Romana Radlwimmer – författare

This Palgrave Pivot offers new insights into leading Chicana writer Gloria Anzaldúa, investigating the dynamic composition of her texts, and situating her work in a larger hemispheric tendency of performativity emerging at the turn of the millennium. Presenting Anzaldúa as a quintessential figure of feminist and decolonial theory-making in the Americas, this book argues that the Chicana writer articulated her notions on fluctuations through “performative concepts” which did not respect the borders of single texts or editions, but organically grew through them. The offered close readings of Anzaldúa’s published works, drafts, and archive material demonstrate the constant changes and intertwined phases of her literary and conceptual production.

This Palgrave Pivot offers new insights into leading Chicana writer Gloria Anzaldúa, investigating the dynamic composition of her texts, and situating her work in a larger hemispheric tendency of performativity emerging at the turn of the millennium. Presenting Anzaldúa as a quintessential figure of feminist and decolonial theory-making in the Americas, this book argues that the Chicana writer articulated her notions on fluctuations through “performative concepts” which did not respect the borders of single texts or editions, but organically grew through them. The offered close readings of Anzaldúa’s published works, drafts, and archive material demonstrate the constant changes and intertwined phases of her literary and conceptual production.

During early modern European expansion, America emerged as dynamic meeting ground, continuously forging multidirectional global encounters. Relating Continents dismisses the semantics of ‘encounter’ which, in the politics of naming, euphemistically substitutes invasive violence, but invests in the notion’s dimension as an enactment of literary, cultural, and social relations, fusing people, goods, texts, artifacts, ideas, and senses of belonging. Understanding the practice of relating as both connecting and narrating, this anthology investigates the linking of continents in Romance literary and cultural history, as well as the tales of entanglement produced in the process. The contributors revisit the worldwide impact of distant or in-person negotiations between conquerors and local actors; they assess how colonial interventions shift hemispheric native networks, and they examine the ties between America, Africa, and Asia. By doing so, they prove the global constitution of early modern Spanish and Portuguese American literatures, their historical and cultural contexts, and their long-lasting legacies.

During early modern European expansion, America emerged as dynamic meeting ground, continuously forging multidirectional global encounters. Relating Continents dismisses the semantics of ‘encounter’ which, in the politics of naming, euphemistically substitutes invasive violence, but invests in the notion’s dimension as an enactment of literary, cultural, and social relations, fusing people, goods, texts, artifacts, ideas, and senses of belonging.

Understanding the practice of relating as both connecting and narrating, this anthology investigates the linking of continents in Romance literary and cultural history, as well as the tales of entanglement produced in the process. The contributors revisit the worldwide impact of distant or in-person negotiations between conquerors and local actors; they assess how colonial interventions shift hemispheric native networks, and they examine the ties between America, Africa, and Asia. By doing so, they prove the global constitution of early modern Spanish and Portuguese American literatures, their historical and cultural contexts, and their long-lasting legacies.

During early modern European expansion, America emerged as dynamic meeting ground, continuously forging multidirectional global encounters. Relating Continents dismisses the semantics of ‘encounter’ which, in the politics of naming, euphemistically substitutes invasive violence, but invests in the notion’s dimension as an enactment of literary, cultural, and social relations, fusing people, goods, texts, artifacts, ideas, and senses of belonging.

Understanding the practice of relating as both connecting and narrating, this anthology investigates the linking of continents in Romance literary and cultural history, as well as the tales of entanglement produced in the process. The contributors revisit the worldwide impact of distant or in-person negotiations between conquerors and local actors; they assess how colonial interventions shift hemispheric native networks, and they examine the ties between America, Africa, and Asia. By doing so, they prove the global constitution of early modern Spanish and Portuguese American literatures, their historical and cultural contexts, and their long-lasting legacies.

Early Modern expansionism and its aftermaths constitute a biopolitical laboratory, measuring social and individual well-being and decay, and defining healthy bodies and adequate remedies through policies controlling disease. This anthology traces the power over life and death from 16th century Chronicles of the Indies to Covid-19 narratives, asking how pathology and healing have been marked by the long shadows of colonialism, and how bodies, remedies, and policies intersect in contexts shaped by (post)imperial structures. The contributors analyze anatomies and configurations of the flesh, the space bodies inhabit in the mapping of immune systems, and the corporeal performances and discourses creating an infectious or robust biosphere. The authors revisit the preventive or reactive substances proposed or imagined for malady and recovery, and the way mixtures are applied. How can body practices and treatments be strategies to create or disturb impermeability and safety? How do institutional decisions, governmental laws, aesthetic interventions, or moral instructions regulate human thriving and suffering? Such questions, rooted in Romance Literatures, Colonial Studies, Medical History, and Biopolitics, are addressed in this book.

Welche Potenziale bieten Krisen? Welche gesellschaftliche Funktion übernimmt Kunst in Krisenzeiten? Wann führt die Auseinandersetzung mit Krisen zur Resilienz, wann zur Revolte? Inwieweit bieten Krisen und Krisennarrationen einen Interventions-, Innovations- und Inspirationsraum? Auf diese Fragen schlägt dieser Band Antworten vor, ausgehend von der Beobachtung, dass zahlreiche ästhetisch durchgebildete Text- und Bildmedien der Gegenwart auf wirtschaftliche, politische und soziale Krisensituationen reagieren.Die hier versammelten Beiträge zeigen allerdings nicht nur in synchroner, sondern auch in diachroner Perspektive Momente individueller und sozialer Ausweglosigkeit, die als ein Entgleisen der kollektiven und ein Entgleiten der eigenen Geschichte wahrgenommen werden, nicht aber notwendigerweise in Resignation münden. Im Gegenteil: Der Band zielt darauf ab, unterschiedliche mediale Ausdrucksformen historischer und gegenwärtiger Krisenreaktionen innerhalb der Romania zu bestimmen und zueinander in Beziehung zu setzen, um das gegenwartsdiagnostische Potenzial dieser Krisennarrationen und die daraus erwachsende Lust zur Intervention zu artikulieren.