Steven Veerapen – författare

Discover how one man's obsession changed the world. Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society.

James VI and I, the first monarch to reign over Scotland, England and Ireland, has long endured a mixed reputation. To many, he is simply the homosexual King, the inveterate witch-roaster, the smelly sovereign who never washed, the colourless man behind the authorised Bible bearing his name, or the drooling fool whose speech could barely be understood. For too long, he has paled in comparison to his more celebrated Tudor and Stuart forebears.But who was he really? To what extent have myth, anecdote, and rumour obscured him?In this new and ground-breaking biography, James’s story is laid bare and a welter of scurrilous, outrageous assumptions penned by his political opponents put to rest. What emerges is a portrait of Elizabeth I's successor as his contemporaries knew him: a gregarious, idealistic man obsessed with the idea of family, whose personal and political goals could never match up to reality. With reference to letters, libels and state papers, it casts fresh light on the personal, domestic, international and sexual politics of this misunderstood sovereign.'A real page-turner for lovers of history' - Philippa Gregory

James VI and I, the first monarch to reign over Scotland, England and Ireland, has long endured a mixed reputation. To many, he is simply the homosexual King, the inveterate witch-roaster, the smelly sovereign who never washed, the colourless man behind the authorised Bible bearing his name, or the drooling fool whose speech could barely be understood. For too long, he has paled in comparison to his more celebrated Tudor and Stuart forebears.But who was he really? To what extent have myth, anecdote, and rumour obscured him?In this new and ground-breaking biography, James’s story is laid bare and a welter of scurrilous, outrageous assumptions penned by his political opponents put to rest. What emerges is a portrait of Elizabeth I's successor as his contemporaries knew him: a gregarious, idealistic man obsessed with the idea of family, whose personal and political goals could never match up to reality. With reference to letters, libels and state papers, it casts fresh light on the personal, domestic, international and sexual politics of this misunderstood sovereign.'A real page-turner for lovers of history' - Philippa Gregory

The true story behind the infamous life of Henry VIII.Henry VIII is England’s most famous king. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant, the religious disruptor and the much-married glutton.This groundbreaking study of Henry’s life examines and destroys many of the long-repeated myths about this complex monarch: he was not particularly gluttonous, not particularly prudish, and not particularly messy in his religious changes. Nor did he see himself as simply King of England. Drawing on archival sources from across the British Isles, Steven Veerapen reveals how Henry fashioned an image of himself as a law-abiding and benevolent emperor who dreamed of uniting England, Scotland, Ireland, Wales and swathes of France under Tudor rule.Yet the image was false and the dream a nightmare for his queens, his ministers and many of his subjects. This new portrait shows Henry for what he really was: a self-aggrandising actor who, by fair means and foul – murder plots, marriage negotiations and military ventures – did all he could to realise his imperial fantasy.'Brilliant, provocative and engaging ... A genuinely fresh biography of England’s most famous king' - Gareth Russell, author of Queen James

On the death of Elizabeth I, Anna of Denmark, wife to James VI and I, became the first queen consort of both England and Scotland. She offered her subjects north and south of the border an ideal of consortship: an attractive, fecund woman with a flair for display.Yet, history has been far from kind to the first British consort.Anna has been castigated as frivolous, vain, stupid, and more interested in dancing and pleasure than politics.This is unfair. As scholarship has recently begun to show, the queen was a determined, intelligent woman whose contributions to the cultural lives of her kingdoms was to prove of major importance in late-Renaissance Britain.This study aims to contextualise Anna not as a woman of minor significance in relation to the queens regnant of the sixteenth century, but as an inheritor of the bloody legacies of previous consorts north and south of the border.What emerges is a woman of wit, intelligence, and taste, who exploited political faction to her benefit and that of her children; who was canny enough to manage a slippery husband and sovereign; who sought creative avenues to mitigate the increasingly troublesome issue of her foreignness; and who provided the public face of monarchy in the teeth of an errant king who placed little stock in public opinion.

The Elizabethan era is generally understood to coincide with the blossoming of English language – it was the age of Shakespeare, Sidney, and Marlowe. Yet it is known also as a period of brutality and repression: saying or writing anything against the state, the queen, or its governors might result in hanging, fines, or the loss of limbs. Defaming neighbours could and frequently did result in a day in court, with slander emerging as a byword for unacceptable speech and writing.Academic interest has long been divided into studies which focus on the power relations underpinning literary production, the ways in which authorities sought to suppress and censor transgressive material, or the role slander played in religious polemic. This book will explore the legal backdrop which helped and hindered the production and curtailment of slanderous and seditious material across multiple sites. In so doing, it will seek to uncover exactly how slander and sedition were defined, regulated, punished, and, ultimately, negotiated by those who grappled over control of discourse.Through examination of the legal, theatrical, and religious conditions of the age of Elizabeth, this study will provide an explanation of the rise of the flagrantly slanderous political discourses of the seventeenth century.

Discover how one man's obsession changed the world. Witches – whether broomstick-riding spell-casters or Wiccan earth-worshippers – have been culturally relevant for centuries. For centuries, too, belief in the potency of witchcraft has been debated, accused witches have been hunted and punished, and film and TV productions have brought the witch and the witch-hunter to big and small screens.But where did our perception of witches – good and bad – come from? What motivated wide-scale panics about witchcraft during certain periods? How were alleged witches identified, accused, and variously tortured and punished?Steven Veerapen traces witches, witchcraft, and witch-hunters from the explosion of mass-trials under King James VI and I in the late sixteenth century to the death of the witch-hunting phenomenon in the early eighteenth century. Based on documents and the latest historical research, he explores what motivated widespread belief in demonic witchcraft throughout Britain as well as in continental Europe, what caused mass panics about alleged witches, and what led, ultimately, to the relegation of the witch – and the witch-hunter – to the realm of fantasy and the fringes of society.

Discover murder and mayhem in the court of Henry VIIISummer, 1522. In a wave of pomp, Henry VIII's court welcomes the Imperial emperor Charles V. Anthony Blanke – the son of the king's late 'black trumpet', John Blanke – is called to Hampton Court by Cardinal Wolsey who is preparing a gift for the King: a masque of King Arthur and the Black Knight. Anthony is set to take centre stage.Soon, the festive mood sours. Wolsey's historian is found gruesomely murdered and a reluctant Anthony is charged with investigating the crime. His mission takes him through ancient monastic libraries and the back streets of London and sees him lock horns with secretive monks, historian Polydore Vergil, and a new face at court, Anne Boleyn. Blanke must discover the murderer, secure the great masque, and avoid King Henry's wrath.'Beautifully written ... a unique tale told in a unique voice' - S.G. Maclean

Spring, 1523. Henry VIII readies England for war with France. The King’s chief minister, Cardinal Wolsey, prepares to open Parliament at Blackfriars. The eyes of the country turn towards London. But all is not well in Wolsey’s household. A visiting critic of the Cardinal is found brutally slain whilst awaiting an audience at Richmond Palace. He will not be the last to die.Anthony Blanke, trumpeter and groom, is once again called upon to unmask a murderer. Joining forces with Sir Thomas More, he is forced to confront the unpopularity of his master’s rule. As the bodies of the Cardinal’s enemies mount up around him, Anthony finds himself under suspicion. Journeying through the opulence of More’s home, the magnificence of Wolsey’s York Place, and the dank dungeons of London’s gaols, he must discover whether the murderer of the Cardinal’s critics is friend or foe.With time running out before Parliament sits, Anthony must clear his name and catch the killer before the King’s justice falls blindly upon him.