Richard Griscom – författare

Finished just weeks before his death, George Rochberg's eloquent memoir offers a detailed look at his fruitful life as a composer, publisher, and teacher of music. The volume traces a life immersed in music, with early study under George Szell and Gian Carlo Menotti and later long-term collaborations with the Concord Quartet and commissions for major orchestras and opera companies. Rochberg takes care to describe the intellectual and aesthetic changes that led him down certain paths as a composer, often challenging the conventions of the day. Reflecting on music, aesthetics, colleagues, and the life of the creative mind, Rochberg's memoir captures not only the spirit but also the intellectual climate of the second half of the twentieth century. Rochberg's life as a composer was marked by an ongoing search for his artistic place between tradition and the avant-garde, with an extensive oeuvre comprising over one hundred works including chamber ensembles, string quartets, symphonies, solo pieces, songs, and an opera. In addition to his importance as an American composer, he was also a central figure in academia and publishing. He served as chair of the University of Pennsylvania's music department, and as an editor and director of publications at the Theodore Presser Company, he helped marshal the company into one of the premier American musical publishing houses.Through the course of the book, Rochberg reveals the thought processes that led him in unexpected directions as he pursued the independent path of his career. This is the story of a creative mind developing, at times struggling, and constantly growing.Publication for this book was supported in part by a grant from the National Endowment for the Arts.

Fourteen authors explore the recent past, the present, and the future of music librarianship through an examination of topics of importance to the profession: collection development, preservation, cataloging, technology, copyright, reference, reference sources, user education, music publishing, sound recordings, the antiquarian music market, archives, and education for music librarianship. First published in the quarterly journal Notes, these essays reflect the views of today's professionals at the fin de siècle. The set of essays is framed by a foreword and afterword by editor Richard Griscom.