Rasul A Mowatt – författare

The Geographies of Threat and the Production of Violence exposes the spatial processes of racialising, gendering, and classifying populations through the encoded urban infrastructure – from highways cleaving neighbourhoods to laws and policies fortifying even more unbreachable boundaries. This synthesis of narrative and theory resurrects neglected episodes of state violence and reveals how the built environment continues to enable it today within a range of cities throughout the world. Examples and discussions pull from colonial pasts and presents, of old strategic settlements turned major modern cities in the United States and elsewhere that link to the physical and legal structures concentrating a populace into neighbourhoods that prep them for a lifetime of conscripted and carceral service to the State.

The Geographies of Threat and the Production of Violence exposes the spatial processes of racialising, gendering, and classifying populations through the encoded urban infrastructure – from highways cleaving neighbourhoods to laws and policies fortifying even more unbreachable boundaries. This synthesis of narrative and theory resurrects neglected episodes of state violence and reveals how the built environment continues to enable it today within a range of cities throughout the world. Examples and discussions pull from colonial pasts and presents, of old strategic settlements turned major modern cities in the United States and elsewhere that link to the physical and legal structures concentrating a populace into neighbourhoods that prep them for a lifetime of conscripted and carceral service to the State.

Laundering Black Rage: The Washing of Black Death, People, Property, and Profits is a spatial and historical critique of the capitalist State that examines how Black Rage—conceived as a constructive and logical response to the conquest of resources, land, and human beings racialized as Black—is cleaned for the unyielding means of White capital. Interlacing political theory with international histories of Black rebellion, it presents a thoughtful challenge to the counterinsurgent tactics of the State that consistently convert Black Rage into a commodity to be bought, sold, and repressed. Laundering Black Rage investigates how the Rage directed at the police murder of George Floyd could be marshalled to funnel the Black Lives Matter movement into corporate advertising and questionable leadership, while increasing the police budgets inside the laundry cities of capital - largely with our consent.

Essayist/Performer Too Black and Geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital and the established order of things, which must therefore be managed by the process of laundering.

Intertwining stories of Black resistance throughout the African diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the laundering process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and organizers enraged at capitalism and White supremacy laundering their work for nefarious means.

Laundering Black Rage: The Washing of Black Death, People, Property, and Profits is a spatial and historical critique of the capitalist State that examines how Black Rage—conceived as a constructive and logical response to the conquest of resources, land, and human beings racialized as Black—is cleaned for the unyielding means of White capital. Interlacing political theory with international histories of Black rebellion, it presents a thoughtful challenge to the counterinsurgent tactics of the State that consistently convert Black Rage into a commodity to be bought, sold, and repressed. Laundering Black Rage investigates how the Rage directed at the police murder of George Floyd could be marshalled to funnel the Black Lives Matter movement into corporate advertising and questionable leadership, while increasing the police budgets inside the laundry cities of capital - largely with our consent.

Essayist/Performer Too Black and Geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital and the established order of things, which must therefore be managed by the process of laundering.

Intertwining stories of Black resistance throughout the African diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the laundering process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and organizers enraged at capitalism and White supremacy laundering their work for nefarious means.

The City of Hip-Hop positions a unique conceptualization of the history of Hip-Hop, that it was a combination of forces that produced the environment for Hip-Hop to specifically grow in the geographies of New York City and its boroughs. This book argues it was the political forces of the 1970s combined with the economic forces of free market capitalism and privatization of public services, neoliberalism, and the social forces of the deindustrialization of major cities and displacement of populations that led the cultural creation of the “Boogie Down” Bronx. The City of Hip-Hop shows how Hip-Hop is a socio-political reaction that created an alternate reality with a geographic specificity, and it is the interplay with those forces that nurtured it to become the culture force that we know it today in New York, Philadelphia, Boston, Los Angeles, Chicago, London, Manchester, Liverpool, Berlin, São Paulo, Tokyo, Washington D.C., Seattle, Paris, Houston, Dallas, Miami, Atlanta, Detroit, Toronto, Cleveland, Johannesburg, Barcelona, Belfast, Gaza City, and elsewhere. Once those of us as fans of the culture zoom out to see such a bigger picture, a much-needed criticism and retelling of the culture and art of Hip-Hop emerges as our understanding.

This book is essential for preservers of the culture, students, scholars, and general readers interested in urban planning, urban design, urban geography, place-making, American Studies, Cultural Studies, Black Studies, and Latin American Studies.

The City of Hip-Hop positions a unique conceptualization of the history of Hip-Hop, that it was a combination of forces that produced the environment for Hip-Hop to specifically grow in the geographies of New York City and its boroughs. This book argues it was the political forces of the 1970s combined with the economic forces of free market capitalism and privatization of public services, neoliberalism, and the social forces of the deindustrialization of major cities and displacement of populations that led the cultural creation of the “Boogie Down” Bronx. The City of Hip-Hop shows how Hip-Hop is a socio-political reaction that created an alternate reality with a geographic specificity, and it is the interplay with those forces that nurtured it to become the culture force that we know it today in New York, Philadelphia, Boston, Los Angeles, Chicago, London, Manchester, Liverpool, Berlin, São Paulo, Tokyo, Washington D.C., Seattle, Paris, Houston, Dallas, Miami, Atlanta, Detroit, Toronto, Cleveland, Johannesburg, Barcelona, Belfast, Gaza City, and elsewhere. Once those of us as fans of the culture zoom out to see such a bigger picture, a much-needed criticism and retelling of the culture and art of Hip-Hop emerges as our understanding.

This book is essential for preservers of the culture, students, scholars, and general readers interested in urban planning, urban design, urban geography, place-making, American Studies, Cultural Studies, Black Studies, and Latin American Studies.

The Legacy of Lynching provides a critical social theory of the history of lynching as a pedagogy of social and political violence, power, and control (to identify-find-kill-display the body of the racial Other). The theory emphasizes the final stage of display as what truly constitutes a lynching and differentiates it from other forms of violence (race riots, recreational murder, racial hunting, bombings, and disappearances) and challenges other definitions of lynching (hanging, mob violence, extra-judicial, and racial terror). The book examines the socio-historical record of lynching in the United States, with additional attention to lynching activity and imagery of Australia, Britain, France, Germany, and India, to surface the nature of lynching as a public spectacle with important critical social and political dimensions that enact power in visible ways across racialized bodies, peoples, and spaces.

Lynching, in this book, is presented not just as a historical phenomenon or as a set of artifacts (picture postcards, shreds of clothing, pieces of rope, and other ephemeral), but also as a cultural production of State power and control that shapes social and political institutions, public spaces, and social memory. This socio-historical record of lynching, as such, reveals not only the mechanisms of previous instantiations of racialized power schemas (pogroms, ethnic cleansing, and genocide) but also the ongoing encoding of control and colonization of public life. Through a thorough re-reading and reworking of the history of lynching and its ongoing, contemporary afterlife, the book reconceptualizes the nature and ramifications of the phenomenon in various forms of media like film, television, social media platforms, gaming, graphic novels, fictional novellas, and even fashion. As such, it will be an important resource for podcasters, journalists, students, instructors, researchers, and readers in sociology, social theory, political sociology, historical sociology, American history and American studies, cultural studies, Race and ethnicity studies, and geography.

The Legacy of Lynching provides a critical social theory of the history of lynching as a pedagogy of social and political violence, power, and control (to identify-find-kill-display the body of the racial Other). The theory emphasizes the final stage of display as what truly constitutes a lynching and differentiates it from other forms of violence (race riots, recreational murder, racial hunting, bombings, and disappearances) and challenges other definitions of lynching (hanging, mob violence, extra-judicial, and racial terror). The book examines the socio-historical record of lynching in the United States, with additional attention to lynching activity and imagery of Australia, Britain, France, Germany, and India, to surface the nature of lynching as a public spectacle with important critical social and political dimensions that enact power in visible ways across racialized bodies, peoples, and spaces.

Lynching, in this book, is presented not just as a historical phenomenon or as a set of artifacts (picture postcards, shreds of clothing, pieces of rope, and other ephemeral), but also as a cultural production of State power and control that shapes social and political institutions, public spaces, and social memory. This socio-historical record of lynching, as such, reveals not only the mechanisms of previous instantiations of racialized power schemas (pogroms, ethnic cleansing, and genocide) but also the ongoing encoding of control and colonization of public life. Through a thorough re-reading and reworking of the history of lynching and its ongoing, contemporary afterlife, the book reconceptualizes the nature and ramifications of the phenomenon in various forms of media like film, television, social media platforms, gaming, graphic novels, fictional novellas, and even fashion. As such, it will be an important resource for podcasters, journalists, students, instructors, researchers, and readers in sociology, social theory, political sociology, historical sociology, American history and American studies, cultural studies, Race and ethnicity studies, and geography.