Robert Murphy – författare

*Winner of Best New True Crime Author, CrimeCon UK True Crime Awards 2023* *Shortlisted for the ALCS Gold Dagger award for non-fiction, Crime Writers’ Association Awards 2023* The gripping true story of how Detective Superintendent Julie Mackay brought Melanie Road’s murderer to justice. BATH, 1984 Jean Road, a 49-year-old mother of three, awakens to news that her daughter Melanie has been murdered in a nearby street as she walked home from a club in the early hours.Britain’s biggest manhunt begins. A trail of blood is found leading away from the scene. It’s a rare blood type. But despite a year-long inquiry and 94 arrests, the case is wound down. No one is charged with Melanie’s murder. AVON & SOMERSET POLICE HQ, 2009 Detective Sergeant Julie Mackay, a 41-year-old single mother of three who has been overlooked for promotion for years, transfers to the Cold Case Unit. She unearths a file from the original inquiry and becomes hooked by the details: the rare blood type, Bath on a summer’s night, the investigative wrong turns … She takes on the case, and with the help of Melanie’s inspirational mother works tirelessly to rebuild it. This is the true story of how she did it.

The star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse – have been unveiled in the Grand Palais, Paris, ahead of what auctioneers have dubbed the art ‘sale of the century.’Yves Saint Laurent and Pierre Bergé amassed the collection together before the designer’s death in June 2008. The works, which had adorned the pair’s Paris flats, the Chateau Gabriel in Normandy and their home in Morocco, include antiquities, Old Master and 19th-century paintings and drawings, Art Deco pieces and European furniture and art. Now Pierre Bergé has decided to sell the entire collection. It’s the end of an era and the sale has already excited enormous interest and speculation. This book shows, for the first time, the collection in situ in the pair’s homes. Although some pieces have been photographed separately in the past, they have never been photographed together, making this beautifully produced book the ultimate record of one of the 20th century’s great collections.

*Winner of Best New True Crime Author, CrimeCon UK True Crime Awards 2023* *Shortlisted for the ALCS Gold Dagger award for non-fiction, Crime Writers’ Association Awards 2023* The gripping true story of how Detective Superintendent Julie Mackay brought Melanie Road’s murderer to justice. BATH, 1984 Jean Road, a 49-year-old mother of three, awakens to news that her daughter Melanie has been murdered in a nearby street as she walked home from a club in the early hours.Britain’s biggest manhunt begins. A trail of blood is found leading away from the scene. It’s a rare blood type. But despite a year-long inquiry and 94 arrests, the case is wound down. No one is charged with Melanie’s murder. AVON & SOMERSET POLICE HQ, 2009 Detective Sergeant Julie Mackay, a 41-year-old single mother of three who has been overlooked for promotion for years, transfers to the Cold Case Unit. She unearths a file from the original inquiry and becomes hooked by the details: the rare blood type, Bath on a summer’s night, the investigative wrong turns … She takes on the case, and with the help of Melanie’s inspirational mother works tirelessly to rebuild it. This is the true story of how she did it.

*Winner of Best New True Crime Author, CrimeCon UK True Crime Awards 2023**Shortlisted for the ALCS Gold Dagger award for non-fiction, Crime Writers’ Association Awards 2023*The gripping true story of how Detective Superintendent Julie Mackay brought Melanie Road’s murderer to justice.BATH, 1984Jean Road, a 49-year-old mother of three, awakens to news that her daughter Melanie has been murdered in a nearby street as she walked home from a club in the early hours.Britain’s biggest manhunt begins. A trail of blood is found leading away from the scene. It’s a rare blood type. But despite a year-long inquiry and 94 arrests, the case is wound down. No one is charged with Melanie’s murder.AVON & SOMERSET POLICE HQ, 2009Detective Sergeant Julie Mackay, a 41-year-old single mother of three who has been overlooked for promotion for years, transfers to the Cold Case Unit. She unearths a file from the original inquiry and becomes hooked by the details: the rare blood type, Bath on a summer’s night, the investigative wrong turns … She takes on the case, and with the help of Melanie’s inspirational mother works tirelessly to rebuild it.This is the true story of how she did it.

Winner of 'Best Book' and 'Impact for Change' True Crime Awards 2025 The shocking true story of one of Britain’s most secretive, groundbreaking and successful police covert operations Bristol, 1979. An attacker roams the streets… Young women are warned not to go out alone… Enter the Decoys. For several years, a prolific predator haunted Bristol. Avon and Somerset Police had tried all their usual tactics to catch the ‘Clifton Rapist’, and public pressure was mounting.In 1979, a daring new plan was introduced, unlike anything previously attempted by a UK police force. A small group of young female officers – some aged just 18 – put their lives on the line, walking the quiet residential roads late at night, acting as bait.Drawing on in-depth research and first-hand interviews with the women at the heart of the operation, Decoy is a dramatic retelling of one of the most groundbreaking agent provocateur stings in British history.

Winner of 'Best Book' and 'Impact for Change' True Crime Awards 2025 The shocking true story of one of Britain’s most secretive, groundbreaking and successful police covert operations Bristol, 1979. An attacker roams the streets… Young women are warned not to go out alone… Enter the Decoys. For several years, a prolific predator haunted Bristol. Avon and Somerset Police had tried all their usual tactics to catch the ‘Clifton Rapist’, and public pressure was mounting.In 1979, a daring new plan was introduced, unlike anything previously attempted by a UK police force. A small group of young female officers – some aged just 18 – put their lives on the line, walking the quiet residential roads late at night, acting as bait.Drawing on in-depth research and first-hand interviews with the women at the heart of the operation, Decoy is a dramatic retelling of one of the most groundbreaking agent provocateur stings in British history.

Winner of ''Best Book'' and ''Impact for Change'' True Crime Awards 2025The shocking true story of one of Britain’s most secretive, groundbreaking and successful police covert operationsBristol, 1979.An attacker roams the streets…Young women are warned not to go out alone…Enter the Decoys.For several years, a prolific predator haunted Bristol. Avon and Somerset Police had tried all their usual tactics to catch the ‘Clifton Rapist’, and public pressure was mounting.In 1979, a daring new plan was introduced, unlike anything previously attempted by a UK police force. A small group of young female officers – some aged just 18 – put their lives on the line, walking the quiet residential roads late at night, acting as bait.Drawing on in-depth research and first-hand interviews with the women at the heart of the operation, Decoy is a dramatic retelling of one of the most groundbreaking agent provocateur stings in British history.

When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of Women of the Forest reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Mundurucu people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Mundurucu, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword-written collectively by renowned anthropologists who were all students of the Murphys-is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.

When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of Women of the Forest reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Mundurucu people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Mundurucu, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword-written collectively by renowned anthropologists who were all students of the Murphys-is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period's most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50s seminal works including The Lavender Hill Mob and The Ladykillers.

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50s seminal works including The Lavender Hill Mob and The Ladykillers.

Serious scholarly writing and research on British cinema has burgeoned to a dizzying degree in recent decades, and this new four-volume collection from Routledge meets the need for an authoritative reference work to enable users to navigate and make sense of the subject’s large body of scholarship, and the continuing explosion in research output. Edited by Robert Murphy, the leading expert in the field, this new title is a ‘mini library’ of the foundational and the very best cutting-edge scholarship on British cinema.British Cinema provides an indispensable one-stop resource on the major periods, genres, studios, filmmakers, and debates in British cinema from the nineteenth century to the present day. The collection addresses a wide range of issues and topics including: British cinema as a ‘national’ cinema; its often difficult relationship with Hollywood; censorship; gender representation; distinctively British genres (not least, horror, comedy, and costume film); and the output of studios and directors (including immortals such as Alfred Hitchcock, David Lean, Alexander Mackendrick, and Michael Powell).British Cinema includes a full index and a comprehensive introduction, newly written by the editor, which places the collected material in its historical and intellectual context. It is an essential work of reference and is destined to be valued by scholars and advanced students of film studies as a vital research tool.

At a time when more and more of what people learn both in formal courses and in everyday life is mediated by technology, Learning Online provides a much-needed guide to different forms and applications of online learning. This book describes how online learning is being used in both K-12 and higher education settings as well as in learning outside of school. Particular online learning technologies, such as MOOCs (massive open online courses), multi-player games, learning analytics, and adaptive online practice environments, are described in terms of design principles, implementation, and contexts of use. Learning Online synthesizes research findings on the effectiveness of different types of online learning, but a major message of the book is that student outcomes arise from the joint influence of implementation, context, and learner characteristics interacting with technology--not from technology alone. The book describes available research about how best to implement different forms of online learning for specific kinds of students, subject areas, and contexts. Building on available evidence regarding practices that make online and blended learning more effective in different contexts, Learning Online draws implications for institutional and state policies that would promote judicious uses of online learning and effective implementation models. This in-depth research work concludes with a call for an online learning implementation research agenda, combining education institutions and research partners in a collaborative effort to generate and share evidence on effective practices.

At a time when more and more of what people learn both in formal courses and in everyday life is mediated by technology, Learning Online provides a much-needed guide to different forms and applications of online learning. This book describes how online learning is being used in both K-12 and higher education settings as well as in learning outside of school. Particular online learning technologies, such as MOOCs (massive open online courses), multi-player games, learning analytics, and adaptive online practice environments, are described in terms of design principles, implementation, and contexts of use. Learning Online synthesizes research findings on the effectiveness of different types of online learning, but a major message of the book is that student outcomes arise from the joint influence of implementation, context, and learner characteristics interacting with technology--not from technology alone. The book describes available research about how best to implement different forms of online learning for specific kinds of students, subject areas, and contexts. Building on available evidence regarding practices that make online and blended learning more effective in different contexts, Learning Online draws implications for institutional and state policies that would promote judicious uses of online learning and effective implementation models. This in-depth research work concludes with a call for an online learning implementation research agenda, combining education institutions and research partners in a collaborative effort to generate and share evidence on effective practices.

The Second World War was such a cataclysmic event that its echoes still reverberate over fifty years after it ended. One of the prime means of exploring the impact of the war has been the feature film. From In Which We Serve, Millions Like Us and The Way to the Stars, made during the war, to Above Us the Waves and the Dam Busters made in the 1950s, the war film became a staple of British cinema- but popular success was not paralleled by critical approval. Most criticism of British war films has been negative and sometimes derogatory, partly because of an intellectual preference for European and Hollywood cinema, and partly as a reaction against films which seemed to celebrate war. However, sufficient historical distance has now opened up to allow a more judicious view. From modestly budgeted, small-scale dramas like Sea of Sand to expensive and ambitious recreations of famous battles like A Bridge Too Far, these films show an impressive attention to truth and authenticity, while films such as The Cruel Sea stand out as unequalled explorations of the bleak reality of war.This unique book covers the whole range of British films about the Second World War, right up to The Land Girls (1998). It deals extensively with films made during the war but also offers detailed analysis of the huge numbers of films made after the war. Cinema reflected the all-pervasive nature of the war, and there are chapters devoted to war comedies, the representation of women and romance in relation to the war, and the disturbing legacy of the war on society. Complete with 25 black and white film stills and a comprehensive filmography and bibliography, British Cinema and the Second World War is an important resource for historians and film students alike. Robert Murphy is Professor in Film Studies at De Montfort University. He is the editor of British Cinema of the 90s (BFI Publications) and co-editor of British Crime Cinema (Routledge).

British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

Cutting through the clutter of management and leadership books, Manager vs. Leader: Untying the Gordian Knot works to differentiate the terms manager and leader. With these terms often used synonymously, misunderstanding leads to confusion and failed expectations at all levels of an organization. Providing both academic and practical organizational examples, this book challenges readers with ranging experience and knowledge to explore management and leadership in a new and comprehensive way.Enabling readers to better understand the nuances between leading and managing, this book provides historical context while guiding readers in understanding the impact each role has within an organization. Through brief explorations into Organization Development and Transformation, this book works through the state of the leadership concept and provides insights into future challenges for managers and leaders.Armed with historical context, a foundation to explore the terms manager and leader, and an open mind, readers will be able to more effectively manage expectations and interact with others whether professionally or personally.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period''s most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period''s most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.

Social, economic, and market conditions have posed a serious threat to the survival of small schools. This book focuses on the adaptation of small, private, and predominantly liberal arts colleges to the changing conditions and demands of higher education. The ability of small schools to remain a force in the American system of higher education is a compelling story and an example of the strategic management of academic organizations. The history and accomplishments of one school in particular, Keuka College in New York State, is profiled in detail, with emphasis on the role of the administration and the faculty in institutional decision-making. The study found that the increasing pressures to respond quickly to external conditions require a willingness to make decisions that often challenge traditional norms in the relationship between administration and faculty. The book also examines recent initiatives of other schools to competitively position themselves Accepting the reality that all colleges and universities compete for students, small schools have demonstrated an extraordinary ability to apply new and creative management practices, many of which are examined in the book. In addition to academic leaders, other audiences such as boards, faculty, historians and scholars of higher education will find the book a valuable reference.

Social, economic, and market conditions have posed a serious threat to the survival of small schools. This book focuses on the adaptation of small, private, and predominantly liberal arts colleges to the changing conditions and demands of higher education. The ability of small schools to remain a force in the American system of higher education is a compelling story and an example of the strategic management of academic organizations. The history and accomplishments of one school in particular, Keuka College in New York State, is profiled in detail, with emphasis on the role of the administration and the faculty in institutional decision-making. The study found that the increasing pressures to respond quickly to external conditions require a willingness to make decisions that often challenge traditional norms in the relationship between administration and faculty. The book also examines recent initiatives of other schools to competitively position themselves Accepting the reality that all colleges and universities compete for students, small schools have demonstrated an extraordinary ability to apply new and creative management practices, many of which are examined in the book. In addition to academic leaders, other audiences such as boards, faculty, historians and scholars of higher education will find the book a valuable reference.