Paul Arthur – författare

Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him. It includes essays by prominent film scholars along with photographs and personal pieces from artists and critics, all of which testify to the extraordinary variety and influence of his accomplishments. Anyone interested in cinema or experimental arts will be well-rewarded by a greater acquaintance with the genius, the innovation, and the optical antics of Ken Jacobs.

Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him. It includes essays by prominent film scholars along with photographs and personal pieces from artists and critics, all of which testify to the extraordinary variety and influence of his accomplishments. Anyone interested in cinema or experimental arts will be well-rewarded by a greater acquaintance with the genius, the innovation, and the optical antics of Ken Jacobs.

The border between intimate memory and historical revelation is explored in this wide-ranging collection, which features original contributions from leading figures in the life-writing field from Australia, Canada, Europe, the UK, and the USA.The transmission and preservation of personal knowledge and stories from generation to generation frequently requires crossing into the private, contested spaces of memory. The most secret accounts or guarded remnants of information can sometimes lead to the most profound insights. In this context, there is a delicate balance between life writing’s role in revealing lives and the desire to be respectful towards them. As the essays in this book attest, exposing secrets, even if humiliating, can be a way of honouring lives. Throughout runs the framing theme of memory as the source of all intergenerational transmission of culture and history—whether relating to family, community, nation, ancestry, or political allegiance—and the importance of the intimate and personal in that process of handing on.This book was originally published as a special issue of Life Writing.

This second edition of Northern Ireland since 1968 provides a concise, thematic overview of the Northern Ireland conflict and its proposed solutions from the beginnings of the 'Troubles' up to the present day. Updated and expanded to include coverage of recent developments such as the publication of the Joint Declaration of 1993 and the Framework Documents of 1995, the book offers a clear analysis of the latest initiatives in the peace process and the local and international contexts within which these have evolved. The new edition includes an updated chronology of events and guide to further reading as well as an expanded list of dramatis personae making it the ideal introduction to the history of this most troubled region. It will be essential reading for students of contemporary history, politics and international relations.

For three decades, Paul Arthur has been a leading observer and critic as well as a direct participant in America’s avant-garde cinema. In A Line of Sight, he provides a sweeping new account of the extravagant energies of American experimental cinema since 1965. Balancing close analysis of both major and lesser-known films with detailed examinations of their production, distribution, and exhibition, Arthur addresses the avant-garde’s cultural significance while offering a timely reconsideration of accepted critical categories and artistic options. Rather than treating American avant-garde cinema as a series of successive artistic breakthroughs, A Line of Sight emphasizes the importance of social and institutional networks, material exchanges, and historical disruptions and continuities. Throughout, Arthur pays close attention to themes and visual practices neglected or underrepresented in previous studies, scrutinizing portraiture as a vehicle for projecting dissident identities, highlighting the essay film and the contemporary city symphony, and assessing the contributions of regional and African American filmmaking to the avant-garde. He also explores thematic and formal questions that have been central to the avant-garde achievement: experimental film's relationship with mainstream narrative cinema and postwar American painting as well as the legacy of sixties’s counterculture; the uses and theoretical implications of found footage and the allegorizing of technology; and the schism between a poetic, expressive cinema and the antisubjective, rationalist bias of structural filmmaking. Amid the current resurgence of experimental filmmakers and the emergence of a new audience for their work, A Line of Sight reaffirms the extraordinary breadth and diversity of the avant-garde tradition in America.

This book should be of interest to university engineering libraries.

This book should be of interest to university engineering libraries.

The border between intimate memory and historical revelation is explored in this wide-ranging collection, which features original contributions from leading figures in the life-writing field from Australia, Canada, Europe, the UK, and the USA.The transmission and preservation of personal knowledge and stories from generation to generation frequently requires crossing into the private, contested spaces of memory. The most secret accounts or guarded remnants of information can sometimes lead to the most profound insights. In this context, there is a delicate balance between life writing’s role in revealing lives and the desire to be respectful towards them. As the essays in this book attest, exposing secrets, even if humiliating, can be a way of honouring lives. Throughout runs the framing theme of memory as the source of all intergenerational transmission of culture and history—whether relating to family, community, nation, ancestry, or political allegiance—and the importance of the intimate and personal in that process of handing on.This book was originally published as a special issue of Life Writing.