Nicholas Wade – författare

Societies that ignore social disintegration and collapsing birth rates are putting their future in peril. So why are we ignoring the signs??In The Origin Of Politics, Nicholas Wade explains how our political systems compete with a more ancient set of rules for organizing society—those developed by evolution. Modern ideologies are in constant tension with structures inherent in human social behavior, such as the family, the tribe, and male-dominated institutions. This tension plays out in various ways. Sometimes nature prevails over politics, as in the proposal by Marx and Engels to eliminate the family, the basic unit of society. The founders of the kibbutz movement put this radical idea into practice, only to find that the conflict with human nature was unsustainable. In other cases, culture has successfully modified evolutionary behaviors, replacing polygamy with monogamy and dissolving the bonds of tribalism to make way for modern states. But the evolutionary framework of human societies is not infinitely flexible. The nation-state, especially in the case of the United States, is prone to disintegration if disruptive ideologies are allowed to undermine the cohesive affinities that hold its disparate cultures together. The worldwide decline in fertility in most countries except those in Africa signals a severe derangement in the behaviors evolution has devised for ensuring that a population will maintain itself. If the causes of this disruption cannot be understood and reversed, human societies will embark on an unsought path to extinction. Other fraught issues in which human biology and politics conflict include the innate specializations of the sexes, the stratification of society by ability, and the mismatch between the inequalities of wealth-creating societies and the egalitarian ethic inherited from our hunter-gatherer ancestors.We live in an iridescent bubble, the intoxicating richness of modern culture. Shielded from the natural world, we have lost our awareness of the evolutionary forces that still guide our motivations and shape the foundations of our societies. The Origin of Politics explores the risks of underestimating evolution’s fundamental role in human affairs.  Why do modern political systems so often fail when they conflict with the ancient blueprints of our own biology? Politics and Evolution: A critical look at how modern ideologies are in constant tension with the social structures—family, tribe, kinship—that evolution has wired into our species.The Family Unit: The revealing story of the Israeli kibbutz, where a utopian attempt to abolish the family ultimately failed against the powerful, innate bonds between parents and children.Tribalism to Nation-State: How societies successfully modified deep-seated behaviors, replacing polygamy with monogamy and dissolving ancient tribal bonds to pave the way for the modern state.Inherited Behaviors: An examination of the conflicts over innate sex specializations, social stratification, and the mismatch between modern inequality and the egalitarian ethic from our hunter-gatherer ancestors.

Eye movements are a vital part of our interaction with the world. They play a pivotal role in perception, cognition, and education. Research in this field is now proceeding at a considerable pace and casting new light on how the eyes move and what information we can derive during the frequent and brief periods of fixation. However, the origins of this work are less well known, even though much of our knowledge was derived from this research with far more primitive equipment. This book is unique in tracing the history of eye movement research. It shows how great strides were made in this area before modern recording devices were available, especially in the measurement of nystagmus. When photographic techniques were adapted to measure discontinuous eye movements, from about 1900, many of the issues that are now basic to modern research were then investigated. One of the earliest cognitive tasks examined was reading, and it remains in the vanguard of contemporary research. Modern researchers in this field will be astonished at the subtleties of these early experimental studies and the ingenuity of interpretations that were advanced one and even two centuries ago. Though physicians often carried out the original eye movement research, later on it was pursued by psychologists - it is within contemporary neuroscience that we find these two strands reunited. Anyone interested in the origins of psychology and neuroscience will find much to stimulate and surprise them in this valuable new work.

An eloquent and sobering book which draws a new and clearer picture of how nuclear war would perhaps alter human life on earth forever.

In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Originally published in 1990, Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.

In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Originally published in 1990, Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.

Did the Covid virus jump naturally from an animal species to humans, or did it escape from a laboratory experiment? In this essay, science writer Nicholas Wade explores the two scenarios and argues that, on present evidence, lab escape is the more likely explanation. His inference is based on specific research being conducted at the Wuhan Institute of Virology and the Institute’s lack of adequate safety precautions, together with the continuing absence of any direct evidence to support natural emergence.The essay discusses the failure of the mainstream media to penetrate the self-interested assurance of virologists that lab escape was a dismissible conspiracy theory. It also notes how the politicization of discussion impeded consideration of the scientific facts.

Does the world appear the same to everyone? Does what we know determine what we see? Why do we see the world as we do?Vision is our most dominant sense. From the light that enters our eyes to the complex cognitive processes that follow, we derive most of our information about what things are, where they are, and how they move from our vision. Visual Perception takes a refreshingly different approach to this enigmatic sense. From the function that vision serves for an active observer, to the history of visual perception itself the third edition has been extensively revised, updated and expanded, while still preserving the essential features of historical context, neurophysiology and independent thought that made the earlier editions so engaging. Covering the perception of location, motion, object recognition and with up-to-date information on the workings of the visual brain, the 3rd edition looks at how our ideas have been shaped, not just by psychology, but by art, optics, biology and philosophy. The emphasis on understanding vision as a basis for action in the real world has also been expanded to cover seeing representations of all sorts, whether they are pictures or computer-generated displays. The 3rd Edition of Visual Perception is a readable, accessible and truly relevant introduction to the world of perception and will be welcomed by students of visual perception as well as anyone with a general interest in the mysteries and wonder of vision.

Does the world appear the same to everyone? Does what we know determine what we see? Why do we see the world as we do?Vision is our most dominant sense. From the light that enters our eyes to the complex cognitive processes that follow, we derive most of our information about what things are, where they are, and how they move from our vision. Visual Perception takes a refreshingly different approach to this enigmatic sense. From the function that vision serves for an active observer, to the history of visual perception itself the third edition has been extensively revised, updated and expanded, while still preserving the essential features of historical context, neurophysiology and independent thought that made the earlier editions so engaging. Covering the perception of location, motion, object recognition and with up-to-date information on the workings of the visual brain, the 3rd edition looks at how our ideas have been shaped, not just by psychology, but by art, optics, biology and philosophy. The emphasis on understanding vision as a basis for action in the real world has also been expanded to cover seeing representations of all sorts, whether they are pictures or computer-generated displays. The 3rd Edition of Visual Perception is a readable, accessible and truly relevant introduction to the world of perception and will be welcomed by students of visual perception as well as anyone with a general interest in the mysteries and wonder of vision.

This book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them.

This book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them.