Paul Craddock – författare

'Compelling' Christopher Hart, The Sunday Times'A fascinating book' Daily Mail_______________________________________________________________We think of transplant surgery as one of the medical wonders of the modern world -- but it's a lot older than you think. As ancient as the pyramids, its history is even more surprising. In Spare Parts, cultural historian Paul Craddock takes us on a fascinating journey and unearths incredible untold stories, from Indian surgeons regrafting lost noses in the sixth century BC, to the seventeenth century architect who helped pioneer blood transfusions, to the French seamstress whose needlework paved the way for kidney transplants in the early 1900s.Expertly weaving together philosophy, science and cultural history, Spare Parts explores how transplant surgery has constantly tested the boundaries between human, animal and machine. It shows us that the history -- and future -- of transplant surgery is tied up with questions not only about who we are, but also what we are, and what we might become._______________________________________________________________'By turns delightful and disturbing . . . A thoroughly engrossing read that I couldn't put down' LINDSEY FITZHARRIS, author of The Facemaker and The Butchering Art'Spare Parts is a fascinating read filled with adventure, delight and surprise' RAHUL JANDIAL, surgeon and author of Life on a Knife's Edge'This is a joyful romp through a fascinating slice of medical history' WENDY MOORE, author of The Knife Man

'Compelling' Christopher Hart, The Sunday Times'A fascinating book' Daily Mail_______________________________________________________________We think of transplant surgery as one of the medical wonders of the modern world -- but it's a lot older than you think. As ancient as the pyramids, its history is even more surprising. In Spare Parts, cultural historian Paul Craddock takes us on a fascinating journey and unearths incredible untold stories, from Indian surgeons regrafting lost noses in the sixth century BC, to the seventeenth century architect who helped pioneer blood transfusions, to the French seamstress whose needlework paved the way for kidney transplants in the early 1900s.Expertly weaving together philosophy, science and cultural history, Spare Parts explores how transplant surgery has constantly tested the boundaries between human, animal and machine. It shows us that the history -- and future -- of transplant surgery is tied up with questions not only about who we are, but also what we are, and what we might become._______________________________________________________________'By turns delightful and disturbing . . . A thoroughly engrossing read that I couldn't put down' LINDSEY FITZHARRIS, author of The Facemaker and The Butchering Art'Spare Parts is a fascinating read filled with adventure, delight and surprise' RAHUL JANDIAL, surgeon and author of Life on a Knife's Edge'This is a joyful romp through a fascinating slice of medical history' WENDY MOORE, author of The Knife Man

The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market.This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed.The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist.Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.

The British Museum holds one of the most extensive collections of Late Antique silver plate in the world, from Britain, Europe, the Mediterranean and Iran. These objects have featured in a number of major exhibitions and publications, but very little has been published on how the manufacture of these objects developed over time and their overall cultural and social significance. Using unpublished scientific data, this volume presents new insights into the manufacture and decoration of silver plate in Late Antiquity from Britain to Iran, including the extraction of silver metal, workshop traditions and the recycling of older material. One area of focus is how the adoption of silver for coinage in the first millennium BC had a profound and lasting influence on the technology, economy and artistic production of silver plate in Late Antiquity. Wider contextual essays study the role of silver plate in the Roman, Byzantine and Sasanian worlds, including how silver plate was used in diplomatic exchanges, ostentatious displays of wealth, taxation and votive gifts to the gods. This multi-disciplinary approach allows comparisons to be made between how silver plate was used across Late Antiquity, providing unique insights into these objects of wonder.

The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market.This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed.The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist.Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.

The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market.This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed.The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist.Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.