Rhea Anastas – författare

Polish avant-garde artist This monograph is a comprehensive tribute to the Polish artist Jadwiga Maziarska (1913-2003), featuring essays by renowned art historians and curators, and a selection of archival materials from 1940s-1990s. Maziarska was one of the most important voices of the avant-garde in Poland, alongside recently recognized Erna Rosenstein, her closest friend and interlocutor. The title "assembly" speaks to Maziarska as engineer and bricoleur of source materials and methods, producing an abstraction which is uncategorizable within the postwar Krakow Group (Grupa Krakowska II) and beyond. Her artistic processes were rooted in the physicality of assembling as a response to concepts of reproduction and modernity. Active from the 1940s through to the 1990s, Maziarska was informed by science, phenomenology, mass photography, printed reproductions and newspapers clippings, out of which she developed autonomous structures.

This monograph is a comprehensive tribute to the Polish artist Jadwiga Maziarska (1913-2003), featuring essays by renowned art historians and curators, and a selection of archival materials from 1940s-1990s. Maziarska was one of the most important voices of the avant-garde in Poland, alongside recently recognized Erna Rosenstein, her closest friend and interlocutor. The title "e;assembly"e; speaks to Maziarska as engineer and bricoleur of source materials and methods, producing an abstraction which is uncategorizable within the postwar Krakow Group (Grupa Krakowska II) and beyond. Her artistic processes were rooted in the physicality of assembling as a response to concepts of reproduction and modernity. Active from the 1940s through to the 1990s, Maziarska was informed by science, phenomenology, mass photography, printed reproductions and newspapers clippings, out of which she developed autonomous structures. Jadwiga Maziarska (1913-2003) studied and lived in Krakow. She was a member of the second Krakow Group (Grupa Krakowska II), co-established by Tadeusz Kantor. She was known as an outsider, focused on her daring and progressive experimentation with various media.

This monograph is a comprehensive tribute to the Polish artist Jadwiga Maziarska (1913-2003), featuring essays by renowned art historians and curators, and a selection of archival materials from 1940s-1990s. Maziarska was one of the most important voices of the avant-garde in Poland, alongside recently recognized Erna Rosenstein, her closest friend and interlocutor. The title "e;assembly"e; speaks to Maziarska as engineer and bricoleur of source materials and methods, producing an abstraction which is uncategorizable within the postwar Krakow Group (Grupa Krakowska II) and beyond. Her artistic processes were rooted in the physicality of assembling as a response to concepts of reproduction and modernity. Active from the 1940s through to the 1990s, Maziarska was informed by science, phenomenology, mass photography, printed reproductions and newspapers clippings, out of which she developed autonomous structures. Jadwiga Maziarska (1913-2003) studied and lived in Krakow. She was a member of the second Krakow Group (Grupa Krakowska II), co-established by Tadeusz Kantor. She was known as an outsider, focused on her daring and progressive experimentation with various media.

Updated documentation of The Theater of Refusal on the exhibition's 30th anniversaryPublished with Kunstlerhaus Stuttgart and The Brick.In 1993, at the University of California, Irvine, Charles Gaines and Catherine Lord mounted a category-breaking exhibition of Black artists from different generations, working across Fluxus, Conceptualism, assemblage, photography and installation. Challenging the racializing of Black artists’ work, the exhibition confronted the discourse around race difference in the United States by including excerpts of writing by art critics who had discussed the featured artists. On the 30th anniversary of this event, this publication reprints the eponymous 1993 volume documenting the show, which contained essays by Gaines, Lord and Berger, and the transcript of a roundtable of artists and writers. Reproducing images of the exhibition in color for the first time, this new edition augments the original publication with an essay by poet and scholar Fred Moten; recent conversations between Lord and Gaines; an interview with Gaines by Moten; and a new roundtable discussion moderated and edited by curator Jamillah James and Thomas (T.) Jean Lax.Artists include: Jean-Michel Basquiat, Renée Green, David Hammons, Ben Patterson, Sandra Rowe, Gary Simmons, Lorna Simpson, Carrie Mae Weems.