RashDash – författare

PIG / SISSY: ‘Are you finding this harder to hear, is this more difficult on your stomachs because we are women.’This is about pornography.This is an interview. This is an intervention.This is an interrogation.We’re recording now.We want to pull its plug out. We want to stop its heartbeat. We want to blow its brains out and begin again.We know exactly what we’re doing.We’re not stupid.An unsettling, powerful new piece of theatre tackling pornography and violence against women.

Family means everything you want it to mean.What a transformative thing it can be to take care of someone else, completely. How it rearranges you. How you might yearn to do it. How you will definitely yearn for a break.It is relentless. Diabolical. Wonderful. Hilarious. Necessary. Created by multi-award-winning company RashDash, Oh Mother is a fever dream of a play made in the heat of the love, the exhaustion and the chaos of motherhood. This edition was published to coincide with the production at Soho Theatre, London, in July 2022.

Family means everything you want it to mean.What a transformative thing it can be to take care of someone else, completely. How it rearranges you. How you might yearn to do it. How you will definitely yearn for a break.It is relentless. Diabolical. Wonderful. Hilarious. Necessary. Created by multi-award-winning company RashDash, Oh Mother is a fever dream of a play made in the heat of the love, the exhaustion and the chaos of motherhood. This edition was published to coincide with the production at Soho Theatre, London, in July 2022.

Family means everything you want it to mean.What a transformative thing it can be to take care of someone else, completely. How it rearranges you. How you might yearn to do it. How you will definitely yearn for a break.It is relentless. Diabolical. Wonderful. Hilarious. Necessary. Created by multi-award-winning company RashDash, Oh Mother is a fever dream of a play made in the heat of the love, the exhaustion and the chaos of motherhood. This edition was published to coincide with the production at Soho Theatre, London, in July 2022.

Rediscover Anton Chekhov's acclaimed works in radical, creative new ways.The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov's major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov's original drama is not only explored but reanimated and interrogated in revolutionary ways.From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov’s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power.With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

Rediscover Anton Chekhov's acclaimed works in radical, creative new ways.The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov's major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov's original drama is not only explored but reanimated and interrogated in revolutionary ways.From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov’s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power.With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

Rediscover Anton Chekhov''s acclaimed works in radical, creative new ways. The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov''s major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov''s original drama is not only explored but reanimated and interrogated in revolutionary ways. From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov''s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power. With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

Rediscover Anton Chekhov''s acclaimed works in radical, creative new ways. The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov''s major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov''s original drama is not only explored but reanimated and interrogated in revolutionary ways. From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov''s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power. With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

PIG / SISSY: ‘Are you finding this harder to hear, is this more difficult on your stomachs because we are women.’This is about pornography.This is an interview. This is an intervention.This is an interrogation.We’re recording now.We want to pull its plug out. We want to stop its heartbeat. We want to blow its brains out and begin again.We know exactly what we’re doing.We’re not stupid. An unsettling, powerful new piece of theatre tackling pornography and violence against women.

Two women play two women playing two men. RashDash return with a playful new show about gender and language. A story of power with a strong theme of love running through the narrative.John and Dan keep hearing people say that men have all the power, but it doesn’t feel like that to them.Abbi and Helen are making a show about Man and men. They want to talk about masculinity and patriarchy but the words that exist aren’t good enough, so there’s music and dance too. It’s loud and raucous.