R F Foster – författare

Masterfully blending narrative and interpretation, and R.F. Foster's Modern Ireland: 1600-1972 looks at how key events in Irish history contributed to the creation of the 'Irish Nation'.'The most brilliant and courageous Irish historian of his generation'Colm Tóibín, London Review of Books'Remarkable ... Foster gives a wise and balanced account of both forces of unity and forces of diversity ... a master work of scholarship'Bernard Crick, New Statesman'A tour de force ... Anyone who really wants to make sense of Ireland and the Irish must read Roy Foster's magnificent and accessible Modern Ireland'Anthony Clare'A magnificent book. It supersedes all other accounts of modern Irish history'Conor Cruise O'Brien, Sunday Times'Dazzling ... a masterly survey not so much of the events of Irish history over the past four centuries as of the way in which those events acted upon the peoples living in Ireland to produce in our own time an "Irish Nation" ... a gigantic and distinguished undertaking'Robert Kee, Observer'A work of gigantic importance. It is everything that a history book should be. It is beautifully and clearly written; it seeps wisdom through its every pore; it is full of the most elegant and scholarly insights; it is magnificently authoritative and confident ... Modern Ireland is quite simply the single most important book on Irish history written in this generation ... A masterpiece'Kevin Myers, Irish TimesR. F. Foster is Carroll Professor of Irish History at the University of Oxford and a Fellow of Hertford College, Oxford. His books include Modern Ireland: 1600-1972, Luck and the Irish and W. B. Yeats: A Life.

R.F. Foster's Luck and the Irish: A Brief History of Change, 1970-2000 examines how the country has weathered thirty years of rapid transformation, and what these changes may mean in the long run.From 1970, things were changing in Ireland - the Celtic Tiger had finally woken, and the rules for everything from gender roles and religion to international relations were being entirely rewritten. By the end of the twentieth century, Ireland had become a global brand, and the almost completely unexpected wave of prosperity had brought with it upheavals in economics, sexual mores and culture, as well as a shift in North-South attitudes.Roy Foster also looks at how characters as diverse as Gerry Adams, Mary Robinson, Charles Haughey and Bob Geldof have contributed to Ireland's altered psyche, and uncovers some of the scandals, corruption and marketing masterminds that have transformed Ireland - and its luck.'Examines our society with fierce intelligence and insight'Colm Tóibín, Irish Times Books of the Year'Occasionally angry, sometimes whimsical and frequently hilarious ... Appeals both to those who know nothing and those who think they know everything'Conor Gearty, Financial Times'The brilliance of the writing places him as a historian in a league of his own ... A balanced work offering his own distinctive, original and elegant insights'Diarmaid Ferriter, Times Literary SupplementR. F. Foster is Carroll Professor of Irish History at the University of Oxford and a Fellow of Hertford College, Oxford. His books include Modern Ireland: 1600-1972, The Irish Story and W. B. Yeats: A Life.

From 1970, things were changing in Ireland – the Celtic Tiger had finally woken, and the rules for everything from gender roles and religion to international relations were being entirely rewritten. Luck and the Irish examines how the country has weathered these last thirty years of change, and what these changes may mean in the long run. R. F. Foster also looks at how characters as diverse as Gerry Adams, Mary Robinson, Charles Haughey and Bob Geldof have contributed to Ireland’s altered psyche, and uncovers some of the scandals, corruption and marketing masterminds that have transformed Ireland – and its luck.

Each of Foster's books has generated vigorous discussion, but in THE IRISH STORY he breaks fresh ground even by his own standards. Driven by his sense of the seriousness of history and a fascination with those who distort it, THE IRISH STORY examines how key facets of Ireland's past have been tampered with to serve a multiplicity of purposes. THE IRISH STORY is endlessly varied, surprising and funny. It is also a rallying cry for those anxious that contemporary Ireland may be in danger ofturning itself into a meretricious historical theme-park.

OBSERVER BOOKS OF THE YEAR 2015TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014WINNER OF THE AMERICAN HISTORICAL ASSOCIATION'S MORRIS D. FORKOSCH PRIZE 2016'The most complete and plausible exploration of the roots of the 1916 Rebellion... essential reading' Colm TóibínVivid Faces surveys the lives and beliefs of the people who made the Irish Revolution: linked together by youth, radicalism, subversive activities, enthusiasm and love. Determined to reconstruct the world and defining themselves against their parents, they were in several senses a revolutionary generation.The Ireland that eventually emerged bore little relation to the brave new world they had conjured up in student societies, agit-prop theatre groups, vegetarian restaurants, feminist collectives, volunteer militias, Irish-language summer schools, and radical newspaper offices. Roy Foster's book investigates that world, and the extraordinary people who occupied it. Looking back from old age, one of the most magnetic members of the revolutionary generation reflected that 'the phoenix of our youth has fluttered to earth a miserable old hen', but he also wondered 'how many people nowadays get so much fun as we did'. Working from a rich trawl of contemporary diaries, letters and reflections, Vivid Faces re-creates the argumentative, exciting, subversive and original lives of people who made a revolution, as well as the disillusionment in which it ended.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster''s eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic ''national tales'' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton''s ''peasant fictions'', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to ''hammer his thoughts into a unity'' made him an inheritor as much as an inventor.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster''s eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic ''national tales'' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton''s ''peasant fictions'', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to ''hammer his thoughts into a unity'' made him an inheritor as much as an inventor.

Under the editorship of R. F. Foster, a team of distinguished Irish historians has produced a challenging assessment of Ireland's history, invaluable for the student and general reader alike. Their approach stresses the ancient, rooted nature of Irish culture, but also looks beyond received ideas of Irish history to explore the patterns of fragmentation and change which have been characteristic of Ireland's past. The long-contested question of Irish identity and its relation to language is also fruitfully examined. The text of this book, originally published in The Oxford Illustrated History of Ireland, is usefully supplemented with a chronology of Irish history, maps, and suggestions for further reading.

The acclaimed first volume of this definitive biography of W. B. Yeats left him in his fiftieth year, at a crossroads in his life. The subsequent quarter-century surveyed in The Arch-Poet takes in his rediscovery of advanced nationalism and his struggle for an independent Irish culture, his continued pursuit of supernatural truths through occult experimentation, his extraordinary marriage, and a series of tumultuous love affairs. Throughout he was writing his greatest poems: 'The Fisherman' and 'The Wild Swans at Coole' in their stark simplicity; the magnificently complex sequences on the Troubles and Civil War; the Byzantium poems; and the radically compressed last work - some of it literally written on his deathbed.The drama of his life is mapped against the history of the Irish revolution and the new Irish state founded in 1922. Yeats's many political roles and his controversial involvement in a right-wing movement during the early 1930s are covered more closely than ever before, and his complex and passionate relationship with the developing history of his country remains a central theme. Throughout this book, the genesis, alteration, and presentation of his work (memoirs and polemic as well as poetry) is explored through his private and public life. The enormous and varied circle of Yeats's friends, lovers, family, collaborators, and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment, and verve. Yeats constantly re-created himself and his work, believing that art was 'not the chief end of life but an accident in one's search for reality': a search which brought him again and again back to his governing preoccupations: sex and death. He also held that 'all knowledge is biography', a belief reflected in this study of one of the greatest lives of modern times.

In the first authorized biography of W. B. Yeats for over 50 years, Roy Foster brings new light to one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics, and art. From a childhood inheritance of déclassé Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts his development into a great poet. It ends in his 50th year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, 'AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created 'like the phoenix', affecting everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalised Irish nationalist identity.

Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century. Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland's past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland's powerful oral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation.Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish misfortunes are sentimentalized and packaged. He offers incisive readings of writers from Standish O'Grady to Trollope and Bowen; dissects the Irish government's commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet's complex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--and warns of the dangers of turning Ireland into a historical theme park. The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.

Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century. Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland''s past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland''s powerful oral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation. Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish misfortunes are sentimentalized and packaged. He offers incisive readings of writers from Standish O''Grady to Trollope and Bowen; dissects the Irish government''s commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet''s complex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--and warns of the dangers of turning Ireland into a historical theme park. The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.

The acclaimed first volume of this definitive biography of W. B. Yeats left him in his fiftieth year, at a cross-roads in his life. The subsequent quarter-century surveyed in The Arch-Poet takes in his rediscovery of advanced nationalism and his struggle for an independent Irish culture, his continued pursuit of supernatural truths through occult experimentation, his extraordinary marriage, and a series of tumultuous love affairs. Throughout he was writing his greatest poems, from the stark simplicity of 'The Fisherman' and 'The Wild Swans at Coole', through the magnificent complexities of the sequences reflecting the Troubles and Civil War and the Byzantium poems, to the radical compression of his last work - some of it literally written on his deathbed. The drama of his life is mapped against the history of the Irish revolution and the new Irish state founded in 1922. Yeats's many political roles and his controversial involvement in a right-wing movement during the early 1930s are covered more closely than ever before, and his complex and passionate relationship with the developing history of his country remains a central theme. Throughout this book, the genesis, alteration, and presentation of his work (memoirs and polemic as well as poetry) is explored through his private and public life. The enormous and varied circle of Yeats's friends, lovers, family, collaborators, and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment, and verve. Yeats constantly re-created himself and his work, believing that art was 'not the chief end of life but an accident in one's search for reality': a search which brought him again and again back to his governing preoccupations: sex and death. He also held that 'all knowledge is biography', a belief reflected in this study of one of the greatest lives of modern times.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.

OBSERVER BOOKS OF THE YEAR 2015TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014WINNER OF THE AMERICAN HISTORICAL ASSOCIATION'S MORRIS D. FORKOSCH PRIZE 2016'The most complete and plausible exploration of the roots of the 1916 Rebellion... essential reading' Colm TóibínVivid Faces surveys the lives and beliefs of the people who made the Irish Revolution: linked together by youth, radicalism, subversive activities, enthusiasm and love. Determined to reconstruct the world and defining themselves against their parents, they were in several senses a revolutionary generation.The Ireland that eventually emerged bore little relation to the brave new world they had conjured up in student societies, agit-prop theatre groups, vegetarian restaurants, feminist collectives, volunteer militias, Irish-language summer schools, and radical newspaper offices. Roy Foster's book investigates that world, and the extraordinary people who occupied it. Looking back from old age, one of the most magnetic members of the revolutionary generation reflected that 'the phoenix of our youth has fluttered to earth a miserable old hen', but he also wondered 'how many people nowadays get so much fun as we did'. Working from a rich trawl of contemporary diaries, letters and reflections, Vivid Faces re-creates the argumentative, exciting, subversive and original lives of people who made a revolution, as well as the disillusionment in which it ended.

Charles Stewart Parnell has traditionally been studied from the political angle but here Foster places him in the social context of 19th century Irish gentry, and studies him in relation to his remarkable family. Beginning with a survey of the social milieu into which Parnell was born, he traces the foundation of the family's eminence in Irish life, and explores the ways in which Parnell's connections exerted a much more decisive influence than has previously been realised. Foster's conclusions supply a new appreciation of major aspects of Parnell's political life and of the motivations which governed his ostensibly contradictory personal life, which ended in the 'Mrs. O'Shea' divorce scandal, the ruin of his career, and of Irish hopes of independence for a generation. This study gives us a new picture of the man, and of his world. 'A very valuable, pioneering study.' Conor Cruise O'Brien

A rich collection of essays which explore the paradoxes of the Irish political and social identity. As a follow up to Modern Ireland, R.F. Foster addresses the turbulent history of Ireland, providing his thoughts on the contemporary issues surrounding the country up to the early 1990s.