Steve Paul – författare

Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy.This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.

In the summer of 1917, Ernest Hemingway was an 18-year-old high school graduate unsure of his future. The American entry in the Great War stirred thoughts of joining the army. While many of his friends in Oak Park, Illinois, were heading to college, Hemingway couldn''t make up his mind, and eventually chose to begin a career in writing and journalism at one of the great newspapers of its day, the Kansas City Star. In six and a half months, Hemingway experienced a compressed, streetwise alternative to a college education, which opened his eyes to urban violence, the power of literature, the hard work of writing, and a constantly swirling stage of human comedy and drama. The Kansas City experience led Hemingway into the Red Cross ambulance service in Italy, where, two weeks before his 19th birthday, he was dangerously wounded at the front. Award-winning writer Steve Paul takes a measure of these experiences that transformed Hemingway from a "modest, rather shy and diffident boy" to a young man who was increasingly occupied by recording the truth as he saw it of crime, graft, exotic temptations, violence, and war. Hemingway at Eighteen sheds new light on this young man bound for greatness and a writer at the very beginning of his journey.

George Ehrlich Award Recipient In the summer of 1917, Ernest Hemingway was an eighteen-year-old high school graduate unsure of his future. The American entry into the Great War stirred thoughts of joining the army. While many of his friends in Oak Park, Illinois, were heading to college, Hemingway couldn''t make up his mind and eventually chose to begin a career in writing and journalism at the Kansas City Star, one of the great newspapers of its day. In six and a half months at the Star, Hemingway experienced a compressed, streetwise alternative to a college education that opened his eyes to urban violence, the power of literature, the hard work of writing, and a constantly swirling stage of human comedy and drama. The Kansas City experience led Hemingway into the Red Cross ambulance service in Italy, where, two weeks before his nineteenth birthday, he was dangerously wounded at the front. Award-winning writer Steve Paul takes a measure of this pivotal year when Hemingway''s self-invention and transformation began—from a "modest, rather shy and diffident boy" to a confident writer who aimed to find and record the truth throughout his life. Hemingway at Eighteen provides a fresh perspective on Hemingway''s writing, sheds new light on this young man bound for greatness, and introduces anew a legendary American writer at the very beginning of his journey.

"Light Bulb" by Nancy Pickard was selected for inclusion in The Best American Mystery Stories 2013, edited by Otto Penzler and Lisa Scottoline"Kansas City, famous for its jazz, its barbecue, and its shady history, provides the venue for this solid addition to Akashic's acclaimed noir anthology series."--Publishers Weekly"Hard-used heroes and heroines seem to live a lifetime in the stories...Each one seems almost novelistic in scope. Half novels-in-waiting, half journalistic anecdotes that are equally likely to appeal to Kansas City boosters and strangers."--Kirkus Reviews“Travel has many unexpected benefits, so even if you’ve never had a reason to visit the city itself, you’ll find Kansas City Noir surprisingly well worth the price of the ticket.”--Bookgasm"Picture steam rising from a sewer grate on a rain-slicked street. The sound of footsteps comes closer and closer behind you as you walk down a dark, downtown Kansas City alley. If this scenario entices you, then you just might enjoy Kansas City Noir."--Kansas City Public Television"What we heard was REALLY GOOD. So good in fact that we picked up a copy. Now we're... getting ready to read it in one sitting."--Tony's Kansas CityBrand-new stories from: J. Malcolm Garcia, Grace Suh, Daniel Woodrell, Kevin Prufer, Matthew Eck, Philip Stephens, Catherine Browder, John Lutz, Nancy Pickard, Linda Rodriguez, Andrés Rodríguez, Mitch Brian, Nadia Pflaum, and Phong Nguyen.Steve Paul has been a writer and editor at the The Kansas City Star since 1975. Currently the arts editor, he writes about music, books, architecture, food, and, occasionally, murder. He's the author of Architecture A to Z: An Elemental, Alphabetical Guide to Kansas City's Built Environment. A former bookseller and a native of Boston, he has served as a board member and officer of the National Book Critics Circle.