Rudie van Leeuwen – författare

He was the most sought-after painter in the prosperous trading city of Amsterdam yet died completely impoverished. Though he never left his homeland, Rembrandt Harmensz. van Rijn's (1606–1669) work extends far beyond the confines of his personal experience, constituting some of the most effective and multifaceted works in art history, forever engraved on the collective memory – The Night Watch, epitomizing the flowering of Dutch urban culture in the 17th century, or Self-Portrait as Zeuxis, which remains enigmatic to this day.As an artist of the Dutch Golden Age, Rembrandt's interest was in human passions. Bible scenes such as Bathsheba with King David’s Letter (1654) also highlight the subjects’ vulnerability, going far beyond what had previously been depicted in painting. Rembrandt also left behind a large number of self-portraits – no other artist of the time portrayed himself so frequently, thus documenting his own development from youth to old age.Following our XXL bestseller, TASCHEN is now releasing this abridged, more compact edition featuring Rembrandt's paintings in stunning reproductions – from Belshazzar's Feast (c. 1635) to his furious late work, this is a chance to experience Rembrandt's painterly oeuvre in a whole new way.

He was the most sought-after painter in the prosperous trading city of Amsterdam yet died completely impoverished. Though he never left his homeland, Rembrandt Harmensz. van Rijn's (1606–1669) work extends far beyond the confines of his personal experience, constituting some of the most effective and multifaceted works in art history, forever engraved on the collective memory – The Night Watch, epitomizing the flowering of Dutch urban culture in the 17th century, or Self-Portrait as Zeuxis, which remains enigmatic to this day.As an artist of the Dutch Golden Age, Rembrandt's interest was in human passions. Bible scenes such as Bathsheba with King David’s Letter (1654) also highlight the subjects’ vulnerability, going far beyond what had previously been depicted in painting. Rembrandt also left behind a large number of self-portraits – no other artist of the time portrayed himself so frequently, thus documenting his own development from youth to old age.Following our XXL bestseller, TASCHEN is now releasing this abridged, more compact edition featuring Rembrandt's paintings in stunning reproductions – from Belshazzar's Feast (c. 1635) to his furious late work, this is a chance to experience Rembrandt's painterly oeuvre in a whole new way.

The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies—the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.This XL monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.

The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies—the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.This XL monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.