Selva Almada – författare

Shortlisted for the International Booker Prize 2024Three men go out fishing, returning to a favourite spot on the river despite their memories of a terrible accident there years earlier. As a long, sultry day passes, they drink and cook and talk and dance, and try to overcome the ghosts of their past. But they are outsiders, and this intimate, peculiar moment also puts them at odds with the inhabitants of this watery universe, both human and otherwise. The forest presses close, and violence seems inevitable, but can another tragedy be avoided?Rippling across time like the river that runs through it, Selva Almada’s latest novel is the finest expression yet of her compelling style and singular vision of rural Argentina.One of the Best Books of 2020 in Clarín and La NaciónShortlisted for the Mario Vargas Llosa Novel Prize

Author of International Booker Finalist Not a RiverTwo young men, Pájaro Tamai and Marciano Miranda, are dying in a deserted amusement park. The story begins almost at its end, just after the two main characters have faced off in a knife fight: the culmination of a rivalry that has pitted them against one another since childhood. The present in Brickmakers is a state of impending death, at moments marked by dream-like visions: Marciano is visited by the ghost of his father, who was murdered when he was a teenager, a father he had sworn to avenge, in a promise he could not keep. Pájaro is also visited, in a recurring nightmare, by his abusive father who disappeared years earlier.Narrated with fury and passion, reminiscent of William Faulkner or Katherine Anne Porter, Brickmakers is a rural tragedy in the great American tradition, a story of love, honour and violence where everything is at stake. Reprising the powerful imagery and the filmic landscape of The Wind That Lays Waste, and the threatening atmosphere of Dead Girls, Brickmakers is yet another proof of Almada’s extraordinary talent.

Author of International Booker Finalist Not a RiverInternationally acclaimed author of Not a River , Selva Almada tackles the issue of gender violence in this hybrid work that follows in the tradition of Truman Capote's In Cold Blood or John Hersey's Hiroshima .Evoking with intimate first-hand knowledge the heat and dust of provincial Argentina, with all its secrets and conflicting loyalties, Almada tells the stories of three young women murdered in the early 1980s, as the country was celebrating its return to democracy. Three deaths that were never brought to justice and occurred long before the term 'femicide' became widely known: nineteen-year-old Andrea Danne, stabbed in her own bed; fifteen-year-old María Luisa Quevedo, raped, strangled, and dumped in wasteland; and twenty-year-old Sarita Mundín, whose disfigured body washed up on a river bank. In this brutal yet deeply important book, Selva Almada weaves these and other cases of violence against women into a clear-eyed, multi-faceted portrait that has global resonance.This is not a police chronicle, although there is an investigation. This is not a thriller, although there is mystery and suspense. Hard-hitting and lyrical, Almada blazes a new trail in journalistic fiction.

Author of International Booker Finalist Not a RiverInternationally acclaimed author of Not a River , Selva Almada tackles the issue of gender violence in this hybrid work that follows in the tradition of Truman Capote's In Cold Blood or John Hersey's Hiroshima .Evoking with intimate first-hand knowledge the heat and dust of provincial Argentina, with all its secrets and conflicting loyalties, Almada tells the stories of three young women murdered in the early 1980s, as the country was celebrating its return to democracy. Three deaths that were never brought to justice and occurred long before the term 'femicide' became widely known: nineteen-year-old Andrea Danne, stabbed in her own bed; fifteen-year-old María Luisa Quevedo, raped, strangled, and dumped in wasteland; and twenty-year-old Sarita Mundín, whose disfigured body washed up on a river bank. In this brutal yet deeply important book, Selva Almada weaves these and other cases of violence against women into a clear-eyed, multi-faceted portrait that has global resonance.This is not a police chronicle, although there is an investigation. This is not a thriller, although there is mystery and suspense. Hard-hitting and lyrical, Almada blazes a new trail in journalistic fiction.

Author of International Booker Finalist Not a RiverLeni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain.The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and his assistant, a boy called Tapioca. Over the course of a long day, curiosity and a sense of new opportunities develop into an unexpected intimacy. Yet this encounter between a man convinced of his righteousness and one mired in cynicism and apathy will become a battle for the very souls of the young pair: the quietly earnest and idealistic mechanic’s assistant, and the restless, sceptical preacher’s daughter. As tensions among the four ebb and flow, beliefs are questioned and allegiances tested, until finally the growing storm breaks over the plains.International Booker Prize-nominated Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a near-tangible experience of the landscape amid the hot winds, wrecked cars, sweat-stained shirts and damaged lives, told with the cinematic precision of a static road movie, like a Paris, Texas of the south. With echoes of Carson McCullers, The Wind That Lays Waste is a contemplative and powerfully distinctive novel.

Drei Männer, die zum Angeln fahren und mit den Bewohnern im benachbarten Ort beim abendlichen Tanzfest fast tödlich aneinander­geraten. Warum ? Männersachen ? Frauen­geschichten ? Dahinter verbirgt sich viel mehr, und auch deshalb ist das dunkle Wasser nicht nur ein Fluss, aus dem riesige Rochen gefischt werden und in dem Männer verschwinden. Die Argentinierin Selva Almada erzählt eine wilde Geschichte, in der vieles mitgeteilt und vielsagend verschwiegen wird. Niemand versteht es, die verhängnisvolle Männerwelt Lateinamerikas mit solch zarter Wucht zu beschwören, wie diese unvergleichliche Autorin.

Los ensayos de este libro trazan su andar por instantes solitarios, experiencias compartidas y paisajes naturales que nos convidan a seguir las huellas de la imaginación y la escritura, divididos en tres momentos: la quietud, la caminata y la siembra. Selva Almada nos lleva a su retiro semirrural en Argentina, donde la naturaleza y el silencio le dan sentido al entorno y a su relación con las palabras. Juan Pablo Villalobos descubre en un árbol visible desde su ventana en Barcelona un símbolo del paso del tiempo y la resistencia, metáfora de su propia forma de concebir la escritura. Cristina Rivera Garza invita al lector a caminar con ella por los bosques, parques y jardines de Houston, para mostrarnos que Deambular otra vez es un acto de descubrimiento, un encuentro constante con el mundo, la imaginación y el lenguaje.