Patricia Craig – författare

The detective story, with its roots in Poe's Chevalier Dupin mysteries and Wilkie Collins's The Moonstone, first achieved mass popularity in the 1890s with The Adventures of Sherlock Holmes. Its success has a good deal to do with its pungency, and with its power to intrigue and absorb the reader while abiding by the rules of the genre (however flexible these have become). Every age has produced a kind of detective fiction which exemplifies its distinctive manners and customs, from the sedate tales which began to appear in the wake of Sherlock Holmes to the debonair detection of the 1920s and after.The sleuth short story took off in many directions, with such writers as Anthony Berkeley, Freeman Wills Crofts, Carter Dickson, and Edmund Crispin bringing the upmost expertise and ingenuity to bear on the detective theme. An increasing realism is apparent in the post-war era, though with no diminution in entertainment value, and as we come up to the present, the detective story has been adapted further to accommodate sexual comedy and other facets of modern life.This collection of 33 stories shows the scope, vigour, and enduring fascination of the detective story, as well as indicating its importance as a barometer of social attitudes and literary practices. It gathers together a wide range of stories, many unfamiliar by writers of the calibre of Agatha Christie, Julian Symons, Ngaio Marsh, G. K. Chesterton, P. D. James, Ruth Rendell, Dorothy L. Sayers, Margery Allingham, Nicholas Blake, Michael Innes, and H. R. F. Keating.

The field of detective fiction is vast, and The Oxford Book of Detective Stories brings together the best short fiction from around the world to show how different nationalities have imposed their own stamp on the genre. As well as English and American stories from acknowledged masters such as Ellery Queen, Dashiell Hammett, and Agatha Christie, the anthology includes stories by Simenon, Conan Doyle, Sarah Paretsky, and Ian Rankin, and roams across Europe and further afield to embrace Japan, Denmark, Holland, Italy, Argentina, Czechoslovakia, and other countries. Women detectives, police procedurals, the amateur sleuth, locked-room mysteries are all here, and in her introduction Patricia Craig examines the figure of the detective in international literature.

From humble beginnings as a small desert laboratory in Tucson, Arizona, at the beginning of the twentieth century, the Carnegie Institution's Department of Plant Biology has evolved into a thriving international center of plant molecular biology that sits today on the campus of Stanford University. In the last hundred years it has witnessed immense changes in biological thinking, and been at the forefront of innovative research. This fourth in a series of five histories of the Carnegie Institution touches on the tangled beginnings of ecology, the baroque complexities of photosynthesis, the great mid-century evolutionary synthesis and the adventurous start of the plant molecular revolution.

From humble beginnings as a small desert laboratory in Tucson, Arizona, at the beginning of the twentieth century, the Carnegie Institution's Department of Plant Biology has evolved into a thriving international center of plant molecular biology that sits today on the campus of Stanford University. In the last hundred years it has witnessed immense changes in biological thinking, and been at the forefront of innovative research. This fourth in a series of five histories of the Carnegie Institution touches on the tangled beginnings of ecology, the baroque complexities of photosynthesis, the great mid-century evolutionary synthesis and the adventurous start of the plant molecular revolution.

This third volume of Patricia Craig’s trilogy or memoir – following her celebrated Asking for Trouble and A Twisted Root: Ancestral Entanglements in Ireland – takes its title from Louis MacNeice: “My diehard countrymen like drayhorses/drag their ruin behind them”. A memoir of her upbringing in Belfast and life in London, from the 1960s onwards – but with scenes from childhood, adolescence, and later. A view of the Troubles from elsewhere but based on a strong familiarity with Belfast attitudes and exigencies. Some dramatic incidents not in the public sphere – for example, the funeral of hunger-striker Joe McDonnell – are included. Much brilliant literary content is covered, as well as personal involvement with some notable Belfast characters, such as Sinn Féin’s Rita O’Hare, a close friend from schooldays (though later estranged).

'The only wise prediction to make about a new Brian Moore novel is that it will be unpredictable and wise,' wrote Christopher Ricks reviewing "Black Robe", one of the twenty magnificent novels which put Brian Moore into the first rank of world writers. Northern Ireland may have shaped him, as he grew up one of nine children in a Catholic doctor's Belfast household, but World War II took him to Africa and war-ravaged Europe, and Canada freed him to become a writer. In 1955 he published "The Lonely Passion of Judith Hearne", the first of many novels which led steadily to international critical acclaim. He was a writer's writer, baffling contemporaries with how he pulled off his literary feats. Patricia Craig, who began this authorised biography with the help and blessing of Brian Moore himself, and his wife Jean, pieces together the colourful life that lay behind the novels. She also reveals the droll, romantic, cant-hating, affable and brilliant man who so disarmingly enhanced twentieth-century letters.