Neil W. Bernstein – författare

Book 9 of Silius Italicus'' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic''s three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal''s record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno''s request to devastate the Roman ranks. After the gods have departed, Hannibal''s elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield.This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book''s use of diction and metre.

Like many famous figures from antiquity, we must work through layers of fantasy in order to uncover the life of Poppaea Sabina (c. 30-65 CE). As the ancient sources tell it, Poppaea pushed the young emperor Nero to murder his mother, execute his wife Octavia, marry her and make her his empress--and then, a few years later, kick her to death in a drunken rage. Poppaea's genuine motives and actions, however, cannot be easily recovered from the extant sources. Her narrative comes to us already fictionalized by ancient authors employing her story to induce moral panic. In this book, Neil Bernstein critically examines these sources to produce the first modern biography of Poppaea Sabina. Her brief marriage to the emperor Nero occasioned political, religious, and social innovation. Nero was the first emperor to represent his wife as a near-equal on his official coinage, and the couple was also celebrated by a group of claquers called "Neropoppaeans." Their daughter Claudia would be the first child to receive posthumous divine honors. Poppaea also received a unique form of posthumous commemoration. Nero castrated Sporus, one of his male slaves, and addressed them thereafter as "Poppaea". For many scholars and creative artists, however, Poppaea's brief life also epitomizes the scandal of Nero's reign. Gossip about her began from the moment she appeared in the emperor's court. Her scandalous parentage, affair with the emperor, and implication in a murder plot presented an unforgettable narrative template, and is principally why we continue to see Poppaea, Nero, and Octavia recur throughout plays, operas, novels, and movies.

Like many famous figures from antiquity, we must work through layers of fantasy in order to uncover the life of Poppaea Sabina (c. 30-65 CE). As the ancient sources tell it, Poppaea pushed the young emperor Nero to murder his mother, execute his wife Octavia, marry her and make her his empress--and then, a few years later, kick her to death in a drunken rage. Poppaea's genuine motives and actions, however, cannot be easily recovered from the extant sources. Her narrative comes to us already fictionalized by ancient authors employing her story to induce moral panic. In this book, Neil Bernstein critically examines these sources to produce the first modern biography of Poppaea Sabina. Her brief marriage to the emperor Nero occasioned political, religious, and social innovation. Nero was the first emperor to represent his wife as a near-equal on his official coinage, and the couple was also celebrated by a group of claquers called "Neropoppaeans." Their daughter Claudia would be the first child to receive posthumous divine honors. Poppaea also received a unique form of posthumous commemoration. Nero castrated Sporus, one of his male slaves, and addressed them thereafter as "Poppaea". For many scholars and creative artists, however, Poppaea's brief life also epitomizes the scandal of Nero's reign. Gossip about her began from the moment she appeared in the emperor's court. Her scandalous parentage, affair with the emperor, and implication in a murder plot presented an unforgettable narrative template, and is principally why we continue to see Poppaea, Nero, and Octavia recur throughout plays, operas, novels, and movies.

Like many famous figures from antiquity, we must work through layers of fantasy in order to uncover the life of Poppaea Sabina (c. 30-65 CE). As the ancient sources tell it, Poppaea pushed the young emperor Nero to murder his mother, execute his wife Octavia, marry her and make her his empress--and then, a few years later, kick her to death in a drunken rage. Poppaea's genuine motives and actions, however, cannot be easily recovered from the extant sources. Her narrative comes to us already fictionalized by ancient authors employing her story to induce moral panic. In this book, Neil Bernstein critically examines these sources to produce the first modern biography of Poppaea Sabina. Her brief marriage to the emperor Nero occasioned political, religious, and social innovation. Nero was the first emperor to represent his wife as a near-equal on his official coinage, and the couple was also celebrated by a group of claquers called "e;Neropoppaeans."e; Their daughter Claudia would be the first child to receive posthumous divine honors. Poppaea also received a unique form of posthumous commemoration. Nero castrated Sporus, one of his male slaves, and addressed them thereafter as "e;Poppaea"e;. For many scholars and creative artists, however, Poppaea's brief life also epitomizes the scandal of Nero's reign. Gossip about her began from the moment she appeared in the emperor's court. Her scandalous parentage, affair with the emperor, and implication in a murder plot presented an unforgettable narrative template, and is principally why we continue to see Poppaea, Nero, and Octavia recur throughout plays, operas, novels, and movies.

Like many famous figures from antiquity, we must work through layers of fantasy in order to uncover the life of Poppaea Sabina (c. 30-65 CE). As the ancient sources tell it, Poppaea pushed the young emperor Nero to murder his mother, execute his wife Octavia, marry her and make her his empress--and then, a few years later, kick her to death in a drunken rage. Poppaea's genuine motives and actions, however, cannot be easily recovered from the extant sources. Her narrative comes to us already fictionalized by ancient authors employing her story to induce moral panic. In this book, Neil Bernstein critically examines these sources to produce the first modern biography of Poppaea Sabina. Her brief marriage to the emperor Nero occasioned political, religious, and social innovation. Nero was the first emperor to represent his wife as a near-equal on his official coinage, and the couple was also celebrated by a group of claquers called "e;Neropoppaeans."e; Their daughter Claudia would be the first child to receive posthumous divine honors. Poppaea also received a unique form of posthumous commemoration. Nero castrated Sporus, one of his male slaves, and addressed them thereafter as "e;Poppaea"e;. For many scholars and creative artists, however, Poppaea's brief life also epitomizes the scandal of Nero's reign. Gossip about her began from the moment she appeared in the emperor's court. Her scandalous parentage, affair with the emperor, and implication in a murder plot presented an unforgettable narrative template, and is principally why we continue to see Poppaea, Nero, and Octavia recur throughout plays, operas, novels, and movies.

Silius Italicus' Punica, a Latin epic poem on the second Punic war written at the end of the first century CE, is one of the few Roman historical epics to survive from antiquity.This volume represents the first full-length scholarly commentary in any language on Book 2 of the seventeen-book epic and accompanies a recent resurgence in scholarly interest in the Punica. It includes an extensive introduction to the poem's historical and literary contexts, along with the full Latin text and apparatus criticus, English translation, and detailed line-by-line commentary. The introduction situates Silius in historiographical and literary tradition, while the commentary addresses a broad range of textual, linguistic, literary, and cultural topics. Discussion of intertextuality focuses especially on the poem's adaptation of earlier epic tradition, including the poems of Homer, Virgil, Ovid, Lucan, Valerius Flaccus, and Statius. The text and apparatus criticus have been updated since the publication of Josef Delz's Teubner edition of the Punica in 1987 to include a much more comprehensive account of emendation history. The result is a keenly focused and cutting-edge critical edition that will be an invaluable resource for scholars and students of Silius Italicus and the Punica for years to come.

Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield.This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.

Rhetorical training was the central component of an elite Roman man's education. Controversiae (declamations), imaginary courtroom speeches in the character of a fictional or historical individual, were the most advanced exercises in the standard rhetorical curriculum. The Major Declamations is a collection of nineteen full-length Latin speeches attributed in antiquity to Quintilian but most likely composed by a group of authors in the second and third centuries CE. Though there has been a recent revival of interest in Greco-Roman declamation, the Major Declamations has generally been neglected. Ethics, Identity, and Community in Later Roman Declamation is the first book devoted exclusively to the Major Declamations and its reception in later European literature. It argues that the fictional scenarios of the Major Declamations enable the conceptual exploration of a variety of ethical and social issues. These include the construction of authority (Chapter 1), the verification of claims (Chapter 2), the conventions of reciprocity (Chapter 3), and the ethics of spectatorship (Chapter 4). Chapter 5 presents a study of the reception of the collection by the Renaissance humanist Juan Luis Vives and the eighteenth century scholar Lorenzo Patarol. A brief postscript surveys the use of declamatory exercises in the contemporary university and will inform current work in rhetorical studies.

Rhetorical training was the central component of an elite Roman man''s education, and declamations--imaginary courtroom speeches in the character of a fictional or historical individual--were the most advanced exercises in the standard rhetorical curriculum. The Major Declamations is a collection of nineteen full-length Latin speeches attributed in antiquity to Quintilian but most likely composed by a group of authors in the second and third centuries CE. Though there has been a recent revival of interest in Greco-Roman declamation, the Major Declamations has generally been neglected. Ethics, Identity, and Community in Later Roman Declamation is the first book devoted exclusively to the Major Declamations and its reception in later European literature. It argues that the fictional scenarios of the Major Declamations enable the conceptual exploration of a variety of ethical and social issues. Chapters explore these cultural matters, covering, in turn, the construction of authority, the verification of claims, the conventions of reciprocity, and the ethics of spectatorship. The book closes with a study of the reception of the collection by the Renaissance humanist Juan Luis Vives and the eighteenth-century scholar Lorenzo Patarol, followed by a brief postscript that deftly surveys the use of declamatory exercises in the contemporary university. This much-needed and engaging study will rescue the Major Declamations from generations of neglect, while critically informing current work in rhetorical studies.

This book offers, in one volume, a modern English translation of all 17 books of Silius Italicus’ Punica. Composed in the first century CE, this epic tells the story of the Second Punic War between Rome and Hannibal’s Carthage (218-202 BCE). It is not only a crucial text for students of Flavian literature, but also an important source for anyone studying early Imperial perspectives on the Roman Republic. The translation is clear and comprehensible, while also offering an accurate representation of the Latin text.Augmented by a scholarly introduction, extensive notes, glossary and a comprehensive bibliography (included in the introduction), this volume makes the text accessible and relevant for students and scholars alike.

This book offers, in one volume, a modern English translation of all 17 books of Silius Italicus’ Punica. Composed in the first century CE, this epic tells the story of the Second Punic War between Rome and Hannibal’s Carthage (218-202 BCE). It is not only a crucial text for students of Flavian literature, but also an important source for anyone studying early Imperial perspectives on the Roman Republic. The translation is clear and comprehensible, while also offering an accurate representation of the Latin text.Augmented by a scholarly introduction, extensive notes, glossary and a comprehensive bibliography (included in the introduction), this volume makes the text accessible and relevant for students and scholars alike.