Sei Shonagon – författare

'A mistress of wry observation and scalding wit ... The Pillow Book retains its fresh, authentic appeal more than 1,000 years after its inception' Japan TimesWritten by the court gentlewoman Sei Shonagon as a journal for her own amusement, The Pillow Book is one of the greatest works of Japanese literature. A fascinating exploration of life amongst the nobility at the height of the idyllic Heian period, it describes the exquisite pleasures of a confined world in which poetry, love, fashion and whim dominated. From brief reflections to longer, lyrical tales, Shonagon moves elegantly across themes including nature, society and her own flirtations and frustrations, to provide a witty, unique insight into a woman's life at court in classical Japan.Translated with an introduction by Meredith McKinney

90 classic titles celebrating 90 years of Penguin BooksAll moonlight is moving, wherever it may be…Japanese gentlewoman Sei Shonagon invites us to look behind the painted screens in the Emperor’s palace and discover a lost world, in which games of poetry are the highest form of wit, lovers send each other elegant morning-after letters, and appreciation of the natural world – wild geese in autumn, the pure white frost of winter – is one of life’s most exquisite pleasures.

In the tenth century, Japan was both physically and culturally isolated from the rest of the world. The Pillow Book recaptures this lost world with the diary of a young court lady. Sei Shōnagon was a contemporary of Murasaki Shikibu, who wrote the well-known novel The Tale of Genji. Unlike the latter's fictionalized view of the Heian-era court, Shōnagon's journal provides a lively miscellany of anecdotes, observations, and gossip, intended to be read in juicy bits and pieces.This unique volume was first rendered into English in 1889. In 1928, Arthur Waley, a seminal figure in the Western studies of Japanese culture, undertook a translation. The distinguished scholar devised this abridged version of the text, re-creating in English the stylistic beauty of its prose and the vitality of its narrative. Waley's interpretation offers a fascinating glimpse of the artistic pursuits of the royal court and its constant round of rituals, festivals, and ceremonies.Reprint of the 1928 edition.

“A preacher ought to be good looking. For if we are to properly understand his worthy sentiments, we must keep our eyes on him while he speaks … ”“Hateful things: one has been foolish enough to invite a man to spend the night in an unsuitable place – and then he starts snoring.”“Things that give a clean feeling: the play of light on w ater as one pours it into a vessel.”Known for its refined style, sharp wit and observational detail, The Pillow Book is a masterpiece of Japanese literature that introduces the reader to the musings of lady-in-waiting Sei Shōnagon, who spent her life inside the Japanese Imperial court in the early 11th century. Bold, funny and highly perceptive, Sei Shōnagon offers a deeply personal view of court life – including the ceremony, the pomp and the elegance – but most of all, provides an intimate view of human foibles and behaviour. If Sei Shōnagon was alive today, she would be a social media phenomenon.The Pillow Book is a classic example of zuihitsu, a genre of loosely connected essays, lists and diary entries that reflect the author’s spontaneous thoughts. This abridged edition offers hundreds of stories, poems and aphorisms from the original, exploring themes as wide-ranging as tales of annoying lovers who make too much noise on leaving a room in the early morning; through a court scene where a misbehaving cat disrupts a royal visit; to the delights of pinching a plump baby or seeing a garden covered in fresh snow.Beautifully produced in traditional Chinese binding, The Pillow Book is an utterly delightful collection that will amuse, entrance and surprise at turns.