Stephen Jeffreys – författare

Four people live together in a large old house in London. They include Sherry a wacky girl trying to make it as a comedienne; Paul a pop music journalist; Paul's girlfriend Marion; and Howard, who is writing a left wing analysis of the corruption of capitalism under the Thatcher government. They all are perfectly content living where they are; until, that is, a developer offers them a huge sum of money to vacate. Soon, their talk about music and idealism gives way to heated discussions about real estate, capital appreciation and negotiating tactics.2 women, 4 men

‘I am up for it. All the time. That’s not a boast. Or an opinion. It is bone-hard medical fact.’
John Wilmot, Earl of Rochester. Charismatic poet, playwright and rake with a legendary appetite for excess. Yet when a chance encounter with an actress at the Playhouse sends him reeling, he is forced to reconsider everything he thinks and feels.With all the wit, flair and bawdiness of a Restoration comedy, Stephen Jeffreys’ brilliant play is an incisive critique of life in an age of excess.Originally performed at the Royal Court Theatre in 1994, The Libertine has been staged around the world, was adapted for radio, and became a film. This edition of the play was published alongside the 2016 production at the Theatre Royal Bath and Theatre Royal Haymarket, directed by Terry Johnson and starring Dominic Cooper as Wilmot.

A selection of the best work of Stephen Jeffreys, whose career stretches from an award-winning play at the National Student Drama Festival in 1977 through to an adaptation of The Alchemist for the RSC in 2016.Included here are his first big success, Valued Friends, a comedy of manners about the property market which won both the Evening Standard and Critics’ Circle Awards; a riotous farce set in the time of Elizabeth I, The Clink, in which a stand-up comedian becomes involved in the political skulduggery surrounding the ailing queen; an autobiographical drama set in 1966, A Going Concern, about a washed-up family business; and Jeffreys’ smash-hit, The Libertine, a Restoration romp about the licentious Earl of Rochester, much revived and also filmed with Johnny Depp.Rounding off the volume are two previously unpublished plays: Interruptions, inspired by Jeffreys’ interest in the collective aspect of politics and his fascination with the Japanese aesthetic principle of Jo-ha-kyu; and a very likable, short autobiographical monologue, Finsbury Park.Together, all six plays represent the impressively wide range of topics and styles that Jeffreys embraced. Above all, each one of them is intensely and enjoyably theatrical to its very core.‘I had the great pleasure of working with Stephen Jeffreys on his play, The Libertine. Would that all playwrights had his openness, his talent, his hard-headedness, his experience, his enthusiasm, his complexity, and perhaps best of all his talent and interest in eliciting the best in others’ John Malkovich‘Stephen’s plays always bear the kitemark of unique, handcrafted quality’ Ian Rickson

For over two decades, Stephen Jeffreys's remarkable series of workshops attracted writers from all over the world and shaped the ideas of many of today's leading playwrights and theatre-makers. Now, with this inspiring, highly practical book, you too can learn from these acclaimed Masterclasses. Playwriting reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play. Drawing on a huge range of sources, it deconstructs playwriting into its constituent parts, and offers illuminating insights into:Structure – an in-depth exploration of the fundamental elements of drama, enabling you to choose instinctively the most effective structure for your playCharacter – advice on how to generate and write credible characters by exploring their three essential dimensions: story, breadth and depthHow to Write – techniques for writing great dialogue, dynamic scenes and compelling subtext, including how to improve your writing by approaching it from unfamiliar directionsWhat to Write – how to adopt different approaches to finding your material, how to explore the fundamental 'Nine Stories', and how to evaluate the potential of your ideasWritten by a true master of the craft, this authoritative guide will provide playwrights at every level of experience with a rich array of tools to apply to their own work.This edition, edited by Maeve McKeown, includes a Foreword by April De Angelis.'What Stephen Jeffreys doesn't know about playwriting isn't worth knowing'Stephen Daldry'Stephen Jeffreys is as important a teacher as he is brilliant a writer… Without him, I wouldn't have been able to write the plays that I have written'Simon Stephens'An incredibly useful writing helpmeet. As witty and humane as its author'Emma Thompson'What Stephen taught me has shaped my mind and I have shared this with countless writers'Kwame Kwei-Armah'Stephen was a true mentor… I still draw upon much of what he taught me today'Abi Morgan'Like a bird in the air, Stephen was utterly in his element as a teacher. We sat spellbound'Phyllida Lloyd'I had the great pleasure of working with Stephen on his play The Libertine. Would that all playwrights had his openness, his talent, his hard-headedness, his experience, his enthusiasm, his audacity, his complexity, and perhaps best of all his talent and interest in eliciting the best in others'John Malkovich'Stephen's wit was legendary. "Wit": from the proto-Indo-European word "weid" meaning "to see"/"to know". Stephen "saw" clearly and "knew" profoundly; which is why we sought out the clarity of his words and learned deeply from his laughter'Simon McBurney'Stephen was more than just a great bloke whose easy laugh set a room alight; he was a genuine geek, an obsessive about the craft of writing… As I read, I was reminded again of his deep connection to plays and how they work. There are gems in here, there is guidance, there is the spirit of Stephen Jeffreys'April De Angelis

A riotously funny satirical farce in the tradition of Rosencrantz and Guildenstern are Dead and Shakespeare in Love, from the author of The Libertine.Elizabeth I is tottering at death's door. Conspirators are everywhere. Lucius Bodkin, an Elizabethan stand-up comedian, becomes unwillingly involved in the political skullduggery and jiggery-pokery surrounding the ailing queen.The Clink could pass itself off as a long-lost Elizabethan comedy. In fact it is a brilliant political satire offering many sharp parallels with our own times, when art must be sponsored, but to be sponsored it must be 'safe'.Stephen Jeffreys's play was first staged by Paines Plough in 1990 on tour in Britain and Holland.