Simon Hewitt – författare

Karl Marx's criticism of religion, as applied to afterlife belief, needs to be taken seriously by Christian theologians. After outlining that belief, the author examines a picture of heaven implicit in much Christian belief and practice which is susceptible to that critique. he sets out an alternative eschatology, centred on the Kingdom of God and the resurrection of the body, which is somewhat less susceptible. He then explores whether a doctrine of the intermediate state can be sustained in the light of Marx's criticisms. He goes on to examine the politics of remembrance in the light of Marxist criticism, and to ask whether Christianity can help compensate for the tragic character of Marxism. A constant theme is that Christian theology should exist in tension with Marx's criticisms, never assuming that it has overcome them completely.

Karl Marx's criticism of religion, as applied to afterlife belief, needs to be taken seriously by Christian theologians. After outlining that belief, the author examines a picture of heaven implicit in much Christian belief and practice which is susceptible to that critique. he sets out an alternative eschatology, centred on the Kingdom of God and the resurrection of the body, which is somewhat less susceptible. He then explores whether a doctrine of the intermediate state can be sustained in the light of Marx's criticisms. He goes on to examine the politics of remembrance in the light of Marxist criticism, and to ask whether Christianity can help compensate for the tragic character of Marxism. A constant theme is that Christian theology should exist in tension with Marx's criticisms, never assuming that it has overcome them completely.

Word-of-Mouth in Contemporary Hollywood provides a unique insight into the potential for online communication to enable audiences to exert a greater impact on film industrial practices than ever before. In an overarching analysis of contemporary Hollywood film financing, marketing, distribution, and exhibition practices, Simon Hewitt recontextualises word-of-mouth in light of social media and examines the growing impact of audience participation.Using a ‘Bourdieuconomic’ approach, he applies qualitative research methods to better understand the contemporary Hollywood film audience, the contemporary Hollywood film industry, and the mechanisms that connect the two. The book explores new film financing mechanisms that incorporate fans into the packages used to secure production funds. It assesses the role of ‘Grassroots Intermediaries’ in contemporary film marketing campaigns. It critiques ‘democratic’ crowdsourced methods of film distribution, and finally, it considers the possible future of Hollywood film exhibition.By helping to bridge the gap between the gift economy and commodity culture, this book will appeal to students and scholars of media industry studies, media finance and economics, fan and audience studies, film studies, film history, and media marketing.

Word-of-Mouth in Contemporary Hollywood provides a unique insight into the potential for online communication to enable audiences to exert a greater impact on film industrial practices than ever before. In an overarching analysis of contemporary Hollywood film financing, marketing, distribution, and exhibition practices, Simon Hewitt recontextualises word-of-mouth in light of social media and examines the growing impact of audience participation.Using a ‘Bourdieuconomic’ approach, he applies qualitative research methods to better understand the contemporary Hollywood film audience, the contemporary Hollywood film industry, and the mechanisms that connect the two. The book explores new film financing mechanisms that incorporate fans into the packages used to secure production funds. It assesses the role of ‘Grassroots Intermediaries’ in contemporary film marketing campaigns. It critiques ‘democratic’ crowdsourced methods of film distribution, and finally, it considers the possible future of Hollywood film exhibition.By helping to bridge the gap between the gift economy and commodity culture, this book will appeal to students and scholars of media industry studies, media finance and economics, fan and audience studies, film studies, film history, and media marketing.

This book is the first treatment at length of negative, or apophatic, theology within the analytic tradition.