Robert Brennan – författare
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16 produkter
16 produkter
Häftad, Engelska, 2014
385 kr
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E-bok
Engelska, 2015633 kr
Läs direkt efter köp
The question of divine agency in the world remains one important unresolved underlying obstacle in the dialogue between theology and science. Modern notions of divine agency are shown to have developed out of the interaction of three factors in early modernity. Two are well known: late medieval perfect-being theology and the early modern application of the notion of the two books of God''s revelation to the understanding of the natural order. It is argued the third is the early modern appropriation of the Augustinian doctrine of inspiration. This assumes the soul''s existence and a particular description of divine agency in humans, which became more generally applied to divine agency in nature. Whereas Newton explicitly draws the parallel between divine agency in humans and that in nature, Darwin rejects its supposed perfection and Huxley raised serious questions regarding the traditional understanding of the soul. This book offers an alternative incarnational description of divine agency, freeing consideration of divine agency from being dependent on resolving the complex issues of perfect-being theology and the existence of the soul. In conversation with Barth''s pneumatology, this proposal is shown to remain theologically coherent and plausible while resolving or avoiding a range of known difficulties in the science-theology dialogue.
Inbunden, Engelska, 2015
593 kr
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Inbunden, Engelska, 2026
420 kr
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This book opens up new perspectives on the relationship between art, medicine, and science in late-medieval and early modern Europe. Looking beyond the traditional nexus of art, anatomy, and optics, the volume sheds light on a broader array of connections between artists and physicians: collaborations between painters and doctors on colour charts, handwork skills common to sculptors and surgeons, the transmission of art theory through medical texts long before the emergence of art writing itself as an independent genre, and the kinship of medical diagnosis with early modes of connoisseurship. Reconfiguring the histories of art, medicine, and science, the book also traverses conventional boundaries between physical and mental health, religious and medical modes of healing, menial and exalted forms of knowledge and labour, as well as vernacular and scientific understandings of human difference, including gender, race, and neurodiversity.
Inbunden, Engelska, 2000
273 kr
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Häftad, Engelska, 2015
363 kr
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E-bok
PDF, Engelska, 2014633 kr
Läs direkt efter köp
Del 3 - Renovatio Artium
Painting as a Modern Art in Early Renaissance Italy
Inbunden, Engelska, 2020
1 878 kr
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Del 5 - Activities for the Family Care
Activities for the Family Caregiver: Lewy Body Dementia: How to Engage, Engage to Live
Häftad, Engelska, 2015
236 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2015
240 kr
Skickas inom 3-6 vardagar
Del 2 - Activities for the Family Care
Activities for the Family Caregiver - Parkinson's Disease: How to Engage / How to Live
Häftad, Engelska, 2015
236 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2015
243 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2015
243 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2015
244 kr
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Inbunden, Engelska, 2024
358 kr
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Häftad, Engelska, 2022
349 kr
Skickas inom 7-10 vardagar
This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English’s rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.