Norris J. Lacy – författare

Published in 1989: A translation of Beroul's twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

Published in 1989: A translation of Beroul's twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

Published in 1992, this text discusses Les Voeux du Heron, a short text, comprising only 442 lines that was popular in the late Middle Ages but is virtually unknown today. This book includes and English translation, as well as a reconstruction of Manuscript U, published in its entirety for the first time.

Published in 1992, this text discusses Les Voeux du Heron, a short text, comprising only 442 lines that was popular in the late Middle Ages but is virtually unknown today. This book includes and English translation, as well as a reconstruction of Manuscript U, published in its entirety for the first time.

The French Lancelot-Grail Cycle (also known as the Vulgate Cycle) and the slightly later Post-Vulgate are long prose romances that present the full Arthurian story, including Camelot and the Round Table, the love story of Lancelot and Guenevere, the life of Merlin, and the Quest for the Grail. These five volumes offer full translations of both cycles.The influence of these Cycles is almost incalculable; they have been translated or adapted into a number of languages and have been the source or basis for many writers, including Sir Thomas Malory, though they also act as great works in their own right.For ease of use, each volume is divided into numbered and titled sections or chapters, summaries of all romances, keyed to chapter divisions, are included in the final volume (V) and notes give information about textual and cultural matters and offer a key to internal cross references.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

Published in 1989: A translation of Beroul''s twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

Published in 1989: A translation of Beroul''s twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

This collection of 14 critical essays examines short comedic tales from the 13th and 14th centuries, commonly known as the medieval French fabliaux. Each essay focuses on a different aspect of common fabliaux humor, as illustrated by a scholarly analysis of one or several original texts. Topics covered include the use and misuse of metaphorical language, the trickster figure, humorous treatments of subjects ranging from seduction to physical violence, and numerous fabliau examples of scheming and deception, whether for purposes of revenge or sexual conquest or for the simple pleasure of successful deceit. Throughout the work, contributors provide a serious analysis of the fabliaux without losing sight of the tales' original comedic content and appeal.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

This volume in the Arthurian Characters and Themes series treats the fascinating character of Perceval, the naive and flawed but gifted youth who becomes the Grail hero in some texts and yet is eclipsed in others by Galahad. Also includes eight musical examples.

First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate theeffect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.

Everything you ever wanted to know about King Arthur and his knights is covered in this fascinating volume: the origins of the Grail legend, the Tristan and Isolde love story in opera and literature, Spielberg's use of Arthurian motifs in Star Wars , the depiction of Arthur in paintings, the presentation of Camelot on the Broadway stage, the twitting of the legend in Monty Python and theHoly Grail and much more.This critical survey of Arthurian history and legend, archaeology, literature, and the arts from the fifth century to the present provides an introduction for the general reader and a useful summary for the specialist. It offers both historical facts and key discussions on Arthurian subjects, from post-Roman Britain to the most recent novels and films. There is a lengthy glossary of Arthurian characters, motifs, and places, a chronology of major historical and literary items, a guide to pronunciation, and a full bibliography.What's new inthe Second Edition:All the material has been revised and updated to 1996 since the original 1988 edition; The chapter on modern literature has been thoroughly revised, with new material on writings from France, Germany, England, and America; The coverage of King Arthur in the arts has entirely rewritten by one of the premier authorities in Arthurian studies. Brand-new geneological charts of the ancestry of Arthur and his family and the Grail kings and knights.; A fully up-to-date chronology; Many new illustrations.

Everything you ever wanted to know about King Arthur and his knights is covered in this fascinating volume: the origins of the Grail legend, the Tristan and Isolde love story in opera and literature, Spielberg's use of Arthurian motifs in Star Wars , the depiction of Arthur in paintings, the presentation of Camelot on the Broadway stage, the twitting of the legend in Monty Python and theHoly Grail and much more.This critical survey of Arthurian history and legend, archaeology, literature, and the arts from the fifth century to the present provides an introduction for the general reader and a useful summary for the specialist. It offers both historical facts and key discussions on Arthurian subjects, from post-Roman Britain to the most recent novels and films. There is a lengthy glossary of Arthurian characters, motifs, and places, a chronology of major historical and literary items, a guide to pronunciation, and a full bibliography.What's new inthe Second Edition:All the material has been revised and updated to 1996 since the original 1988 edition; The chapter on modern literature has been thoroughly revised, with new material on writings from France, Germany, England, and America; The coverage of King Arthur in the arts has entirely rewritten by one of the premier authorities in Arthurian studies. Brand-new geneological charts of the ancestry of Arthur and his family and the Grail kings and knights.; A fully up-to-date chronology; Many new illustrations.

First published in 1996. Now updated with a new information-packed 40-page Supplement covering the years 1990-1995, this unique Encyclopedia highlights the World of King Arthur from its origins in Dark Age Britain to the present day, when Arthurian novels, films, and music continue to appear around the world at an astonishing rate. The Supplement, which provides five full years of coverage not available anywhere else, enhances the usefulness of more than 1,300 entries on all aspects of the Arthurian legend-in literature, history, folklore, archaeology, art, and music. Written by an international team of over 130 authorities, no oth­er work approaches this A-Z guide to the legends of King Arthur and his knights of the Round Table for breadth and depth of coverage. This is the ultimate source for reliable information on topics as diverse as the Grail, Tristan and Isolde, Lancelot and Guenevere, Arthurian operas, the historicity of Arthur, and more.

First published in 1996. Intertextuality the phenomenon is as old as literature itself. And to medievalists in particular, it was a critical commonplace long before the term was coined: we have routinely recognized that, during the Middle Ages, texts consistently borrowed from one another and from the traditions they all shared. Those borrowings can take the form of thematic echoes, of the appropriation of characters and situations, and even of direct citation. This volume is a collection of essays discussing the intertextual dimensions of Arthurian literature.

The Lancelot-Grail Reader showcases in a single volume significant episodes from Garland's complete five-volume translation of the Vulgate and Post-Vulgate Cycles of Arthurian romance. Dating from the early 13th century, the Vulgate Cycle relates the entire course of Arthurian legend, from the early history of the Grail to Arthur's death. The five component romances, written by an anonymous author or group of authors, are the Estoiredel Saint Graal, the Estoire de Merlin, the huge Lancelotpropre, the Queste del Saint Graal, and the tragic conclusion, the Mort Artu.The Post-Vulgate Cycle, also written anonymously, is a modified version of the Vulgate material reconstructed by scholars from surviving fragments translated into Spanish and Portuguese. Instead of focusing on the illicit love of Lancelot and Guenevere, the Post-Vulgate author sets Arthur and the Grail at center stage. Like the original five-volume set, The Lancelot-Grail Reader is the work of a team of translators including General Editor Norris J. Lacy, Martha Asher, E. Jane Burns, Carleton E. Carroll, Carol J. Chase, William W. Kibler, Roberta L. Krueger, Rupert T. Pickens, and Samuel N. Rosenberg. This volume, edited for students, Arthurian scholars, and enthusiasts, also includes a concise introduction and suggestions for further reading.

12th-century French retellings and variations of the story of Tristan and Iseut.The strong and enduring appeal of the Arthurian legends shows no signs of abating, yet many medieval Arthurian texts remain unedited or printed in editions no longer available, while comparatively few of them have been translatedinto English, thus making them inaccessible to the scholarly or general audience unable to read them in the original. The Arthurian Archives series addresses these problems, aiming to provide authoritative critical editionswith parallel translation of essentialtexts for Arthurian studies; each text will be accompanied by a brief introduction, variants and rejected readings, and critical notes.This first volume offers a collection of the French Tristan texts prior to the Prose Tristan; of particular importance is the recently-discovered Thomas fragment, here edited Ian Short. Contents: Béroul, The Romance of Tristan (Norris Lacy); Thomas, Tristan (Stewart Gregory); `The Carlisle Fragment' of Thomas's Tristan (Ian Short) Marie de France, Chevrefeuil (Richard O'Gorman)The Folie Tristan de Berne and the Folie Tristan d'Oxford (Samuel N. Rosenberg)

Text and facing page translation of key texts for the Tristan legend.These first volumes of the series Arthurian Archives present the Old French verse texts devoted to Tristan and Iseut. Authoritative critical editions are complemented by parallel translations, with introduction, variants and rejected readings, and critical notes. The Tristan tradition in medieval France is dominated by two longer poems by Beroul and Thomas, both included in these volumes; the full contents of the two volumes are: I. Béroul, TheRomance of TristranNORRIS J. LACY; Les Folies Tristan: La Folie Tristan (Berne) and La Folie Tristan (Oxford) SAMUEL N. ROSENBERG II. Thomas, Tristan STEWART GREGORY; `The Carlisle Fragment' of Thomas's Tristan IAN SHORT; Marie de France, Chevrefeuil RICHARD O'GORMAN; Tristan Ménestrel and Tristan RossignolKAREN FRESCONORRIS J. LACY is Professor of French at the Pennsylvania State University.

The 'Vulgate' and 'Post-Vulgate' cycles are the French equivalent of Malory's Morte Darthur, written in the thirteenth century. Malory drew on both of them as his source, and they are the cornerstone text of all Arthurian romance.The most comprehensive account of the story of Arthur, the Round Table and the Grail is to be found in the work known as Lancelot-Grail or the Vulgate Cycle. It tells the story of the Arthurian world from the events of theCrucifixion, where the Grail originated, to the death of Lancelot after the destruction of the Round Table. It draws in many different strands, from the pseudo-historical stories about Arthur to the romances of chivalric adventureand the spiritual quest for the Grail. It consists of five works: the longest is Lancelot, a kind of chivalric history of the Round Table, which leads into the quest for the Grail and Arthur's death. The first two books were added later, and provide an account of events up to Arthur's birth. Not long after the cycle was completed, another writer retained the first two books of the Vulgate cycle but recast the last three books with a rather different emphasis; this version is known as the Post-Vulgate Cycle, and is one of the main sources used by Sir Thomas Malory. Available as a ten volume set or a single volumes.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

First published in 1993. This volume is th author''s observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.

First published in 1993. This volume is th author''s observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.

First published in 1996.  Intertextuality the phenomenon is as old as literature itself. And to medievalists in particular, it was a critical commonplace long before the term was coined: we have routinely recognized that, during the Middle Ages, texts consistently borrowed from one another and from the traditions they all shared. Those borrowings can take the form of thematic echoes, of the appropriation of characters and situations, and even of direct citation. This volume is a collection of essays discussing the intertextual dimensions of Arthurian literature.

First published in 1996.  Intertextuality the phenomenon is as old as literature itself. And to medievalists in particular, it was a critical commonplace long before the term was coined: we have routinely recognized that, during the Middle Ages, texts consistently borrowed from one another and from the traditions they all shared. Those borrowings can take the form of thematic echoes, of the appropriation of characters and situations, and even of direct citation. This volume is a collection of essays discussing the intertextual dimensions of Arthurian literature.

This volume in the Arthurian Characters and Themes series treats the fascinating character of Perceval, the naive and flawed but gifted youth who becomes the Grail hero in some texts and yet is eclipsed in others by Galahad. Also includes eight musical examples.