Nathaniel G. Moore – författare

A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir’s corrosive exposés.Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.

Nathaniel G. Moore follows up his 2014 ReLit Award win for Savage with a diverse collection of short fiction, his first, Jettison, featuring stories which dangle somewhere between horror and romance. "Jaws" explores a father's desire to over-share the erotic origins of his children's "Aunt" Louise; "Blade Runner" uncovers the darkest and most hilarious aspects of dating by delineating the psych ward politics surrounding a male mental patient with five girlfriends who takes apart his bed when they visit; in "A Higher Power," readers are introduced to a brave woman in recovery who shares a story about a time when all she could think about was Prime Minister Paul Martin and would do anything to crash charity dance-a-thons he might be attending; in "Son of Zodiac," Moore captures the ache of a life-spanning meltdown in the painfully polite confessions of a man who believes his father was the Zodiac Killer. Be grateful as you witness a portrait of vulgar torment when a young woman is given an English professor action figure for Christmas ("Professor Buggles"). Each of these stories is an all-inclusive getaway to hilarity and emotional atonement. Jettison is an all-you-can-eat buffet of literary invention: you'll be so glad you got an invite. Praise for Jettison: "wickedly fun to read" (Winnipeg Free Press)

Nates nervous mother chews gum at warp speed and has a bob that resembles Darth Vaders helmet. His icy father dabbles part-time in the death trade at a funeral home after working for a decade in the insurance racket. His older sister Holly is always lurking in the shadows or away at school. Nate, a creative, messy, and anxious teen, has chosen Randy Savage as his hero. As he finishes high school, the world to which Savage belongs is quickly waning in popularity, and Nate begins to seethe wrestlers downfall mirrored in his own life. But not until the family dismantles for good in 1994 does Nates life truly begin to fracture. Savage 1986-2011 chronicles the middle-class implosion of Nates nuclear family, bracketed by July 1986 when he first saw Randy Savage in person and the wrestlers sudden death in May 2011. When Savage dies, Nate is freed from beliefsonce a source of beauty and escapethat had come to constrict him, fusing him to a moribund past The novel is about the blurred lines between child and adult roles and the ever-changing landscape of interior heroism. Whether dealing with a familys economic turbulence, the scarring effects of teenage love, or creating a new family order, Moore revisits, remasters, and repackages a twenty-five year family odyssey with guts, honesty, and love.