Somalia Seaton – författare

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women’s lives through theatre.Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon.Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women’s theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Crowning Glory brings together the stories of seven women to explore the meaning of identity and beauty in today's world.This thought-provoking story is sure to make you laugh and cry, and will undoubtedly get you talking after the show.

Fall of the Kingdom, Rise of the Foot Soldier by Somalia Seaton - a racially-motivated attack on a student forces her teacher to confront the uncomfortable truth lurking beneath the community.Fraser Grace’s Always Orange, set in the aftermath of the London terrorist attacks, looking at how to be human in a world always on the edge.The Making Mischief Festival features work from some of today’s most exciting playwrights who are challenging and questioning our society. The Festival runs from 27 July to 27 August from The Other Place Studio Theatre, Stratford-upon-Avon.

Two explosive plays about the need to be seen.Somalia Seaton's House is a play about family, culture clash, memory and truth. When Pat returns to her childhood home after a five-year absence, she's ready to forgive her mother for the neglect she suffered at her hands, but Mama isn't ready to let the demons back into her home.In Chino Odimba's Amongst the Reeds, two friends scratch out a living on the margins of society. Oni and Gillian have made their home in a disused office block, finding ever more precarious ways to stay hidden from the authorities. But now Gillian is heavily pregnant, and visibility might be the only way to give her baby a chance.Commissioned by Clean Break and produced in association with the Yard Theatre, London, House + Amongst the Reeds premiered at the Edinburgh Festival Fringe in 2016, before transferring to The Yard.Acclaimed theatre company Clean Break produces ground-breaking plays with women writers and actors at the heart of its work. Founded in 1979 by two women prisoners who needed urgently to tell their stories through theatre, the company today has an independent education programme delivering theatre opportunities to women offenders and women at risk, in custodial and community settings.