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E-bok
PDF, Tyska, 20141 290 kr
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Die Oratorien Georg Friedrich Händels sind bekanntlich während des gesamten 19. Jahrhunderts aufgeführt worden. Diese Dokumentation bietet erstmals einen Überblick über Aufführungstraditionen und deren publizistische Resonanz in ausgewählten musikalischen Zeitschriften von 1800 bis 1900. Verzeichnet sind neben den Aufführungsdaten auch die verwendeten Fassungen bzw. Bearbeitungen, die Mitwirkenden sowie Aufführungskontexte, wobei auch Darbietungen von Teilen oder einzelnen Arien berücksichtigt werden. Einleitende Studien zu ausgewählten Aspekten eröffnen überdies Perspektiven für weitergehende Untersuchungen.As is well known, the oratorios of Georg Friedrich Händel were performed throughout the 19th century. Although Händel performances have already been dealt with in numerous studies, there still lacks an overall assessment of oratorio performances in this period. For the first time this documentation provides such a survey of performance traditions and pusblished criticisms in selected music periodicals from 1800 to 1900. Besides general information on the performances (work, date and venue), it also records details of the renditions and interpretations performed, the performers and the performance contexts, taking not only complete performances but also the presentation of parts or single arias into account. Introductory studies on selected aspects open up perspectives for further studies.
E-bok
PDF, Tyska, 2012774 kr
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Music of the fifteenth century shows a change in style, the origin of which contemporary historical and theoretical sources place in England. At the same time as English characteristics appear in the music of the new style, the ideas of humanism spead throughout Europe. However, both developments are difficult to grasp in musical terms; broadly speaking they are related to a new perception of music as sound (rather than arithmetic) and to the regional and temporary delimitation of the new style. The life, work and environment of John Dunstaple lend themselves to explore these developments, as his name is often mentioned in relation to the new style in theoretical writings of the fifteenth century, and in musical sources it is used as a marker for the English origin of a composition.