Ralph Macchio – författare

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to cocreator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector’s dream, close in size to the original artworks, this compact edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press.With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation.© 2024 MARVEL

Experience the conclusion of the iconic original comic book series, THE TRANSFORMERS, in a complete compendium for the first time ever!THE END OF THE ICONIC ORIGINAL ERA OF TRANSFORMERS IS HERE! The looming threat of Unicron is ever present as both Decepticons and Autobots spread their forces across the galaxy in search of their last hope, the Creation Matrix. But when that hope grows dimmer, Optimus Prime makes the greatest sacrifice of all... Collected in compendium format for the first time ever, these iconic Transformers stories are perfect for fans new and old. Collects THE TRANSFORMERS #47-80, TRANSFORMERS: THE MOVIE #1-3, TRANSFORMERS GENERATION 2 #1-12.

Celebrate the 40th anniversary of THE TRANSFORMERS: THE MOVIE in the first-ever hardcover collection of the movie adaptations. CELEBRATE THE 40TH ANNIVERSARY OF THE TRANSFORMERS: THE MOVIE IN STYLE!  When Optimus Prime and Megatron wage their final battle on Earth...from the ashes rises a whole new beginning for the Autobots and Decepticons that is truly More Than Meets The Eye!   Explore THE TRANSFORMERS: THE MOVIE like never before in this breathtaking deluxe hardcover that collects both adaptations of the iconic movie, just in time for fans to celebrate its 40th anniversary.   Collects THE TRANSFORMERS: THE MOVIE #1-3 & THE TRANSFORMERS: THE ANIMATED MOVIE #1-4.

Discover the hard-to-find iconic TRANSFORMERS UK comics that continued the war between the Autobots and Decepticons from the original US comics! THE MUST-READ COLLECTION FOR EVERY TRANSFORMERS FAN!  In the year 2009, a time rift threatens both Cybertron and Earth. Now, Rodmius and  Autobots must travel back in time to prevent it from swallowing their future!  Can they prevail? Or will threats from their past doom them to fail?  Collected in compendium format for the first time ever, these iconic Transformers UK stories are perfect for fans new and old.    Collects THE TRANSFORMERS UK #146-153, 160-161, 164-173, 180-189, 198-205, 213-289, STORIES FROM THE TRANSFORMERS UK ANNUALS 1989, 1990, 1991, & 1992, and THE TRANSFORMERS GENERATION 2 UK #1-2

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history. Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever. This XXL-sized collector’s dream, close in size to the original artworks, features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics. With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, these 698 pages of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation. © 2021 MARVEL

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector’s dream, this Bibliotheca Universalis edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company.With an in-depth historical essay by Marvel editor Ralph Macchio, as well as original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation.© 2026 MARVEL