Neil Rollinson – författare

Two brothers confront each other and themselves to overcome their family legacy, from the doomed coalfields of north-east England to sun-bleached southern Spain'Thrilling and brilliantly imagined' SARAH HALL'Extraordinarily tense and tender' GUARDIANFrank Bridge turned his back on his family’s gangland conflicts in Northumberland decades ago. His brother, Gordon, fled to Spain and has not been heard from since. Frank’s life has taken a different path to the same place: he fell in love with Lorca's poetry and the woman who brought it to him.But when their gangster father, the head of their savage dynasty, dies, Frank feels he must track down Gordon and tell him that their father’s reign of terror is over. Can Frank’s appearance after twenty-five years prompt a truce – a reconciliation even – will his arrival merely be the catalyst for more turmoil and brutality? Beneath the scorching, pitiless Andalusian sun, the two brothers are finally brought together for one last reckoning.'Terse, bloody and vivid' THE TIMES'A pleasingly thoughtful and atmospheric crime caper' DAILY TELEGRAPH'Savage, sorrowful, superb' NIALL GRIFFITHS'Vivid, lyrical and propulsive' MALACHY TALLACK'A compelling, beautifully written story of male heartbreak' RUTH PADEL

Shortlisted for the 2015 Costa Poetry PrizeLike Neil Rollinson’s earlier books, Talking Dead is a refreshment of the senses: lifting the lid on the human condition in a heartfelt celebration of the act of being, whether in moments of love or mortality, sex or feasting.In the central sequence of the book – a meditation on the space between life and death – the dead speak of their final earthly moments with a liberating sense of fascination, and a luminous awe. Elsewhere we enjoy al fresco sex, astronomy via many pints in the Cat and Fiddle, and the deliverance of an Indian monsoon after weeks of thirst and drought. In ‘Christmas in Andalucia’ two lovers Skype each other achingly across hundreds of miles – ‘I am full of loss and longing,’ the poet says, ‘the heart is hewn from elm and oak and mistletoe.’As provocative, sensual and subversive as ever, these poems seek and find the numinous in the everyday: some element of ritual or wonder that transforms experience. Although the spectre of darkness is never far away, it is the spirit of pleasure that endures, and we discover to our delight, as D. H. Lawrence did, that the Dionysian finally prevails over the Apollonian.

Continuing where he left off with A Spillage of Mercury, Neil Rollinson's eagerly awaited new collection delves again into the dark, moist, unexpected bag of human experience. Taking the themes of love, sex, and life's unpredictable mysteries and excitements, he scrapes away at the veneer of normality to reveal a world that is instantly stranger and more compelling than before.Rollinson revisits the erotic with his usual wit and bravado, in poems that are sometimes playful and sensitive, sometimes visceral and shocking. He explores scientific subjects through bedroom eyes, introducing the idea of entropy to the lovers' lexicon; he makes sport a backdrop for loneliness - his characters playing golf on the moon, taking the final penalty in the shoot-out, or wandering aimlessly and forever through the high grass of the village-cricket boundary. Diverse and provocative, vibrant and accessible, Spanish Fly is an unusually happy combination: a successful stimulant and a wholly satisfying performance.

With the frank, subversive, and very funny poems in his first two books, Neil Rollinson established himself as a deft cartographer of the sensual world. While a rich and tactile eroticism still courses through Demolition, there is a new seriousness here, as mortality starts to throw its long shadow. These poems occupy a more rueful, reflective space - provisional, mercurial and fragile - a darker place where disintegration and loss are the only certainties, and memory is the only solid ground. Central to this is the death of the father - whether the poet's own, or the lost fathers of Borges or Vallejo - and the theme is broadened through a number of moving examinations of the erosion of time and youth. Against this gathering darkness, Rollinson sets a spirited defence, blending the lyric and vernacular voice in a muscular celebration of food, sex, sport and the natural world that is unusually refreshing, and sophisticated enough to allow both humour and profundity.The poems in Demolition never give up hope; they exhibit a tenacious optimism - or at least a steely pragmatism - that says: we have what we are given, there is no alternative, and we all must find what joy we can in life, and in its living.

Shortlisted for the 2015 Costa Poetry PrizeLike Neil Rollinson’s earlier books, Talking Dead is a refreshment of the senses: lifting the lid on the human condition in a heartfelt celebration of the act of being, whether in moments of love or mortality, sex or feasting.In the central sequence of the book – a meditation on the space between life and death – the dead speak of their final earthly moments with a liberating sense of fascination, and a luminous awe. Elsewhere we enjoy al fresco sex, astronomy via many pints in the Cat and Fiddle, and the deliverance of an Indian monsoon after weeks of thirst and drought. In ‘Christmas in Andalucia’ two lovers Skype each other achingly across hundreds of miles – ‘I am full of loss and longing,’ the poet says, ‘the heart is hewn from elm and oak and mistletoe.’As provocative, sensual and subversive as ever, these poems seek and find the numinous in the everyday: some element of ritual or wonder that transforms experience. Although the spectre of darkness is never far away, it is the spirit of pleasure that endures, and we discover to our delight, as D. H. Lawrence did, that the Dionysian finally prevails over the Apollonian.

Frank Bridge turned his back on his family’s gangland conflicts in Northumberland decades ago. His brother, Gordon, fled to Spain and has not been heard from since. Frank’s life has taken a different path to the same place: he fell in love with Lorca's poetry and the woman who brought it to him.But when their gangster father, the head of their savage dynasty, dies, Frank feels he must track down Gordon and tell him that their father’s reign of terror is over. Can Frank’s appearance after twenty-five years prompt a truce – a reconciliation even – will his arrival merely be the catalyst for more turmoil and brutality? Beneath the scorching, pitiless Andalusian sun, the two brothers are finally brought together for one last reckoning.

Two brothers confront each other and themselves to overcome their family legacy, from the doomed coalfields of north-east England to sun-bleached southern Spain'Thrilling and brilliantly imagined' SARAH HALL'Extraordinarily tense and tender' GUARDIANFrank Bridge turned his back on his family’s gangland conflicts in Northumberland decades ago. His brother, Gordon, fled to Spain and has not been heard from since. Frank’s life has taken a different path to the same place: he fell in love with Lorca's poetry and the woman who brought it to him.But when their gangster father, the head of their savage dynasty, dies, Frank feels he must track down Gordon and tell him that their father’s reign of terror is over. Can Frank’s appearance after twenty-five years prompt a truce – a reconciliation even – will his arrival merely be the catalyst for more turmoil and brutality? Beneath the scorching, pitiless Andalusian sun, the two brothers are finally brought together for one last reckoning.'Terse, bloody and vivid' THE TIMES'A pleasingly thoughtful and atmospheric crime caper' DAILY TELEGRAPH'Savage, sorrowful, superb' NIALL GRIFFITHS'Vivid, lyrical and propulsive' MALACHY TALLACK'A compelling, beautifully written story of male heartbreak' RUTH PADEL