First published in 1924, this unique title provides an extremely valuable early Twentieth Century perspective on Jane Austen, offering analysis from both sides of the channel. The book includes both a translated study of Jane Austen by French academic Léonie Villard, and a study by influential biographer and critic, R. Brimley Johnson.

Johnson''s study, made with particular reference to the unpublished epistolary novel, Love and Friendship, seeks to redress the balance of contemporary criticism of Austen, challenging the established links between Austen and Nineteenth Century realism, and suggesting instead that her work owes a great deal to the conventions of romance. He also demonstrates how her art transformed from the parody of Nothanger Abbey to the portraiture of the later novels.

Léonie Villard''s ambitious work analyses a variety of topics relating to Austen''s work, including women and marriage, psychology, satire, the gentry and the lasting value and scope of the novels. All in all, a very engaging, informative and insightful reissue.

First published in 1924, this unique title provides an extremely valuable early Twentieth Century perspective on Jane Austen, offering analysis from both sides of the channel. The book includes both a translated study of Jane Austen by French academic Léonie Villard, and a study by influential biographer and critic, R. Brimley Johnson.

Johnson''s study, made with particular reference to the unpublished epistolary novel, Love and Friendship, seeks to redress the balance of contemporary criticism of Austen, challenging the established links between Austen and Nineteenth Century realism, and suggesting instead that her work owes a great deal to the conventions of romance. He also demonstrates how her art transformed from the parody of Nothanger Abbey to the portraiture of the later novels.

Léonie Villard''s ambitious work analyses a variety of topics relating to Austen''s work, including women and marriage, psychology, satire, the gentry and the lasting value and scope of the novels. All in all, a very engaging, informative and insightful reissue.

This 1919 volume features essays on four women novelists:  Fanny Burney, Jane Austen, Charlotte Brontë, and George Eliot.  Johnson argues that women writers have contributed to literature qualities lacking in writing by men.  Chief among these qualities is a natural proclivity to domestic themes. He also finds the female sense of morality more highly developed than that of male writers, and women’s sense of humor to be more subtle. 

First published in 1924, this unique title provides an extremely valuable early Twentieth Century perspective on Jane Austen, offering analysis from both sides of the channel. The book includes both a translated study of Jane Austen by French academic Léonie Villard, and a study by influential biographer and critic, R. Brimley Johnson.

Johnson''s study, made with particular reference to the unpublished epistolary novel, Love and Friendship, seeks to redress the balance of contemporary criticism of Austen, challenging the established links between Austen and Nineteenth Century realism, and suggesting instead that her work owes a great deal to the conventions of romance. He also demonstrates how her art transformed from the parody of Nothanger Abbey to the portraiture of the later novels.

Léonie Villard''s ambitious work analyses a variety of topics relating to Austen''s work, including women and marriage, psychology, satire, the gentry and the lasting value and scope of the novels. All in all, a very engaging, informative and insightful reissue.

First published in 1924, this unique title provides an extremely valuable early Twentieth Century perspective on Jane Austen, offering analysis from both sides of the channel. The book includes both a translated study of Jane Austen by French academic Léonie Villard, and a study by influential biographer and critic, R. Brimley Johnson.

Johnson''s study, made with particular reference to the unpublished epistolary novel, Love and Friendship, seeks to redress the balance of contemporary criticism of Austen, challenging the established links between Austen and Nineteenth Century realism, and suggesting instead that her work owes a great deal to the conventions of romance. He also demonstrates how her art transformed from the parody of Nothanger Abbey to the portraiture of the later novels.

Léonie Villard''s ambitious work analyses a variety of topics relating to Austen''s work, including women and marriage, psychology, satire, the gentry and the lasting value and scope of the novels. All in all, a very engaging, informative and insightful reissue.

This 1919 volume features essays on four women novelists:  Fanny Burney, Jane Austen, Charlotte Brontë, and George Eliot.  Johnson argues that women writers have contributed to literature qualities lacking in writing by men.  Chief among these qualities is a natural proclivity to domestic themes. He also finds the female sense of morality more highly developed than that of male writers, and women’s sense of humor to be more subtle.