Orly Castel-Bloom – författare

The renowned Israeli author "once again captures the culture of modern-day Israel with provocative deadpan humor" in a novel of wealth, war, and family (Publishers Weekly). Mandy Gruber, matriarch of a wealthy Israeli family, is beholden to her mother''s legacy and the pajama factory she started from nothing. While Mandy''s husband Irad, a self-proclaimed genius, is off in America researching new innovations in flak jackets, and her son Dael, a sniper for the Israeli Army, returns to war, Mandy schedules yet another cosmetic surgery. This time she''s getting new shoulder blades. But when the surgery goes awry, her rebellious daughter Lirit must take over the family business—and the family may never be the same. From the acclaimed author of Dolly City, Textile details the gradual disintegration of a family strained by distance and the corrosive effects of consumerism and militarism. "With understated flair and stoic wit, Castel-Bloom uses the Gruber family to explore the themes of globalization, materialism, superficiality, and longevity, anchoring her story in a neighborhood and attempting to ''connect all this beauty and luxury to some kind of posterity beyond [the family''s] grasp.''" —Publishers Weekly "Internationally acclaimed Castel-Bloom—whose Dolly City is listed by UNESCO''s Collection of Representative Works—deftly weaves a web of intertwining character studies, each rich with detail and nuance. Against the backdrop of war and unrest, the strivings of a woman for independence gain international depth." —Kirkus

"Dolly City—a city without a base, without a past, without an infrastructure. The most demented city in the world." In the midst of a futuristic-primitive metropolis, the accumulation of all our urban nightmares, Doctor Dolly (certified by the University of Katmandu) finds a newborn baby in a black plastic bag, and decides to become a mother. Overcome by unfamiliar maternal urges, Dolly dispenses with her private lab of rare diseases and turns all her surgical passion onto her son. Ceaselessly cutting and sewing, Dolly is the scalpel-wielding version of the all-too-familiar Jewish Mother archetype, forever operating upon her son with destructive, invasive love. In this grotesque satire of war and the defensive measures taken to survive it, Orly Castel-Bloom, one of Israel''s most provocative and original writers, turns her own scalpel upon that most holy of institutions, the myth of motherhood—and its implications in the life of a nation.

The protagonist has Egyptian roots going back many generations: on her father’s side, to the expulsion of the Jews of Spain in 1492, when seven brothers of the Kastil family (from Castilla) landed on the Gaza coast after many trials and tribulations. Her mother’s side goes back even further, to the only family that Jewish history has ignored: the ones who said “No” to Moses and stayed in Egypt. After migrating to Israel in the 1950s and settling on a kibbutz—from which they were soon expelled for Stalinism—this storied clan moved to Tel Aviv. In this unconventional family saga, Orly Castel-Bloom blends fact with fiction, history with legend, reimagining the lives of her forebears in unforgettable prose.

La doctora Dolly vive en Dolly City, que está algo así como en Israel. En Dolly City todos los trenes llevan a Dachau, pero no a esa Dachau, sino a un monumento que se llama igual.En el edificio de cuatrocientas plantas donde vive, Dolly tiene un laboratorio de experimentación. Entre ratas, conejos y la camilla en la que tortura al antiguo jefe de su padre, Dolly acoge a un bebé. La compasión da paso a la obsesión, la obsesión de la doctora es quirúrgica, y lo que persiste en este libro es la duda: acaso maternidad y locura sean necesariamente lo mismo. Y para ello tal vez ni haga falta ser una madre judía.Fuera, mientras tanto, nieva y hace calor, los magos matan a espada a sus ayudantes y los enanos ven películas de Buñuel. Pululan por allí mohels y escarabajos Volkswagen (el único vehículo que uno vería si tuviese la suerte y la desgracia de pasearse por Dolly City). Claro que esta montaña rusa en forma de libro, señalizada por diálogos abruptos, imágenes cortantes y bisturíes oxidados, es sobre todo un relato caricaturesco. Y, como la maternidad, fundamentalmente esperanzado.De Dolly City se ha dicho que es una granada de mano, una bestia hermosa y un grito de resistencia, que es distópica, fantástica y fantasmagórica, que convierte lo banal en original y el horror en una delicia, que hay que leerla varias veces –la primera para asimilar el shock–, que le ha abierto posibilidades discursivas al humor, que le ha cambiado la cara a la literatura hebrea, que se parece a Bulgákov y a Hunter Thompson y al Nuevo Periodismo y también a Keret, que no se la puede comparar con nada y que Castel-Bloom es la autora de ficción israelí más grande de su tiempo (Haaretz). Y eso no es poco decir.