Stephan Vanfleteren – författare

An ode to Alberic 'Briek' Schotte, the godfather of all flandriens.The heroes of the Tour of Flanders and the Paris-Roubaix are tough and determined. The Flemings specialise in riding on bad roads and in bad weather. This set of photos provides an intimate and emotional portrait of these legendary athletes, landscapes and the Flemish culture. Stephan Vanfleteren has been photographing cycling races in Belgium and its surrounding areas for more than 15 years already.With more than 100 images, carefully selected by photographer Stephan Vanfleteren.

First major retrospective from Stephan Vanfleteren, including previously unpublished work and extensive personal reflections and stories.

For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming of age as well as on impassioned artists in their old age. He sees the frozen corpse of a kingfisher and the body of a twisting dancer, and watches as the sunlight slowly shifts across his stage curtain.Vanfleteren connects to the traditions of old and contemporary masters but remains faithful to his characteristic style. His craftsmanship and artistic nature make us both witness and party to the splash of incoming light.With a text contribution by Ilja Leonard Pfeijffer.

In 1999, photographers Robert Huber and Stephan Vanfleteren travelled through the US in the wake of their hero, Elvis Presley. Elvis (Huber) and Presley (Vanfleteren) invite you to share their journey across the American landscape, from Times Square to Death Valley. Decked out in glittering jumpsuits, sunglasses, and big hair, this is the story of two European photojournalists who travelled across eleven states taking pictures of each other, Stephan Vanfleteren using black and white film, Robert Huber, colour. This is the ultimate pop idol on a tour of America, interacting with the people, the places, the history, the cool glances, the warm embraces, the hot coffee and the cheap motels that define modern life.

Belgicum is a photo project about Belgium. It is not an objective representation of a country but rather a subjective photographical document in black and white. It's a journey of exploration into a small country in the heart of Europe, at the turn of the centuries.More than fifteen years Vanfleteren has wandered through and hunted in the 'Belgicum' territories, guided by emotion and by the love for his homeland. He made a journey through a scarred land, in search of the irretrievable identity of a country with the melancholic soul of an old nation.Over the past ten years, over 11,000 copies were sold of this international bestseller. Belgicum grew out to be a reference work in the Belgian history of photography. On the occasion of the tenth birthday of this cult book, it was reprinted.With text by David Van Reybrouck.Text in English, French and Dutch.

During World War II, Adolf Hitler gave the order for a line of defense to be constructed along the coasts of the western front. Ranging from the French-Spanish border to the north of Norway, this Atlantic Wall is a series of bunkers, barricades and coastal batteries. Over the past year Stephan Vanfleteren photographed this 'wall' of more than 2600 kilometres in his well-known black-and-white style. He planted his tripod on various beaches in Belgium, the Netherlands and Germany, climbed cliff faces in France, sailed between the fjords of Norway and stood in the surf in Denmark to photograph the ruins of the largest military structure of the previous century. Vanfleteren shows with this series of photos his wonder for the untamed architectural beauty of these concrete structures and he shows the power of nature as it slowly reclaims these structures that were once considered impenetrable.