Saul Williams – författare

In Martyr Loser King, the East Africa country of Burundi is a source of the precious mineral coltan, a component of every technology on earth. The people who mine coltan are exploited, and the land around the mines is used by the rest of the world as a dumping ground for defunct machines. But from the rubble, creativity and rebellion rise in the form of a hacker who calls himself Martyr_Loser_King and an otherworldly stranger named Neptune Frost. Together, they launch a cyberattack that reverberates throughout the world. But the world is too focused on old enemies to recognize a new transformative force that seeks not destruction, but rebirth and understanding.Steeped in mythology and history but inspired by present-day events, Martyr Loser King offers a glimpse of a future that doesn’t feel far from possible.

Synopsis coming soon.......

From the astonishing poet who gave readers Said the Shotgun to the Head, comes this provocative look into the galvanising force of hip hop. Bringing together the tale of the author's discovery' of an ancient scroll hidden beneath a graffiti masterpeice in an abandoned subway line along with the journal writings and popular performance pieces, The Dead Emcee Scrolls is a darkly humorous, electrifying tour de force as only Saul Williams could produce. Saul is every kind of great artist combined into one.' - Nas'

In the underground labyrinths of New York City''s subway system, beneath the third rail of a long forgotten line, Saul Williams discovered scrolls of aged yellowish-brown paper rolled tightly into a can of spray paint. His quest to decipher this mystical ancient text resulted in a primal understanding of the power hip-hop has to teach us about ourselves and the universe around us. Now, for the first time, Saul Williams shares with the world the wonder revealed to him by the Dead Emcee Scrolls. I have paraded as a poet for years now. In the proc ess of parading I may have actually become one, but that''s another story, another book. This book is a book that I have been waiting to finish since 1995. This is the book that finished me. The story I am about to tell may sound fantastic. It may anger some of you who have followed my work. You may feel that you have come to know me over the years, and in some cases you have, but in others...well, this is a confession.

Hailed as "a dreadlocked dervish of words...the Bob Marley of American poets" (Esquire), Saul Williams is a gifted young poet who is opening up this literary art form to a new generation of readers. Like his writing -- a fearless mix of connecting rhythms and vibrant images -- Saul Williams is unstoppable. He received raves for his performance as an imprisoned street poet in the Trimark Pictures release Slam, winner of the Camera d''Or at Cannes and the Grand Jury prize at the 1998 Sundance Film Festival. The consummate spoken-word performance artist, Williams has also been signed by producer Rick Rubin to record a CD of his poetry.She is a fascinating and unique collection of interconnected poems by this multi-talented star -- and marks the beginning of an incredible and totally original artistic career.

The greatest AmericansHave not been born yetThey are waiting quietlyFor their past to dieplease give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...

CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.

In his greatly anticipated new full-length book of poetry, the first since The Dead Emcee Scrolls in 2006, “the poet laureate of hip-hop” (CNN) Saul Williams presents his ideas, observations, realizations, dreams, and questions about the state of America, the American psyche, and what it means to be American.After four years abroad, Williams returned to the United States and found his head twirling with thoughts on race, class, gender, finance, freedom, guns, cooking shows, dog shows, superheroes, not-so-super politicians—everything that makes up our country. US(a.) is a collection of poems that embodies the spirit of a culture that questions sentiments and realities, embracing a cross-section of pop culture, hip-hop, and the greater world politic of the moment. Williams explores what social media may only hint at—times and realities have changed; there is a connect and a disconnect. We are wirelessly connected to a past and path to which we are chained. Saul Williams stops and frisks the moment, makes it empty its pockets, and chronicles what’s inside. Here is an extraordinary book that will find its place in the hands and minds of a new generation.

Award-winning poet and performer Saul Williams explores how artists today must respond to systemic violence and injustice—in the words of Paul Robeson, by choosing sides.Songs My Mother Taught Me is Williams’ clear-eyed exploration of the role of the artist in these times by answering the question: what radicalized you? He answers by examining how his role models—writers and artists, from Amiri Baraka to local musicians in Brazilian bars to Palestinian hip-hop heads—have responded to imperialist violence, oppression, and genocide. Riffing on Paul Robeson’s famous declaration, Williams builds a provocative case for why today’s artists cannot remain neutral in the face of injustice. “We need songs that crumble empires,” he writes, “films that teach, remind, and inspire, poems that would make a despot revoke your citizenship.”The radical artists of the Vanguard Series offer new poetry and prose to answer the question, What does poetry have to do with politics?

Award-winning poet and performer Saul Williams explores how artists today must respond to systemic violence and injustice—in the words of Paul Robeson, by choosing sides.Songs My Mother Taught Me is Williams’ clear-eyed exploration of the role of the artist in these times by answering the question: what radicalized you? He answers by examining how his role models—writers and artists, from Amiri Baraka to local musicians in Brazilian bars to Palestinian hip-hop heads—have responded to imperialist violence, oppression, and genocide. Riffing on Paul Robeson’s famous declaration, Williams builds a provocative case for why today’s artists cannot remain neutral in the face of injustice. “We need songs that crumble empires,” he writes, “films that teach, remind, and inspire, poems that would make a despot revoke your citizenship.”The radical artists of the Vanguard Series offer new poetry and prose to answer the question, What does poetry have to do with politics?