R K Narayan – författare

Ten-year-old Swaminathan is living in exciting times. The sleeping giant of India is beginning to stir to the dwelling reverberations which herald the great struggle for independence. But it's all rather confusing for the boy. For like his family and friends, Swami has been immutably moulded by his British rulers - and though he might happily demonstrate against them, he wouldn't dream of missing cricket practice.

Krishna, an English teacher in the town of Malgudi, nagged by the feeling he's doing the wrong work, is nonetheless delighted by his domestic life, where his wife and young daughter wait for him outside the house every afternoon. Devastated by the death of his wife, Krishna comes to realise what he really wants to do, and makes a decision that will change his life forever.

In this wry, funny, bittersweet story, love gets in the way of progress when Raman, a sign painter, meets the thrillingly independent Daisy, who wishes to bring birth control to the city of Malgudi.

The Mahabharata is some 3,500 years old and is the longest poem in any language. It is one of the founding epics of Indian culture and, with its mixture of cosmic drama and profound philosophy (one small section forms the BHAGHAVAD GITA) it holds aunique place in world literature. In this drastically shortened prose rendering, Narayan uses all his extraordinary talents to convey to a modern reader why this is such a great story. Filled with vivid characters, obsessed with the rise and fall of gods, empires and heroes, Narayan's MAHABHARATA is an enormously enjoyable experience and the perfect introduction to the otherwise bewildering Indian cosmology.

Raju's first stop after his release from prison is the barber's shop Then he decides to take refuge in an abandoned temple. Raju used to be India's most corrupt tourist guide - but now a peasant mistakes him for a holy man. Gradually, almost grudgingly, he begins to play the part. He succeeds so well that God himself intervenes to put Raju's new holiness to the test.

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

Discover one of India's most valued and adored twentieth-century novelists, including his novel Swami and Friends.Here are three of R. K. Narayan's most famous and best loved novels: Swami and Friends, The Bachelor of Arts and The English Teacher. All set in the imaginary Indian town of Malgudi, these irresistible works provide the perfect introduction to a universal world of humour, sadness, wisdom and joy.**Featuring one of the BBC’s 100 Novels That Shaped Our World**

My Days is the only memoir from R.K. Narayan, one of the twentieth century's most important writers in the English language. This edition includes a foreword by John Updike. In the wryly funny style that has made him famous, R.K. Narayan shares his life story, beginning in his grandmother's garden in Madras with a ferocious pet peacock. As a young boy with no interest in school he trains grasshoppers and scouts and then, against the advice of all, especially his commanding headmaster father, the dreaming Narayan begins to write fiction. When one of his pieces is accepted by Punch magazine, what he describes as his 'first prestige publication', his life becomes gradually filled with bumbling British diplomats, strange movie moguls, evasive Indian officials and 'the blind urge' to fall in love. Like his fiction R.K. Narayan's memoirs are acutely perceptive of the human condition, often brilliantly funny and always forgiving.

R. K. Narayan (1906-2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. Swami and Friends introduces us to Narayan's beloved fictional town of Malgudi, where ten-year-old Swaminathan's excitement about his country's initial stirrings for independence competes with his ardour for cricket and all other things British. The Bachelor of Arts is a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. In The Dark Room, Narayan's portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband's humiliations and trying to escape them. The title character in The English Teacher, Narayan's most autobiographical novel, searches for meaning when the death of his young wife deprives him of his greatest source of happiness.

Mr Sampath - The Printer of Malgudi is the story of a businessman who adapts to the collapse of his weekly newspaper by shifting to screenplays, only to have the glamour of it all go to his head. In The Financial Expert, a man of many hopes but few resources spends his time under a banyan tree dispensing financial advice to those willing to pay for his knowledge. In Waiting for the Mahatma, a young drifter meets the most beautiful girl he has ever seen - an adherent of Mahatma Gandhi - and commits himself to Gandhi's Quit India campaign, a decision that will test the integrity of his ideals against the strength of his passions.