Nina Möntmann - Böcker
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2 produkter
374 kr
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Nina Möntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that to play a crucial role within increasingly diverse societies museums and galleries of contemporary art have a responsibility to 'decentre' their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Rautenstrauch-Joest-Museum in Cologne), which are engaged in debates about the colonial histories of their collections, about trauma and repair, and of small-scale art spaces (such as La Colonie, Paris, ANO, Institute of Arts and Knowledge, Accra or Savvy Contemporary, Berlin), which have the flexibility, based on informal infrastructures, to initiate different kinds of conversation and collective knowledge production in collaboration with indigenous or local diasporic communities from the Global South.For the first time, this book identifies the influence that anthropological museums and small art spaces can exert on museums of contemporary art to initiate a process of decentring.
436 kr
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/A collection of discussions and interviews between the PIM group, artists, and arts organisations. Is the purpose of an institution fulfilled only when its practice, at some point and in some way, manifests in the public realm? Including essays by Manon Santkin and Nina Möntmann, and a short story by Francis McKee. Printed on Risograph in two colours and featuring many long time collaborators of Skogen, this is the first book published by Skogen to be printed and bound entirely in Gothenburg./ This publication is the first in a series produced and edited by PIM’s Archive group consisting of Emilia Gasiorek, Anders Paulin, Oda Brekke, and Runa Borch Skolseg. As a proposal, Para Institutional Models poses questions around what the public is and what is included in the notion of the public sphere. What kind of work, performance, communication, thing, act, text, or speech has the potential of publicly manifesting itself and thus offering itself to a public negatiation? These questions unfold a discussion around the relationality between /art works/ and /artistic process,/ between /art as object/ and /art as practice/ and their respective capacities for common negotiation and manifestation. Throughout 2019 PIM’s archive group have thought of and through different themes that could support PIM’s aim to practice and rethink the negotiation and the mediation of art in public. There is a desire for this publication to support and accompany PIM’s coming symposiums and for it to offer discursive frameworks, anchor points and entrances. Through this publication the four of us wish to present material that can manifest various points and positions and support future thinking through the relationship object and practice. Funded by Nordisk Kulturfond Published 2020 by Skogen, Gothenburg, Sweden Design by Mika Kastner Johnson Printed on Risograph by Barrie James Sutcliffe at KKV Göteborg and Skogen Community Press Contributions by Emilia Gasiorek, Oda Brekke, Manon Santkin, Maia Means, Sara Parkman, Carl-Oscar Sjögren, Veronica Thorseth, Leo Preston, Johan Forsman, Nina Möntmann, Francis McKee, Anders Paulin, Maryam Fanni, Thomas Paltiel, Goro Tronsmo, and Kim West.