Rebecca Brown – författare

How are our lives shaped by the difficult choices of our parents and even grandparents? How will our own choices direct the future for our children? Following generations of one family across nearly a century, each of Andrea Lewis's intertwined, engaging short stories evokes an intense sense of place and time, from New Orleans in 1895 to Grand Isle, Louisiana, during the hurricane of 1901 and on to London during the Olympic Games of 1948. The people in these ten vivid tales face tragedy and real-world catastrophic events—war, hurricanes, the Great Depression, racial tension—in their pursuit of love, family, and belonging. Each character struggles to discover and preserve his or her identity and dreams while grappling with the expectations of family and culture and trying to cope with loss. Some succeed, some compromise, and some fail, but all have a traceable impact on a story to come.

Excerpts from a Family Medical Dictionary is an intimate, exquisite, and true account of what it is to help a parent die. After her mother was diagnosed with terminal cancer, former home care worker and award-winning writer Rebecca Brown cared for her mother during the last six months of her life. This spare, unsentimental book comes out of that experience. In short chapters headed by definitions of medical terms, she confronts anemia, chemotherapy, metastasis, cremation. Brown’s is a poignant and unflinching story of how one family coped with loss and learned about the longevity of love.The Wisconsin edition is for sale only in North America.

The authors propose to investigate the meaning and purpose of boundaries within and around the therapeutic experience. A boundary is more than a simple line delineating one space from another; it is an entity with properties that demand a response if they are to be negotiated. Boundaries circumscribe a space that can be viewed objectively, or experienced subjectively, as a 'container'. For the uninitiated, this therapeutic container can be difficult to penetrate. Even health professionals such as GPs and psychiatrists often do not know how to access psychotherapy organisations and their referral networks. Also, real constraints on the availability of counselling and psychotherapy within the National Health Service, and the cost of private sector services, may prohibit access to the help being sought. The book explores aspects such as the gradual evolution of therapeutic boundaries in psychodynamic work, boundary development in infancy and childhood, the role of the therapist's mind and the therapeutic setting, confidentiality and issues such as money and time.

Gandhi’s use of the spinning wheel was one of the most significant unifying elements of the nationalist movement in India. Spinning was seen as an economic and political activity that could bring together the diverse population of South Asia, and allow the formerly elite nationalist movement to connect to the broader Indian population. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its appropriation by the anti-colonial movement. This complex of visual imagery and performative ritual had the potential to overcome labour, gender, and religious divisions and thereby produce an accessible and effective symbol for the Gandhian anti-colonial movement. By thoroughly examining all aspects of this symbol’s deployment, this book unpacks the politics of the spinning wheel and provides a model for the analysis of political symbols elsewhere. It also probes the successes of India’s particular anti-colonial movement, making an invaluable contribution to studies in social and cultural history, as well as South Asian Studies.

Gandhi’s use of the spinning wheel was one of the most significant unifying elements of the nationalist movement in India. Spinning was seen as an economic and political activity that could bring together the diverse population of South Asia, and allow the formerly elite nationalist movement to connect to the broader Indian population. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its appropriation by the anti-colonial movement. This complex of visual imagery and performative ritual had the potential to overcome labour, gender, and religious divisions and thereby produce an accessible and effective symbol for the Gandhian anti-colonial movement. By thoroughly examining all aspects of this symbol’s deployment, this book unpacks the politics of the spinning wheel and provides a model for the analysis of political symbols elsewhere. It also probes the successes of India’s particular anti-colonial movement, making an invaluable contribution to studies in social and cultural history, as well as South Asian Studies.

A quirky framing of the Civil War grounded in solid scholarship. The Brown twin sisters have built historical dioramas to tell the story of the Civil War with an unexpected twist. The thousands of Union and Confederate soldiers depicted in the battles and scenes  are cats! Little Round Top, Pickett’s Charge, Andersonville come to life in this fun, fanciful, solidly researched and highly visual representation of the War. The cats pull you in, and soon you’ll find you’re immersed and engaged, learning details and gaining a new and different perspective.

The girls on the prowl in The Terrible Girls are indeed terrible--relentless in love, ruthless in betrayal. These thematically linked stories depict a contemporary Gothic world in which body parts are traded for love, wounds never heal, and self-sacrifice is often the only way out. "In this brilliantly original work, Rebecca Brown gives us haunting parables of betrayal and love, of loss and resurrection, of loneliness and solidarity. Like a modern Djuna Barnes, Brown creates a language of telling that is fiercely beautiful and honest. This book is a love story unlike any you have read before. Its subversive and passionate transformation carry the lesbian literary voice onto the 21st century." --Joan Nestle "A dry, witty, graceful--if savage--gift." --Mary Gaitskill "The Terrible Girls comes from one of the fiercest, most potent, original writers around: a bloody flayer of skins, both other's and her own ...a work of possessed and persuasive visionary power." --The Listener "The Terrible Girls is a powerful account of erotic love which exchanges the comforts of illusion for more complex and less certain rewards."--The Times Literary Supplement Rebecca Brown is the winner of the 2003 Washington State Book Award. Her books, which are all published by City Lights, include: The Haunted House, The Terrible Girls, The End of Youth, The Last Time I Saw You, and The Dogs, Annie Oakley's Girl. She was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger.

"One of the freshest, most memorable story collections of my lifetime. And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."--Tillie Olsen "In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."--Dorothy Allison Published in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief."Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins). "Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley--it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks--"the release of her authorized biography coincides with the arrival of the special line of new fall fashions--Annie Oakley Western Wear.""A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves--one deaf, one blind--so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country--she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws--and where sadness seems to be a woman's only fate."--Kirkus Reviews

The nameless narrator of The Dogs: A Modern Bestiary lives in her studio apartment with a pack of Doberman pinchers. The dogs, led by the cruel, charismatic bitch named Miss Dog, alternate between being brutal attack animals and loyal companions, being real and otherworldly. Some chapters draw upon the ecstatic and horrifying visions of Christian mystics; others take place in the landscapes of familiar fairytales; others in the banal settings of the late-night pick-up bars or suburban picnics. The narrator uneasily inhabits these worlds until the dogs force her to take irrevocable action. "A snarling attack on the fairytale form. A good girl's fears of inadequacy materialize as a pack of vicious dogs."--Publishers Weekly "A strange and wonderful first-person voice emerges from the stories of Rebecca Brown, who strips her language of convention to lay bare the ferocious rituals of love and need."--The New York Times "Using unsentimental language that slices, pries and exposes layers of emotion and sexuality as a scalpel does a body, Brown veers into the uncharted territory."--The San Francisco Chronicle "I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around."--Dorothy Allison "A dry, witty, graceful--if savage--gift."--Mary Gaitskill Rebecca Brown is the author of other fictions, including The Terrible Girls, Annie Oakley's Girl, and The Gifts of the Body. She is the winner of the 2003 Washington State Book Award, and was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger. She lives in Seattle.

The End of Youth is a collection of 13 linked stories, essays and rants, about carrying on after youth's hope is gone. In "Afraid of the Dark," a child learns that there is good reason to be afraid. The adolescent narrator of "Description of a Struggle" finds that love can be brutal. "The Smokers" -examines an adult's realization that longevity means seeing loved ones die. Written with the same spare and vivid beauty as her earlier award-winning works, The End of Youth is certain to win even wider acclaim. Rebecca Brown is the author of The Terrible Girls, Annie Oakley's Girl, The Gifts of the Body and The Dogs. She lives in Seattle.

In The Last Time I Saw You, author Rebecca Brown returns to the obsessive, darkly humorous voice that has earned her comparisons to Samuel Beckett and Djuna Barnes. Some of the tales in this collection are told in the scrappy, breathless voice of a naif on the verge of a terrible revelation. Others are noir-baroque monologues that collapse in on themselves as a speaker at last abandons a much-needed delusion. Intense, artfully crafted, and oddly comic, the stories in this collection are bound to stay with you like an insistent, disturbing dream. Rebecca Brown is the winner of the 2003 Washington State Book Award. Her books include The Gifts of the Body, Excerpts From a Family Medical Dictionary, The Terrible Girls, and The End of Youth.

Long out of print, Rebecca Brown's brilliant debut novel explores the psychic repercussions of growing up in an alcoholic family, and the ways in which one woman's past continues to inform and inhabit her life. Robin Daley's childhood is dominated by a sense of impermanence: Her hard-drinking father disappears as suddenly and unexpectedly as he arrives. Her adulthood offers an escape, but strange things happen when the dark corners and locked rooms of family life are revealed. Rebecca Brown is the author of The Gifts of the Body, The Last Time I Saw You, and The End of Youth. She lives in Seattle.

"Everything and nothing is sacred in Rebecca Brown's essays. Tongue, word, thought, and intellect all conspire in a free language love of living history, divination, sex, solitude and amusement. She is America's only real rock n' roll schoolteacher. Lessons layered with profundity and protracted parallels. Where old world religion, Gertrude Stein and Oreo cookies co-exist in an actual and mystic world of wonder." --Thurston Moore, Sonic Youth "If Rebecca Brown's talent for prose were any tighter, it would be a lyric -- to a pop standard. An homage -- a menage -- to America, exposing what's laid bare in a comic tragic redux. I laughed till it hurt." --Van Dyke Parks, Composer/Arranger "Anyone who can get from the Eucharist, to a Necco Wafer, to the goo beween the Oreo wafers, to the Inquisition, to the goo between the legs of excited young women is a distant sibling of mine. She can dash and she can drift and she is not much interested in the really bad parts that might qualify as confession. She likes the float of quotidian living and I like to read the words upon which she floats."-- Dave Hickey, author of Air Guitar The impulse to tell our worst to a bunch of strangers has been fueling American self-hood for 300 years: there's a direct line from the Puritan confession narrative to today's lurid, inescapable exhibitionism. But whose stories are we telling? This collection of mordant, poignant, and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry, incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots, and fantasy that plays with the notion of what it is to be "American." Fantastical connections and unlikely meetings span the course of America's cultural history in a manic remix, featuring appearances by Brian Wilson, Gertrude Stein, Nathaniel Hawthorne, the Invisible Man, the Abligensian Crusade, John Wayne, Felix Mendelssohn, JFK, Shane, and God. Rebecca Brown's books include: The Gifts of the Body, The Last Time I Saw You, The Haunted House, Terrible Girls, and The End of Youth.

Asian Art is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history. Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation artCovers both imperially commissioned works and popular, vernacular artIncludes an accessible introduction which provides suggestions of thematic connections across the vast array of visual culture and historical time coveredCaptures the diversity and depth of Asian art through primary documents - from inscriptions and imperial decrees to writings by artists and travellers - and through examples of the very best scholarship in the fieldFeatures introductory material for each extract, an easy-to-navigate chronological structure, and has been extensively tested by the editors and their colleagues in classrooms.

Asian Art is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history. Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation artCovers both imperially commissioned works and popular, vernacular artIncludes an accessible introduction which provides suggestions of thematic connections across the vast array of visual culture and historical time coveredCaptures the diversity and depth of Asian art through primary documents - from inscriptions and imperial decrees to writings by artists and travellers - and through examples of the very best scholarship in the fieldFeatures introductory material for each extract, an easy-to-navigate chronological structure, and has been extensively tested by the editors and their colleagues in classrooms.