Scott Barretta – författare

An illustrated history of blues music, featuring blues artists of every era, over 350 stunning photographs and illustrations, and a wealth of rare graphic memorabilia Foreword by Marshall Chess, veteran record producer with legendary Chicago rhythm-and-blues label, Chess Records The deceptively simple, 12-bar musical form of blues has become the common denominator that has driven the popular music of the last hundred years. As John Lee Hooker put it: “The music we play . . . that music is the roots. Rock music, everything else, is like a branch on the same tree. It all comes from the blues.” Charting the history of blues music from its rural roots in the American South, and focusing on the key musicians and singers who brought it recognition worldwide, The Blues: A Visual History is a unique and fully illustrated account of the development of the blues, and features:  350 stunning photographs and illustrationsA wealth of archive photographyRare graphic memorabiliaBlues artists of every era, from pioneers like Ma Rainey and Robert Johnson, through legends such as Muddy Waters and B. B. King, to newer stars like Keb' Mo', Dom Flemons, and Shemekia CopelandForeword by Marshall Chess, veteran record producer with his family’s legendary Chicago rhythm-and-blues label, Chess RecordsAuthor Mike Evans is a musician, editor, and author whose books include the best-selling Elvis: A Celebration, and Ray Charles: The Birth of Soul. Consultant editor Robert Gordon is a Grammy Award–winning writer and filmmaker specializing in the music of the American south, and Scott Barretta is a blues specialist writer, broadcaster, and lecturer.

Israel G. “Izzy” Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young’s first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young’s typewriter. Young would also stage Dylan’s first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son House, and Mississippi John Hurt.The Conscience of the Folk Revival: The Writings of Israel “Izzy” Young collects Young’s writing, from his regular column “Frets and Frails” for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by offering Young’s detailed, day-by-day accounts. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.