously published performance manifestoes, articles, and book chapters on the most frequently discussed and debated topics in the field, is an indispensable reference work for both academics and students.

This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Joan Littlewood was one of the most visionary and influential theatre directors of the twentieth century. Drawing on extensive archival research and detailed performance histories, and paying close attention to wider political and cultural forces, this innovative study presents a fresh examination of Littlewood's treatment of the politics of war, Renaissance plays, marginalised communities and popular culture in productions such as Oh What a Lovely War, A Taste of Honey and Richard II. This book offers a sustained examination of Littlewood's paratheatrical activity that centred on her ambitious plans for the Fun Palace, a multifaceted cultural centre, and her numerous playground projects for young people. Alert to critical thinking on ethics, citizenship, cultural politics, class and space, Joan Littlewood's Theatre will deepen and extend knowledge and understanding of the innovative theatrical, cultural and community-based practices generated by Littlewood throughout her career.

Focusing on major and emerging playwrights, institutions, and various theatre practices this Concise Companion examines the key issues in British and Irish theatre since 1979. Written by leading international scholars in the field, this collection offers new ways of thinking about the social, political, and cultural contexts within which specific aspects of British and Irish theatre have emerged and explores the relationship between these contexts and the works produced. It investigates why particular issues and practices have emerged as significant in the theatre of this period.

This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime.

Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide?

This book uses original archival material to consider the theatrical and cultural innovations of Joan Littlewood and her company, 'Theatre Workshop'. Littlewood had a huge impact on the way theatre was generated, rehearsed and presented during the twentieth century.Now reissued, Joan Littlewood is the first book to combine: an overview of Littlewood's career in relation to the wider social, political and cultural contextan exploration of Littlewood's theatrical influences, approach to actor's training, belief in the creative ensemble, attitude to text, rehearsal methods and use of improvisationa detailed case study of the origins, research, creative process and thinking behind Littlewood's most famous production, Oh What a Lovely War, and an assessment of its impacta series of practical exercises designed to capture and illustrate the key approaches Littlewood used in the rehearsal room.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performace Practitioners offer unbeatable value for today's student.

This book uses original archival material to consider the theatrical and cultural innovations of Joan Littlewood and her company, 'Theatre Workshop'. Littlewood had a huge impact on the way theatre was generated, rehearsed and presented during the twentieth century.Now reissued, Joan Littlewood is the first book to combine: an overview of Littlewood's career in relation to the wider social, political and cultural contextan exploration of Littlewood's theatrical influences, approach to actor's training, belief in the creative ensemble, attitude to text, rehearsal methods and use of improvisationa detailed case study of the origins, research, creative process and thinking behind Littlewood's most famous production, Oh What a Lovely War, and an assessment of its impacta series of practical exercises designed to capture and illustrate the key approaches Littlewood used in the rehearsal room.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performace Practitioners offer unbeatable value for today's student.