This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This study breaks new ground by examining the profoundly submissive and masochistic posture toward women exhibited by many of Hemingway''s heroes, from Jake Barnes in The Sun Also Rises to David Bourne in The Garden of Eden. The discussion draws on the ideas of diverse authors revealing that ''masochistic aesthetic'' informs many of the texts.

This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This study breaks new ground by examining the profoundly submissive and masochistic posture toward women exhibited by many of Hemingway's heroes, from Jake Barnes in The Sun Also Rises to David Bourne in The Garden of Eden. The discussion draws on the ideas of diverse authors revealing that 'masochistic aesthetic' informs many of the texts.

This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This study breaks new ground by examining the profoundly submissive and masochistic posture toward women exhibited by many of Hemingway''s heroes, from Jake Barnes in The Sun Also Rises to David Bourne in The Garden of Eden. The discussion draws on the ideas of diverse authors revealing that ''masochistic aesthetic'' informs many of the texts.

This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This book recovers the fiction of Charles Reade, who was among the best-known authors of the sensation fiction of the 1860s, as a body of work that anticipates recent trends in literary and cultural theory.

This study breaks new ground by examining the profoundly submissive and masochistic posture toward women exhibited by many of Hemingway's heroes, from Jake Barnes in The Sun Also Rises to David Bourne in The Garden of Eden. The discussion draws on the ideas of diverse authors revealing that 'masochistic aesthetic' informs many of the texts.