Peter Ho Davies – författare

Ah Ling: son of a prostitute and a white ''ghost'', dispatched from Hong Kong as a boy to make his way alone in 1860s California.

Anna Mae Wong: the first Chinese film star in Hollywood, forbidden to kiss a white man on screen.

Vincent Chin: killed by a pair of Detroit auto workers in 1982 simply for looking Japanese.

John Ling Smith: a half-Chinese writer visiting China for the first time, to adopt a baby girl.

Inspired by three figures who lived at pivotal moments in Chinese-American history, and drawing on his own mixed-race experience, Peter Ho Davies plunges us into what it is like to feel, and be treated, like a foreigner in the country you call home.

Ranging from the mouth of the Pearl River to the land of golden opportunity, this remarkable novel spans 150 years to tell a tale of familial bonds denied and fragmented, of tenacity and pride, of prejudice and the universal need to belong.

''There are some stories that require as much courage to write as they do art. Peter Ho Davies''s achingly honest, searingly comic portrait of fatherhood is just such a story . . . The world needs more stories like this one, more of this kind of courage, more of this kind of love.'' - Sigrid Nunez, National Book Award-winning author of The FriendWhen does sorrow turn to shame? When does love become labour? When does chance become choice? And when does fact become fiction?A Lie Someone Told You About Yourself traces the complex consequences of one of the most personal yet public, intimate yet political, experiences a family can have: to have a child, and conversely, the decision not to have a child. A woman''s first pregnancy is interrupted by test results at once catastrophic and uncertain, leaving her and her husband, a writer, reeling. A second pregnancy ends in a fraught birth, a beloved child, the purgatory of further tests - and questions that reverberate down the years.This spare, supple narrative chronicles the flux of parenthood, marriage, and the day-to-day practice of loving someone. As challenging as it is vulnerable, as furious as it is tender, as touching as it is darkly comic, Peter Ho Davies''s new novel is an unprecedented depiction of fatherhood.

The fifteenth volume in the Art of series takes an expansive view of revision—on the page and in lifeIn The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision—even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject.Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.