Shirley Samuels – författare

Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war''s assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war''s practices of wounding and death are also bodies made static for the camera''s gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans''s Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.

This collection of critical essays develops the study of nineteenth-century sentimentality by examining it in light of the so-called `women's culture' and of issues of race.

Samuels looks at the relations among sexual, political, and familial rhetoric in American writing from 1790 to the 1850s. With a special focus on the depictions of the American Revolution and the use of the family as model and instrument of political forces, she examines how the historical novel formalizes some of the more extravagant features of the gothic novel while incorporating a sentimental vision of the family.

Facing America investigates and explains the changing face of America during the Civil War. Drawing on the literature as well as the photographs and political cartoons of the period, Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine.

Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war''s assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war''s practices of wounding and death are also bodies made static for the camera''s gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans''s Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.

Romances of the Republic contributes to the lively field of scholarship on the interconnection of ideology and history in early American literature. Shirley Samuels illustrates the relations of sexual, political, and familial rhetoric in American writing from 1790 to the 1850s. With special focus on depictions of the American Revolution and on the use of the family as a model and instrument of political forces, she examines how the historical novel formalizes the more extravagant features of the gothic novel--incest, murder, the horror of family--while incorporating a sentimental vision of the family. Samuels''s analysis deals with writers like Charles Brockden Brown, Catherine Sedgwick, James Fenimore Cooper, and Mason Weems, and argues that their novels formulated a family structure that, unlike earlier models, was neither patriarchal nor a revolt against patriarchy. In emphasizing sibling rivalry and inter-generational quarrels about marriage, the novel of this period attempted to unite disparate political, national, class, and even racial positions.

Samuels''s collection of critical essays gives body and scope to the subject of nineteenth-century sentimentality by situating it in terms of "women''s culture" and issues of race. Presenting an interdisciplinary range of approaches that consider sentimental culture before and after the Civil War, these critical studies of American literature and culture fundamentally reorient the field. Moving beyond alignment with either pro- or anti-sentimentality camps, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the culture of sentiment. Drawing on the fields of American cultural history, American studies, and literary criticism, the contributors include Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero, Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler.

This Companion presents the current state of criticism in the field of American fiction from the earliest declarations of nationhood to secession and civil war.

Draws heavily on historical and cultural contexts in its consideration of American fiction Relates the fiction of the period to conflicts about territory and sovereignty and to issues of gender, race, ethnicity and identity Covers different forms of fiction, including children’s literature, sketches, polemical pieces, historical romances, Gothic novels and novels of exploration Considers both canonical and lesser-known authors, including James Fennimore Cooper, Hannah Foster, Nathaniel Hawthorne, Herman Melville and Harriet Beecher Stowe Treats neglected topics, such as the Western novel, science and the novel, and American fiction in languages other than English

Abraham Lincoln's stature as an American cultural figure grows from his political legacy. In today's milieu, the speeches he delivered as the sixteenth president of the United States have become synonymous with American progress, values and exceptionalism. But what makes Lincoln's language so effective? Highlighting matters of style, affect, nationalism and history in nineteenth-century America, this collection examines the rhetorical power of Lincoln's prose - from the earliest legal decisions, stump speeches, anecdotes and letters, to the Gettysburg Address and the lingering power of the Second Inaugural Address. Through careful analysis of his correspondence with Civil War generals and his early poetry, the contributors, all literary and cultural critics, give readers a unique look into Lincoln's private life. Such a collection enables teachers, students, and readers of American history to assess the impact of this extraordinary writer - and rare politician - on the world's stage.

Abraham Lincoln's stature as an American cultural figure grows from his political legacy. In today's milieu, the speeches he delivered as the sixteenth president of the United States have become synonymous with American progress, values and exceptionalism. But what makes Lincoln's language so effective? Highlighting matters of style, affect, nationalism and history in nineteenth-century America, this collection examines the rhetorical power of Lincoln's prose - from the earliest legal decisions, stump speeches, anecdotes and letters, to the Gettysburg Address and the lingering power of the Second Inaugural Address. Through careful analysis of his correspondence with Civil War generals and his early poetry, the contributors, all literary and cultural critics, give readers a unique look into Lincoln's private life. Such a collection enables teachers, students, and readers of American history to assess the impact of this extraordinary writer - and rare politician - on the world's stage.

This Companion presents the current state of criticism in the field of American fiction from the earliest declarations of nationhood to secession and civil war. Draws heavily on historical and cultural contexts in its consideration of American fictionRelates the fiction of the period to conflicts about territory and sovereignty and to issues of gender, race, ethnicity and identityCovers different forms of fiction, including children’s literature, sketches, polemical pieces, historical romances, Gothic novels and novels of explorationConsiders both canonical and lesser-known authors, including James Fennimore Cooper, Hannah Foster, Nathaniel Hawthorne, Herman Melville and Harriet Beecher StoweTreats neglected topics, such as the Western novel, science and the novel, and American fiction in languages other than English

How the legacy of the Civil War—as presented by writers, poets, and artists of the time—has shaped American visions of democracyIn Haunted by the Civil War, Shirley Samuels explores the work of Walt Whitman, Emily Dickinson, Herman Melville, Frederick Douglass, Charlotte Perkins Gilman, and others to investigate the long cultural shadow of America’s cataclysmic sundering. Juxtaposing these texts with images—ranging from paintings by Winslow Homer to newspaper and magazine illustrations of political controversies—Samuels argues that the Civil War still haunts our attitudes toward democracy. The recent toppling of Confederate monuments, the continuing protests over racial and sexual discrimination, immigration, and Indigenous land rights: each of these forms part of the war’s legacy.Examining the fraught deliberations about an ideal American democracy in the early republic, Samuels turns to the language of sensation in the poetry of Melville, Dickinson, and Whitman alongside Lincoln’s relation to the poetic and visual culture of his time. She considers the haunted afterlives of war in the work of Louisa May Alcott and Harriet Beecher Stowe as well as in popular nineteenth-century inspirational fiction. And she investigates the literature of men at sea (and on rivers, enabling both connection and escape), as seen in Melville and Mark Twain, while examining women’s wartime work and experience, in writings by Gilman and Frances Harper.Why does the Civil War still haunt us? To find the answer, Samuels identifies not only the ghosts that cannot rest but also the cultural practices that name them.

How the legacy of the Civil Waras presented by writers, poets, and artists of the timehas shaped American visions of democracyIn Haunted by the Civil War, Shirley Samuels explores the work of Walt Whitman, Emily Dickinson, Herman Melville, Frederick Douglass, Charlotte Perkins Gilman, and others to investigate the long cultural shadow of America's cataclysmic sundering. Juxtaposing these texts with imagesranging from paintings by Winslow Homer to newspaper and magazine illustrations of political controversiesSamuels argues that the Civil War still haunts our attitudes toward democracy. The recent toppling of Confederate monuments, the continuing protests over racial and sexual discrimination, immigration, and Indigenous land rights: each of these forms part of the war's legacy.Examining the fraught deliberations about an ideal American democracy in the early republic, Samuels turns to the language of sensation in the poetry of Melville, Dickinson, and Whitman alongside Lincoln's relation to the poetic and visual culture of his time. She considers the haunted afterlives of war in the work of Louisa May Alcott and Harriet Beecher Stowe as well as in popular nineteenth-century inspirational fiction. And she investigates the literature of men at sea (and on rivers, enabling both connection and escape), as seen in Melville and Mark Twain, while examining women's wartime work and experience, in writings by Gilman and Frances Harper.Why does the Civil War still haunt us? To find the answer, Samuels identifies not only the ghosts that cannot rest but also the cultural practices that name them.

Abraham Lincoln''s stature as an American cultural figure grows from his political legacy. In today''s milieu, the speeches he delivered as the sixteenth president of the United States have become synonymous with American progress, values and exceptionalism. But what makes Lincoln''s language so effective? Highlighting matters of style, affect, nationalism and history in nineteenth-century America, this collection examines the rhetorical power of Lincoln''s prose – from the earliest legal decisions, stump speeches, anecdotes and letters, to the Gettysburg Address and the lingering power of the Second Inaugural Address. Through careful analysis of his correspondence with Civil War generals and his early poetry, the contributors, all literary and cultural critics, give readers a unique look into Lincoln''s private life. Such a collection enables teachers, students, and readers of American history to assess the impact of this extraordinary writer – and rare politician – on the world''s stage.

Abraham Lincoln''s stature as an American cultural figure grows from his political legacy. In today''s milieu, the speeches he delivered as the sixteenth president of the United States have become synonymous with American progress, values and exceptionalism. But what makes Lincoln''s language so effective? Highlighting matters of style, affect, nationalism and history in nineteenth-century America, this collection examines the rhetorical power of Lincoln''s prose – from the earliest legal decisions, stump speeches, anecdotes and letters, to the Gettysburg Address and the lingering power of the Second Inaugural Address. Through careful analysis of his correspondence with Civil War generals and his early poetry, the contributors, all literary and cultural critics, give readers a unique look into Lincoln''s private life. Such a collection enables teachers, students, and readers of American history to assess the impact of this extraordinary writer – and rare politician – on the world''s stage.

Reading the American Novel 1780-1865 provides valuable insights into the evolution and diversity of fictional genres produced in the United States from the late 18th century until the Civil War, and helps introductory students to interpret and understand the fiction from this popular period. Offers an overview of early fictional genres and introduces ways to interpret them today Features in depth examinations of specific novels Explores the social and historical contexts of the time to help the readers’ understanding of  the stories Explores questions of identity - about the novel, its 19th-century readers, and the emerging structure of the United States - as an important backdrop to understanding American fiction Profiles the major authors, including Louisa May Alcott, Charles Brockden Brown, James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Harriet Beecher Stowe, alongside less familiar writers such as Fanny Fern, Caroline Kirkland, George Lippard, Catharine Sedgwick, and E. D. E. N. Southworth Selected by Choice as a 2013 Outstanding Academic Title

Reading the American Novel 1780-1865 provides valuable insights into the evolution and diversity of fictional genres produced in the United States from the late 18th century until the Civil War, and helps introductory students to interpret and understand the fiction from this popular period. Offers an overview of early fictional genres and introduces ways to interpret them today Features in depth examinations of specific novels Explores the social and historical contexts of the time to help the readers’ understanding of  the stories Explores questions of identity - about the novel, its 19th-century readers, and the emerging structure of the United States - as an important backdrop to understanding American fiction Profiles the major authors, including Louisa May Alcott, Charles Brockden Brown, James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Harriet Beecher Stowe, alongside less familiar writers such as Fanny Fern, Caroline Kirkland, George Lippard, Catharine Sedgwick, and E. D. E. N. Southworth Selected by Choice as a 2013 Outstanding Academic Title

This Companion presents the current state of criticism in the field of American fiction from the earliest declarations of nationhood to secession and civil war. Draws heavily on historical and cultural contexts in its consideration of American fictionRelates the fiction of the period to conflicts about territory and sovereignty and to issues of gender, race, ethnicity and identityCovers different forms of fiction, including children’s literature, sketches, polemical pieces, historical romances, Gothic novels and novels of explorationConsiders both canonical and lesser-known authors, including James Fennimore Cooper, Hannah Foster, Nathaniel Hawthorne, Herman Melville and Harriet Beecher StoweTreats neglected topics, such as the Western novel, science and the novel, and American fiction in languages other than English

Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States.