Paul Lowe – författare

A Chronology of Photography presents a fresh perspective on the medium by taking a purely chronological approach to its history, tracing the complex links between technological innovations, social changes, and artistic interventions. Structured around a central timeline that charts the development of photography from early experiments with optics right up to the present-day explosion of digital media, it features sumptuous reproductions of key photographs, together with commentaries and contextual information about the social, political and cultural events of the period in which they were taken. Special technical sections that explain how the development of new camera technology impacted the practice of photography, while feature spreads highlight important themes and influential practitioners. Covering a wide selection of genres, styles and artists, it is invaluable as a comprehensive guide to photography in all its different forms and functions.

What makes some photographs stay in the memory forever? Sometimes it’s the subject matter alone, but more often it’s the skill of the artists who took them. The premise of this magnificent book is quite simple: take 100 leading examples of the work of the world’s greatest photographers, and a distinguished academic will describe how they achieved their effects to allow you to recreate them yourself. Discover how to compose 'decisive moments' like Cartier-Bresson, use long exposures for landscapes like Simon Norfolk, and experiment with flash in daylight like Rineke Dijkstra.The images are arranged thematically, with engaging analysis of each image and a description of its technical make-up, along with a biography of each artist. The book showcases 100 of the greatest images in the history of the art and will provide an indispensable guide to the technicalities behind the well-known masterpieces and hidden gems in the world of photography. The photographers and their images were carefully selected by award winning photographer, educator and academic Paul Lowe, whose years of experience as a photojournalist and as a teacher gives unique and detailed insight into the working methods of these great image makers.

Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia.Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this ‘active’ form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography.This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism.

The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe.Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe’s recent history.

The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe.Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe’s recent history.

Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.

Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia.Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this ‘active’ form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography.This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism.

Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.

The photographer behind Life magazine’s first ever all-color photographic essay, Ernst Haas made—and captured—history as an early adopter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America’s geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas’ perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist’s point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. This remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.