Robert McDowell – författare

Why are poems important? What do people mean when they use the word prosody? How does a poem read and sound? How does a poem's shape--its form--help to create its meaning? Sound and Form in Modern Poetry provides useful answers to these questions for readers of poetry. Through careful attention to the poems of modern masters, the book offers an accessible guide to the way today's poems really work, and to the way they are linked in style to poems of earlier times. Poet, critic, and editor Robert McDowell has updated this classic text in the light of the poetic and critical developments of the last three decades. Segments on Dickinson, Robinson, Frost, Jeffers, and Lowell, among other poets, have been greatly expanded, and Ashbery, Creeley, Ginsberg, Hall, Kees, Kumin, Levertov, Levine, O'Hara, Plath, Rich, Simpson, and Wilbur added, among others. The epilogue discusses a new generation of poets whose works will likely be read well into the next century-- among others, Thomas M. Disch, Rita Dove, Dana Gioia, Emily Grosholz, Mark Jarman, Molly Peacock, Gjertrud Schnackenberg, Timothy Steele, Mary Swander, and Marilyn Nelson Waniek. Over the last ten years, the most inspiring topic of conversation and argument among poets and their readers has been the resurgence of narrative and traditional forms. The new Sound and Form in Modern Poetry is a seminal text in this discussion, examining not only this movement but all of the important developments (Dadaism, Surrealism, Imagism, Language Poetry, and the Confessional School) that have defined our poetry in the twentieth century and have set the stage for poetry's continued life in the twenty-first. The original Sound and Form in Modern Poetry enjoyed extensive classroom use as a text; the revised version promises to be even more accessible, and more essential, for years to come. The late Harvey Gross was Professor of Comparative Literature, State University of New York at Stony Brook. Robert McDowell is publisher and editor of Story Line Press, and is also poet, critic, translator, fiction writer, and essayist.

"[When we read and write poetry,] it is as if a long-settled cloud in our mind suddenly dissipates, and we are divine once again." -- from the Introduction Poetry is the language of devotion in prayer, chant, and song. Reading and writing poetry creates clarity, deepens and expands spiritual inquiry, and cultivates wisdom, compassion, self-confidence, patience, and love. In author Robert McDowell's words, poetry makes you into a tuning fork of the Divine. But poetry has disappeared over the centuries from religious ceremonies, academic curricula, and public discourse. In Poetry as Spiritual Practice, the first inspirational and instructional guide to combine poetry and spirituality, McDowell restores poetry as the natural language of spiritual practice and invites you to recognize poetry as "the pure sound and shape of your spirit." Vividly illustrated with a wide range of poems from all historical eras and poetic traditions, numerous religions and faiths, and McDowell's own and his students' work, Poetry as Spiritual Practice will reintroduce you to the unique pleasure of verse. And meditations throughout will allow you to integrate reading and writing poetry into your spiritual journeys and daily life. Since many of us have long forgotten, or never learned, the mechanics and terminology of poetry -- trochaic feet and tropes trip us up; we can't tell a villanelle from its shorter cousin, rondeau; and a terza rima may as well be a tanka -- this is also an instructional handbook on reading and writing poetry. An engaging guide through the landscape of world poetry, McDowell argues along the way for the many practical benefits of poetic literacy. Making poetry an essential part of daily rituals, aspirations, and intentions will put you on the path to greater meaning, growth, and peace in your life. At once an engaging technical primer, a profound meditation on the relationship between poetry and the Divine, and an inspirational guide for integrating poetry into spiritual practice, Poetry as Spiritual Practice will become a cherished companion.

"[When we read and write poetry,] it is as if a long-settled cloud in our mind suddenly dissipates, and we are divine once again." -- from the Introduction Poetry is the language of devotion in prayer, chant, and song. Reading and writing poetry creates clarity, deepens and expands spiritual inquiry, and cultivates wisdom, compassion, self-confidence, patience, and love. In author Robert McDowell''s words, poetry makes you into a tuning fork of the Divine. But poetry has disappeared over the centuries from religious ceremonies, academic curricula, and public discourse. In Poetry as Spiritual Practice, the first inspirational and instructional guide to combine poetry and spirituality, McDowell restores poetry as the natural language of spiritual practice and invites you to recognize poetry as "the pure sound and shape of your spirit." Vividly illustrated with a wide range of poems from all historical eras and poetic traditions, numerous religions and faiths, and McDowell''s own and his students'' work, Poetry as Spiritual Practice will reintroduce you to the unique pleasure of verse. And meditations throughout will allow you to integrate reading and writing poetry into your spiritual journeys and daily life. Since many of us have long forgotten, or never learned, the mechanics and terminology of poetry -- trochaic feet and tropes trip us up; we can''t tell a villanelle from its shorter cousin, rondeau; and a terza rima may as well be a tanka -- this is also an instructional handbook on reading and writing poetry. An engaging guide through the landscape of world poetry, McDowell argues along the way for the many practical benefits of poetic literacy. Making poetry an essential part of daily rituals, aspirations, and intentions will put you on the path to greater meaning, growth, and peace in your life. At once an engaging technical primer, a profound meditation on the relationship between poetry and the Divine, and an inspirational guide for integrating poetry into spiritual practice, Poetry as Spiritual Practice will become a cherished companion.

This book-length poem chronicles a family’s experience from the 1950s through the 1990s. The 1950s section was selected by Donald Hall for inclusion in the Best American Poetry series.The poet’s first full-length collection, Quiet Money's New Edition consists almost exclusively of longer narrative poems, including the title poem about a bootlegger/pilot who flew the Atlantic solo before Charles Lindbergh. This piece is often cited as one of the most important poems of the 1980s and the movement to revive storytelling in verse.

The poet’s first full-length collection, Quiet Money''s New Edition consists almost exclusively of longer narrative poems, including the title poem about a bootlegger/pilot who flew the Atlantic solo before Charles Lindbergh. This piece is often cited as one of the most important poems of the 1980s and the movement to revive storytelling in verse.

 

Robert McDowell's poems over the last 35 years are widely recognized as major achievements in reviving narrative and consistently striving to cre-ate, as poet and critic Chad Abushanab writes in his Introduction, "e;the song in the story"e;. McDow-ell in poetry also embraces Emily Dickinson's call to engage "e;Internal difference/Where the mean-ings, are"e;. McDowell's poems appear widely in magazines, journals, newspapers, anthologies and earlier collections.

This is a coming-of-age novel in which Emily Dickinson & Virginia Woolf return to this world and join forces to protect & assist a young woman artist, Lily, as she grows into her full power in love & work. Artfully written to appeal to adults and younger readers of serious literary fiction, the story takes place almost entirely in Ashland, Oregon and features appearances by several of the leg-endary Bloomsbury group, including Virginia's sister, Vanessa Bell and husband, Leonard, as well as Emily's sister Lavinia. The Mother Goddess of Ireland, Brigid, appears in an early segment. She grants Virginia's peti-tion to return to this realm to help Lily and it is she who also decides to send Emily Dickinson with her. Readers of Emily's poems and Virginia's To the Lighthouse, which this novel structurally mirrors, will discover added delight in echoes and allusions to the lives and works of these great writers.

This book-length poem chronicles a family's experience from the 1950s through the 1990s. The 1950s section was selected by Donald Hall for inclusion in the Best American Poetry series.The poet's first full-length collection, Quiet Money's New Edition consists almost exclusively of longer narrative poems, including the title poem about a bootlegger/pilot who flew the Atlantic solo before Charles Lindbergh. This piece is often cited as one of the most important poems of the 1980s and the movement to revive storytelling in verse.