Philip Metres – författare

Philip Metres stakes a claim for the cultural work that poems can perform—from providing refuge to embodying resistance, from recovering silenced voices to building a more just world, in communities of solitude and solidarity. Gathering a decade of his writing on poetry, he widens our sense of poetry as a way of being in the world, proposing that poems can offer a permeability to marginalized voices and a shelter from the imperial noise and despair that can silence us. The Sound of Listening ranges between expansive surveys of the poetry of 9/11, Arab American poetry, documentary poetry, landscape poetry, installation poetry, and peace poetry; personal explorations of poets such as Adrienne Rich, Khalil Gibran, Lev Rubinstein, and Arseny Tarkovsky; and intimate dialogues with Randa Jarrar, Fady Joudah, and Micah Cavaleri, that illuminate Metres’s practice of listening in his 2015 work, Sand Opera.

Dynamically pairing traditional and experimental forms, Philip Metres traces ancient and modern migrations in an investigation of the ever-shifting idea of home.

In Fugitive/Refuge, Philip Metres follows the journey of his refugee ancestors—from Lebanon to Mexico to the United States—in a vivid exploration of what it means to long for home. A book-length qasida, the collection draws on both ancient traditions and innovative forms—odes and arabics, sonnets and cut-ups, prayers and documentary voicings, heroic couplets and homophonic translations—in order to confront the perils of our age: forced migration, climate change, and toxic nationalism. 

Fugitive/Refuge pronounces the urge both to remember the past and to forge new poetic forms and ways of being in language. In one section, Metres meditates on the Arabic greeting—ahlan wa sahlan—and asks how older forms of welcome might offer generous and embodied ways of responding to the challenges of mass migration and digital alienation in postmodern societies. In another, he dialogues with Dante to inform new ways of understanding ancestral and modern migrations and the injustices that have burdened them. Ultimately, Metres uses movement to create a new place—one to home and dream in—for all those who seek shelter.

“After reading Primer for Non-Native Speakers, I feel like I’ve just come back from a trip to Russia. Philip Metres’s brilliantly compressed lyrical narratives capture the grandeur and the bleakness of an almost mythological country, where a bronze statue of the great poet Pushkin now gazes out on the golden arches, and the swear of a slammed door is more expressive than a mouthful of words. These are subtle, accomplished, shimmering poems that explore the nuances of being an outsider in a language.”—Maura Stanton

“After reading Primer for Non-Native Speakers, I feel like I’ve just come back from a trip to Russia. Philip Metres’s brilliantly compressed lyrical narratives capture the grandeur and the bleakness of an almost mythological country, where a bronze statue of the great poet Pushkin now gazes out on the golden arches, and the swear of a slammed door is more expressive than a mouthful of words. These are subtle, accomplished, shimmering poems that explore the nuances of being an outsider in a language.”—Maura Stanton