Paul J Perron – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2009
625 kr
Skickas inom 5-8 vardagar
An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader.Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
E-bok
PDF, Engelska, 20031 292 kr
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In Narratology and Text, Paul Perron examines the role that literature plays in the formation of French Canadian identity. Perron presents a narratological and semiotic analysis of canonical non-fictional and fictional texts from New France and Quebec, and illustrates how citizens of French Catholic origins living in Canada have constructed their identity by defining the self as part of a closed community founded in race, language, and religion, and as radically opposed to the other, constituted as an omnipresent heterogeneous threat to the homogenous group.The first section of Perron's study is devoted to an historico-notional overview of some of the major contributors to the theory of narrative, especially that of A.J. Greimas. The second and third parts initially examine the primary and founding texts of first encounters, Jacques Cartier's Voyages of 1534 and 1535, and the Jesuit Relations, and then turn to discussions of six representative Québécois novels from the mid-nineteenth century to the end of the Duplessis era. Each work is examined in terms of its definitions of the self, the other, the group, the nation, language, race, and religion, as well as its treatment of the idea of place – the utopian here as opposed to a dystopian there or elsewhere. Fusing semiotics, narratology, stylistics, and literary and cultural theory with one of the only English-language studies on Greimas, this important work offers an original and thought-provoking contribution to studies of literature and semiotics.
E-bok
PDF, Engelska, 19991 219 kr
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First published in France in 1976, Anne Ubersfeld's three-volume work, Lire le theatre, has made a resounding impact on the semiological study of drama. Reading Theatre is a long-awaited translation of the first volume.Clear and systematic in its approach, the book covers all the basic elements of theatrical text and performance. Ubersfeld begins by refuting the view of performance as the simple 'translation' of a dramatic text, and outlines a much more complex dynamic. In subsequent chapters she similarly begins with a brief critique of simplistic models and then teases out the complexities of action, character, space, time, and dialogue. A range of specific examples brings substance and clarity to her points.Ubersfeld shows how such formal analysis can enrich the work of theatre practitioners, offering a fruitful reading of the symbolic structures of stage space and time, and opening up multiple possibilities for interpreting a play's lines of action. Though firmly grounded in formalist and semiotic studies, the book exhibits a refreshing scepticism about scientific positivism, stressing the fundamental ambiguity of any dramatic text as well as the sociohistorical grounding of particular text and performance styles.A pioneering work, this contemporary classic continues to inform debates in theatre semiotics. Addressed as much to actors and directors as to students and scholars, it will be read widely in theatre circles throughout the English-speaking world.
E-bok
PDF, Engelska, 1996783 kr
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The most popular novel in Quebec since the Second World War, Yves Thériault's Agaguk, was published just before the Quiet Revolution, a period of major political and cultural transformation that radically altered Quebec society at the beginning of the 1960s. In this original socio-semiotic reading of the novel in translation, inspired by A.J. Greimas and the Paris School of Semiotics, Paul Perron examines the Inuit setting and characters of Agaguk as metaphors for Quebec society. Semiotics and the Modern Quebec Novel is one of the few semiotic analyses to deal with an entire novel, and illustrates the heuristic value of this complex methodology with respect to long prose texts in English.Perron distinguishes the operation of multiple signs in Agaguk and establishes a narrative grammar, based on an actional and cognitive semiotic theory, that can be applied to a text as complex as a novel. For this purpose he redefines the concept of the sign and introduces a semiotics of passions that conditions the characters' actions. All of this takes place within the context of a semiotics of the subject, where the value systems that motivate the collective must be overcome, negated, and even eradicated by the individual subject before a new moral and sexual identity can come into being, independent of the traditional body politic.Perron's Greimassian analysis of Agaguk functions as both a demonstration of the workings of that text and an example of socio-semiotic analysis, while situating literary semiotics within the larger framework of linguistic theory and literary studies.