Samantha Williams – författare

Black Song: A Manifesto for Music and Justice centers acts of musical creation and performance that emerge from Black experiences, affirm Black humanity, and connect to Black communities. Written for scholars, performers, and music fans, the book shows that learning about Black Song and its creation is central to understanding both American music and Black American experiences. By providing a more inclusive, just, and accurate understanding of the art of Black Song, the authors disrupt and expand musical canons.Black Song shines a spotlight on the response, resistance, and community building that occur in musical creation in Black spaces, past and present. The authors explore histories and performances across musical styles—from classical to country to hiphop to opera to jazz to gospel to many others. They offer practical advice on how to perform, research, teach, and listen to this music. As they center Black Song in American history and music, they show that this music is a valuable tool for promoting productive and healing dialogues about race, justice, and history. Encouraging empathy and understanding, Black Song shows how to approach Black music and spaces with knowledge and respect.

Black Song: A Manifesto for Music and Justice centers acts of musical creation and performance that emerge from Black experiences, affirm Black humanity, and connect to Black communities. Written for scholars, performers, and music fans, the book shows that learning about Black Song and its creation is central to understanding both American music and Black American experiences. By providing a more inclusive, just, and accurate understanding of the art of Black Song, the authors disrupt and expand musical canons.Black Song shines a spotlight on the response, resistance, and community building that occur in musical creation in Black spaces, past and present. The authors explore histories and performances across musical styles—from classical to country to hiphop to opera to jazz to gospel to many others. They offer practical advice on how to perform, research, teach, and listen to this music. As they center Black Song in American history and music, they show that this music is a valuable tool for promoting productive and healing dialogues about race, justice, and history. Encouraging empathy and understanding, Black Song shows how to approach Black music and spaces with knowledge and respect.

Examination of welfare during the last years of the Poor Law, bringing out the impact of poverty on particular sections of society - the lone mother and the elderly.Social welfare, increasingly extensive during the seventeenth and eighteenth centuries, was by the first third of the nineteenth under considerable, and growing, pressure, during a "crisis" period when levels of poverty soared. This book examines the poor and their families during these final decades of the old Poor Law. It takes as a case study the lived experience of poor families in two Bedfordshire communities, Campton and Shefford, and contrasts it with the perspectives of other participants in parish politics, from the magistracy to the vestry, and from overseers to village ratepayers. It explores the problem of rising unemployment, the provision of parish make-work schemes,charitable provision and the wider makeshift economy, together with the attitudes of the ratepayers. That gender and life-cycle were crucial features of poverty is demonstrated: the lone mother and her dependent children and the elderly dominated the relief rolls. Poor relief might have been relatively generous but it was not pervasive - child allowances, in particular, were restricted in duration and value - and it by no means approximated to the income of other labouring families. Poor families must either have had access to additional resources, or led meagre lives.Samantha Williams is a university lecturer in local and regional history at the Institute of ContinuingEducation, Cambridge, and a Bye-Fellow in History, Girton College, Cambridge.

In this book Samantha Williams examines illegitimacy, unmarried parenthood and the old and new poor laws in a period of rising illegitimacy and poor relief expenditure. Illegitimacy and the poor law were interdependent and this book charts the experience of unmarried motherhood and the making of metropolitan bastardy.