Neil Mitchell – författare
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The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present. In this, the second volume, the contributors focus on specific periods and trace the evolutions of individual genres and directors.A complementary edition rather than an update of its predecessor, the book offers essays on war and family films, as well as on LGBT cinema and representations of disability in British films. Contributors consider established British directors such as Ken Loach and Danny Boyle as well as newcomer Ben Wheatley, who directed the fabulously strange A Field in England. This volume also shines the spotlight on the British Film Institute and its role in funding, preservation and education in relation to British cinema.A must read for any fan of film, the history of the United Kingdom, or international artistic traditions, Directory of World Cinema: Britain 2 will find an appreciative audience both within and outside academia.
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An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging ’60s and the politically charged atmosphere following the 2005 subway bombings. Essays exploring key directors, themes and historical periods are complemented by reviews of important scenes that offer particular insight into London''s relationship to cinema. The book is illustrated throughout with full-colour film stills and photographs of cinematic landmarks as they appear now – as well as city maps to aid those keen to investigate them.
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Bringing to mind rockers and royals, Buckingham Palace and the Scottish Highlands, Britain holds a special interest for international audiences who have flocked in recent years to quality exports like Fish Tank, Trainspotting and The King''s Speech. A series of essays and articles exploring the definitive films of Great Britain, this addition to Intellect''s Directory of World Cinema series turns the focus on England together with Northern Ireland, Scotland and Wales.
With a focus on the most cerebral and critically important films to have come out of Britain, this volume explores the diversity of genres found throughout British film, highlighting important regional variations that reflect the distinctive cultures of the countries involved. Within these genres, Emma Bell and Neil Mitchell have curated a rich collection of films for review – from Hitchcock''s spy thriller The 39 Steps to Emeric Pressburger''s art classic The Red Shoes to the gritty but heartfelt This is England. Interspersed throughout the book are critical essays by leading experts in the field providing insight into shifting notions of Britishness, important industry developments and the endurance of the British film industry. For those up on their Brit film facts and seeking to test their expertise, the book concludes with a series of trivia questions.
A user-friendly look at the cultural and artistic significance of British cinema from the silent era to the present, Directory of World Cinema: Britain will be an essential companion to the country''s bright and resurgent film industry.
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An illuminating and visually led guide to a selection of the films set wholly or in part in Melbourne, World Film Locations: Melbourne covers the big screen representations of life in the city from the Victorian era to the present day. Short analyses of iconic scenes and themed essays focusing on key directors and recurring themes and locations combine to highlight the city''s relationship to cinema. Illustrated throughout with full colour film stills and photographs of the locations as they are now – from architectural landmarks to largely unexplored outer-suburbs – the book also contains city maps for those wishing to explore Melbourne''s richly diverse cinematic streets.
From visions of Ned Kelly, via tales of sporting drama to the coming-of-age films of the 1980s and beyond, this accessible trip around the birthplace of the Australian film industry will both firmly cement Melbourne''s reputation as a richly diverse creative hotbed and enhance the standing of the films and filmmakers associated with the city.
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In 1960 Henry F. Potter died and left his fortune to his only living relative and heir, a poor Texas rancher named Jack Curtis. Jack refuses to sell his business interests to those who might continue Potter''s ways and strives to improve Cayuga National Corporation. (formerly Potter Industries). Meanwhile, George Bailey retires and turns the Building and Loan over to his son Pete, who enlarges and renames the business However, enemies are conspiring to destroy the wonderful improvements Jack and Pete have brought about. Also, the economy of the 1980s was in free fall with many thrifts becoming insolvent. Jack and Pete have to find a way out of the dilemma to save their businesses as well as the town of Bedford Falls.